SOMERSET EPISODE 4
Writer: Steve Ungrey
SCENE ONE
FADE IN -- Alana’s apartment
In
a section of Somerset near the hospital sits a complex of multi-story apartment
buildings. This is the home to several dozen tenants, including one Alana
Singleton, who lives alone in the complex.
Light music plays as we fade in on the empty apartment, but we hear a rustling of keys and an unlocking door.
Alana walks in with takeout food and turns on the light, setting the
food on the counter. Pouring herself a glass of wine, we see her getting
out the takeout she ordered and sitting at the dining room table.
Alana looks around and smiles.
ALANA
Home sweet home.
She’s just about to take a bite when the phone rings.
ALANA
How do they always know to call at dinner?
She rises from the table and heads over to the phone, picking it up.
ALANA
Hello?
Victoria is in her bedroom at the Petterino house, having an opportunity to take it easy after time on the hospital floor.
VICTORIA
Ahh, I see you answer your phone differently than "fourth floor, nurse Singleton" at home.
ALANA
(Laughs) Hey, Tori! I thought you were off duty.
VICTORIA
I
am. Actually, I just stopped by the restaurant for a bit to check on
things, came home, read a bit of LaVyrle Spencer and wondered if you
were up for a little company.
ALANA
Ahh, don’t worry about it. You don't have to come over and keep me entertained.
VICTORIA
What if I brought a pint of ice cream?
ALANA
What flavor and what time can you get here? (Laughs)
VICTORIA
I take it that’s a yes. Mint chocolate chip it is and I’ll be over within a half hour.
ALANA
Fine and dandy. I’ll be looking for you then. See ya soon.
As
Alana puts down the phone and returns to her takeout, she looks around
and realizes this is the life. Opening the package, she begins eating --
light music plays and the picture fades to black.
We see an
overhead shot of downtown as the camera is pulling away. The Somerset
logo pops into position and goes toward the center of the screen as the
familiar theme plays and announcer Bill Wolff speaks.
BILL WOLFF: From New York. This… is Somerset. This portion
is brought to you today by mild Ivory liquid. Our creamiest, mildest
Ivory ever. Still helps hands stay young looking.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Exterior shot of small restaurant building
We
see the outside of a restaurant and hear cars honking in the
background. It’s a busy night in Somerset as people are scattering to
different places around the map.
The restaurant being shown is
Giovanni's, downtown Somerset's finest purveyor of Italian cuisine. We
dissolve to inside the restaurant, where Jack is meeting Sam, Lahoma and
Susannah for dinner.
JACK
Gang, welcome to Giovanni’s!
LAHOMA
I
can’t believe what’s been done with this place. It had a different name
when Sam and I lived here in Somerset, but they had the best pizza I
ever tasted outside of Oklahoma or Bay City. And I just loved the
architecture of this building.
SAM
Yes. This is one of the buildings I vividly remember from our old days here.
JACK
Yes. I think the place was called Arturo’s before this?
SAM
That was it! Arturo’s Pizza!
JACK
Arturo
retired about 25 years ago. Giovanni was one of the managers here and
then he bought the building. Arturo ran an Italian restaurant here
before he retired and Giovanni wanted to buy it right away and fulfill a
dream of owning his own restaurant. He succeeded.
SAM
With your help, I’m guessing?
JACK
Actually,
I wasn’t guilty of this. Giovanni and Rose did this all by themselves.
Which was quite a trick considering they were building a family by that
time. They’d already had Annabella and Johnny and I think Rose got
pregnant several years later with Victoria.
A gentleman in his fifties, Giovanni Petterino, comes out from the back.
GIOVANNI
Bongiorno, Jack! (Grabs him and gives him a hug) Welcome to Giovanni’s!
JACK
Giovanni, your positive outlook never changes one bit.
GIOVANNI
And why should it? Mmm. Life is good. I see you've brought dinner guests?
JACK
Absolutely. Your finest table for four, if you do have one tonight. Nice to see the place so busy.
GIOVANNI
For
you, anything. Considering you’re one of our oldest friends and you’re
in here practically every day, even if it’s for a drink. (Grabs four
menus) Right this way, my friends.
Giovanni seats the party at a big table for four and looks at Jack’s guests.
GIOVANNI
Jack, don’t be antisocial. And your guests are?
JACK
Giovanni, this is Somerset's newest lawyer, Susannah Lucas and her parents, Sam and Lahoma.
GIOVANNI
(Looking at Sam) You used to work in Somerset, didn’t you?
SAM
Am I that memorable a person? (Laughs)
GIOVANNI
No, I remember a Sam that Jack talked about many years ago. Something about an executive development program at Delaney Brands?
SAM
Then, yes, that would be me. I’m amazed you can recall back that far.
GIOVANNI
You probably guessed Jack and I go way back. Jack mentioned a few times about how your mentoring got him far in business.
LAHOMA
Then Sam must have done something right.
GIOVANNI
Right you are. Lahoma, it is so good to see you. (Looks at Susannah) And this is your darling daughter?
SUSANNAH
(Blushes) Charmed, I’m sure.
GIOVANNI
Ah, don’t mind me. Two darling daughters myself and a fine son. I’m a proud family man. You may run into Tori here soon.
JACK
Actually, you guys may run into each other before you know it. Susannah bought a house in Grant’s Preserve.
GIOVANNI
(Eyes widen) Wonderful! Now that deserves a bottle of the finest. Your choice.
SAM
Sure thing. Your choice, Giovanni. Susannah, Lahoma, that fine? (Both nod) Surprise us with something vintage.
GIOVANNI
Ah, good. Coming right up.
As Giovanni turns to head back toward the wine storage area, Susannah looks at the menu.
SUSANNAH
Well, there goes the diet. I can see where I'll be eating a lot when I need my Italian fix.
JACK
Provided
they don’t feed you with other things. They have a tendency to cook and
surprise their friends with way too much food to eat.
LAHOMA
It looks like this town has just exploded in growth in the last several years. What about other restaurants in the area?
JACK
Well,
we’ve got Bernard’s just down the street. He runs a watering hole that
also happens to serve some fine food as well. Some people tend to hang
out there after work. We also have a couple good steakhouses, some
Chinese...
LAHOMA
Oh, stop, you’re killing me already. What about the Hayloft and the Riverboat? Those were two really good places.
JACK
Actually,
the Hayloft is Bernard’s. He bought it from Bill Greeley about 30 years
ago and turned it into a one of a kind. They shut the original
Riverboat down after all that violence years and years ago.
SAM
You mean AFTER Ike Harding’s death there?
JACK
Yes.
It got to be a place where known criminals hung out. But someone
rehabbed the original boat and reopened the property on Lake Sinclair
several years ago. So same restaurant, new location.
LAHOMA
That was a nice place to eat.
JACK
Well, so is this. That’s why I wanted to bring you here. Eat. Then I tell you about everything I’ve got planned.
Susannah, Sam and Lahoma all have a look on their face as if they can't wait to hear it, as the picture fades to black.
BILL WOLFF: We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “Somerset” title card and hear a soft version of the theme)
BILL
WOLFF: And now, following station identification, we return to the
second half of Somerset. This portion of today’s program is brought to
you by Bold Plus, the full-strength powder detergent with the fabric
softener built right in.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- City Hall
An
exterior shot of a modern-looking office building is shown on screen.
Somerset City Hall, which is located inside one of the city’s taller
buildings that houses other government offices, is home to Nick Barclay,
the youngest city manager in Somerset’s history.
We see Nick as
he is getting ready to turn out the light after a long day on the job.
Just as he's about to douse the lights, Mike comes knocking on the door.
MIKE
Don't tell me Somerset's youngest city manager is ready to call it a day.
NICK
You thought I'd be burning the candle at both ends as usual?
MIKE
Come on. You know the old saying. All work and no play...
NICK
Yes. Yes, I know that one. You're the one that ends up dull, unfortunately.
MIKE
(Feigns shock) Et tu, Nicholas? I just thought I'd stop by and drop off this folder.
Nick picks up the paper off his desk and looks at Mike a little strangely.
NICK
Somerset's Bid For Bachelors? Is that a hint?
MIKE
Hey,
there will be bachelorettes there too. Sort of like Somerset’s version
of The Dating Game. And it’s a fundraiser for the hospital.
NICK
(Looks
it over) Now I remember this from a while back. And I should remember
it for sure. How did you come across this folder? Don't tell me you're
on the committee again.
MIKE
No, but they did leak me an
advance copy. Relax, it’s not like I’m volunteering you tomorrow. I
don’t think this is scheduled until October. They're still in the
planning stages.
NICK
Good, because time right now is something at a premium.
MIKE
I hear you. Many hours in the day and not enough time to get everything done?
NICK
(Nods furiously) Don't you know it. Actually, I am looking forward to my first trip away from here next week.
MIKE
Ah,
a junket. Let’s see, Nick. I better get out my notebook. (Reaches
inside jacket) And just how is Somerset’s taxpayer money being wasted?
Fruit fly research? The mating calls of Netherlands geese?
NICK
Stop, you’re killing me.
MIKE
I’ll be in Vegas all next week if you’d like to come see me.
NICK
Jack
thought it would be good for me to get my feet wet at this convention
in Washington. It's a convention for middle-population cities like ours.
Mayors, city managers from all across the country are going to be
there. It’s a way to network, that’s for sure.
MIKE
Ah, yes. Networking. Now are you any good at it?
NICK
Well, Jack’s hoping I am. I presume nothing will come of it, but it's not bad to get the name out there.
MIKE
So nothing eventful. In other words, perfect Register story.
NICK
Feel free to drop on by if you want a story on it.
MIKE
I'll be sure to come by when I'm on duty. Anyhow, take a look at that when you can. They’d love to have you.
NICK
I just bet they would.
Light music plays as Nick studies the paper, and we change scenes.
DISSOLVE TO -- Alana’s apartment
Tori
has also brought takeout food over with her, in addition to a bottle of
wine and the ice cream. The two are sharing the wine and eating their
respective takeout.
ALANA
So what led you to ask if it was all right to come on over? Trying to score brownie points with the head nurses?
VICTORIA
No, not at all. Just need to unwind.
ALANA
I
know that. Just giving you a hard time. Actually, you’re doing the
right thing. You need to do this so you’re not constantly worrying about
the hospital.
VICTORIA
You innocently mentioned something
about going home, watching a DVD, chatting on the computer... I figured
you could do that another night.
ALANA
I see. (Sips wine) And in the meantime, check and see how I'm doing here alone?
VICTORIA
Now did I say any such thing?
ALANA
(Sighs) Rose must really be worried about me.
VICTORIA
Well, she DID say it might be good if I checked on you.
Alana gets a sly grin on her face and laughs.
ALANA
Now the truth comes out. Tell Rose I'm doing just fine. I know how to relax, have a good evening away from the hospital...
VICTORIA
You know my mom. She just worries a bit, that's all.
ALANA
I'd have told you that you didn't have to drop by, but when you said the words ice cream I couldn't say no.
VICTORIA
Mint chocolate chip. You like?
ALANA
Me like. Open the box. Let's eat...
Alana and Victoria laugh as playful music fades us out of the scene to black.
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Alana’s apartment
We fade back in on Alana and Victoria each digging into a bowl of ice cream, knocking back and relaxing.
VICTORIA
I could get used to this.
ALANA
What, mint ice cream?
VICTORIA
No, the time away from the hospital. I'm not on duty again until tomorrow night, so I'm enjoying every last bit of freedom.
ALANA
Well,
enjoy it while it lasts. As you get more years on the job, it seems
like they want you more and more. Of course, I enjoy it.
VICTORIA
I do too. I keep telling myself when is enough enough, but I still have so much to learn.
ALANA
(Puts down bowl) And you're a fast learner. You'll be a pro in no time.
VICTORIA
Ah, I'm not worried. I'll be fine. Now you, on the other hand…
Alana shoots Victoria a dirty look.
ALANA
And just what do I have to learn?
VICTORIA
Just kidding.
Alana laughs, having been fooled by Tori's seriousness, as light music plays and the scene changes.
DISSOLVE TO -- Giovanni’s
Jack, Sam, Lahoma and Susannah are busy dining on Italian food and drink.
LAHOMA
Mmm... God, Jack, you weren't kidding.
JACK
Heavenly, or what?
SUSANNAH
No, I was thinking the other place. Sinful. Absolutely sinful. (Smiles) But good.
SAM
So
Jack… you mentioned something in the office a couple days back about
this grand scheme of yours, a plan that will turn Somerset on its ear.
What’s going on with it?
JACK
Patience. Finish eating, and then you hear about the grand scheme of things.
SUSANNAH
To hear you talk, it's the plan that will change everything.
JACK
Exactly.
Jack
smiles as he sips from his wine glass, looking intently at Susannah,
Lahoma and Sam. Mysterious music plays as the picture fades out for the
day.
COMMERCIAL BREAK
The Somerset logo reappears with the closing theme, accompanied by credits.
BILL WOLFF: Women’s dresses by Betsy Johnson. Sportswear by Alfani.
Join us each weekday at this time for the continuing
story of Somerset. This program was pre-recorded.
(For more quality drama be sure to check out OnTV, a site often imitated but NEVER duplicated.)
Sunday, January 6, 2013
Thursday, January 3, 2013
EPISODE 3 -- OLD MEMORIES
SOMERSET EPISODE 3
Writer: Steve Ungrey
SCENE ONE
FADE IN -- Cleypool Mansion
We see a shot of an imposing Gothic-style mansion nestled on a hill with sweeping views of downtown Somerset. This is the Cleypool mansion, formerly the Moore estate. Emily Moore and Philip Matson owned the house before both left Somerset in the mid-1970s. The house sat vacant for several years before the Cleypool family bought the property.
It is now the home of George and Zachary Cleypool, a father and son duo who are responsible for the day-to-day duties of the Cleybank Corporation.
George is inside sitting in his richly decorated study, smoking a pipe and looking at what appears to be a legal document amid the darkly-lit room. His butler, Fenwick, interrupts.
FENWICK
Excuse me, Master Cleypool. You have a package waiting for you.
George looks up from his documents and sees Fenwick’s package, and a broad smile breaks out on his face.
GEORGE
Oh, good! I hope it's the special one I've been waiting on for a while. The guy that designs these said he could make one for me but it might take some time.
Fenwick lifts up the package to bring it in, setting it close to George.
FENWICK
It better be good, sir… because this is one of the heaviest packages I've ever seen you get. I swear your collection of packages has gotten heavier by the day.
George takes the pipe out of his mouth and shakes his head in mock disappointment.
GEORGE
Fenwick, you know I'll compensate you for it.
FENWICK
With combat pay, I hope. My wine collection could use a new bottle or two. (Dryly smiles) Will that be all, Master Cleypool?
GEORGE
Yes, Fenwick, you may go. (Laughs)
As Fenwick exits, a younger man enters the study. The young man is Zachary Cleypool, George’s son. After exchanging pleasantries with Fenwick, Zachary approaches his dad.
ZACHARY
Afternoon, Dad. I haven’t seen you this excited in a long time.
GEORGE
Wait until you see what this is. That is, if it’s what I think it is.
ZACHARY
Uh, Dad? You want to run that by me again? Define the word is for me.
GEORGE
Oh, no, son… we’re not going down that road again. Never mind.
George opens the package and pulls out a large model of a city. He sets it on the table. It is what George believed it was. Inside is a model of downtown Somerset.
ZACHARY
Dad, other millionaires collect model trains. Planes. Cars. What are you doing collecting miniature cities?
GEORGE
Son! Take a closer look at the city.
George points down at the model and Zachary takes a look at the landscape. Once he sees downtown, he recognizes it immediately.
ZACHARY
Uh, Dad… what are you doing with a model of Somerset?
GEORGE
Son. I’m playing God, that’s what. Playing God.
Somewhat sinister music plays as George and Zachary look over the model of the city. The picture fades to black.
We see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen as the familiar theme plays and announcer Bill Wolff speaks.
BILL WOLFF: From New York. This… is Somerset. This portion brought to you today by Lilt, the only home permanent with gripper sponges. The way to shiny, beautiful hair.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Grant’s Preserve
We see a tree-lined street with leaves blowing as the camera focuses in on Susannah’s house. Sam and Lahoma are there helping Susannah move packages into the property.
Sam brings in some small furniture and sets it down, while Lahoma is at the counter unpacking dishes and glasses for the kitchen. The moving van arrived yesterday, and the three are busy putting stuff in Susannah’s new house.
SAM
Susannah, honey, where would you like this picture?
He shows a picture of the three of them off.
SUSANNAH
Dad, that goes right where I can see it at all times. Put it on the table right there and I’ll do some straightening out later.
LAHOMA
Your dishes survived the move perfectly, honey. Hope the glasses did, too.
Susannah goes over and looks in the box.
SUSANNAH
Oh, we did a good job with the packing. Everything looks just fine. Dad, what do you think?
Sam is looking a little misty-eyed.
SAM
I think… it looks beautiful.
Susannah is a little puzzled why Sam looks that way, and then she realizes what Sam is looking at. In one of the boxes he has seen an old photo of him with Lahoma and Susannah. The photo is from the early 1970s, likely just after Lahoma gave birth.
SUSANNAH
Oh, Dad… you should know I kept that photo for a long time.
SAM
I know. I figured anything related to family you kept. Isn’t there a few teddy bears in your collection still?
SUSANNAH
Well, Dad… I don’t sleep with a bear if that’s what you’re asking me. It always helps to keep these around if I should decide someday to have children.
SAM
I see. (Pauses) Guys, would you mind if I took off for a bit and cleared my head?
LAHOMA
Honey, are you okay?
SAM
Oh, just getting a little… sentimental, that’s all. I won’t be gone very long.
SUSANNAH
We’ve got it covered here, Dad. Don’t worry.
SAM
Good. Figured you two would like a little girl time.
He laughs, takes the keys and goes out the front door.
Susannah looks a little concerned as music plays to close out the scene.
DISSOLVE TO -- Another street in Grant’s Preserve
A nice, three-story, unassuming middle-class home with a few Italian-inspired touches is the home of the Petterino family. The Petterinos live in another section of Grant’s Preserve, just around the corner from Susannah Lucas.
We see a car driven by Victoria pull up in front of the home. She gets out of the vehicle and goes inside.
CUT TO -- Petterino kitchen
Inside the family’s kitchen is Rose Petterino, the matriarch of the family. Actually, matriarch may be too rough a word because Rose is only in her early 50s, but she dotes on her three children. She’s especially doting on Victoria because she’s the only one of the children home at this time.
Rose is in the kitchen, testing a sauce in a pan when Victoria walks in.
ROSE
Mmm mmm. Tori dear, taste.
VICTORIA
Well, I can see I’ll have to go to the gym for a workout later. (Kisses Rose on the cheek) And hello to you too, Mom.
She tastes off the spoon and gives a thumbs up.
VICTORIA
How many different kinds of pesto can you make?
ROSE
Oh, honey, it’s not pesto. It’s a different sauce Giovanni is thinking about testing in one or two dishes. What do you think, is it good?
VICTORIA
Well, if you say it's not pesto then it's not... it's good.
Rose’s brow furrows in mock disappointment.
ROSE
Are we not a fan of pesto, Tori?
VICTORIA
Of course I am! I grew up on Dad’s cooking and yours. Heaven forbid I say anything bad about it.
ROSE
Oh, we’ve made our fair share of bad dishes once in a while. Now THIS one, I shall tell Giovanni it means with your seal of approval. How was work today?
VICTORIA
It was good, Mom! I got to sit in the vaunted nurses lounge for the first time.
ROSE
Alert the media. My stars… you act as if the nurses lounge is a state secret.
VICTORIA
Well, before this, the student nurses just had coffee in the hospital cafeteria. Now I feel like I’ve been admitted to the inner sanctum.
ROSE
Oh, dear, the other nurses will get to use that lounge too.
Victoria reaches for the cupboard to grab a cup and then gets coffee from the counter.
VICTORIA
Mom, trust me. Seeing the lounge for the first time is a big deal. After this it’ll be second nature.
Rose sits at the counter as Victoria sips from her coffee cup.
ROSE
Honey, I think Alana really likes you as a nurse. She's raved about your abilities every time she stops in for takeout.
VICTORIA
I like Alana too. She’s a great mentor. She and Annabella are good friends. They haven’t done a lot together lately with how their jobs have fared...
ROSE
Honey, with Annabella in Italy that’s very hard.
VICTORIA
I know. Annabella has mentioned going out for a girls night out with Alana when she returns.
ROSE
She’s almost like family to us, honey. And the family socializes very well. Alana's almost like a sister to both of you and another child to us with Johnny in Denver.
VICTORIA
Alana thinks I’m jealous of Annabella at times, that I’m in her shadow. I'm not... am I?
ROSE
Oh, Tori. It couldn’t be farther from the truth!
She stands, comes over and puts a hand on Victoria’s shoulder.
ROSE
I know it's been hard listening to Giovanni moan on and on about Annabella this, Annabella that. But Giovanni and I love our children equally.
VICTORIA
Trust me, Mom, I’m not complaining. It will show in the end. (Pauses) Need a hand with the sauce?
ROSE
Sure honey, roll up the sleeves.
Victoria rises from the chair and helps Rose prepare more sauce as we hear light music in the background. The picture fades to black.
BILL WOLFF: We'll return to Somerset in just a moment.
COMMERCIAL BREAK
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(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF: And now, following station identification, we’ll continue with the second half of Somerset. This portion of today’s program is brought to you by Ivory, the soap without a lot of extra ingredients. For a pure, natural kind of clean… lather up with Ivory!
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Susannah’s house
Lahoma and Susannah are sitting at the kitchen counter, surveying the scene.
SUSANNAH
When did I get this much stuff?
LAHOMA
You forget your apartment in Oklahoma City had a lot of knick-knacks in it.
SUSANNAH
Well, this is a house with a lot more room. It will look better when I’m finished with it.
LAHOMA
Of that I am confident, honey. (Pauses) Now why don’t you tell me what’s on your mind?
SUSANNAH
Why did Dad decide not to help us and take off with one of the cars?
LAHOMA
Oh, Susie… I don’t think it was anything you did. I think he got a little misty-eyed looking at Somerset and how much it had changed. Realizing these houses are built on top of the plant where he worked for so long took a little getting used to and he wasn't ready.
SUSANNAH
These are just houses. Admittedly, they’re nice houses, but…
LAHOMA
Well, they’re not just houses to Dad. This town was a big part of his life. OUR life. This is the town where you were born. I know you didn't live here too long, honey, and I really admire your desire to come back to Somerset and start a new chapter...
SUSANNAH
But you think coming back here opened up a lot of wounds?
LAHOMA
Not wounds, honey. Memories. We came here thinking things were going to be so good. Sam had a great job at Delaney Brands, all was right with the world, I became pregnant and we had you…
SUSANNAH
Okay, now you’re going to make ME misty-eyed.
LAHOMA
Relax, honey. This isn’t bad. It’s just we had some tough times here in Somerset, and most of them were connected with Delaney Brands. When you and I left town, I thought we'd have to start a new life without Sam.
SUSANNAH
Then you had second thoughts and told people where we were.
LAHOMA
It got to the point where I couldn’t live without Sam. Yes, he had an affair…
SUSANNAH
But it was very brief. And if I’m not mistaken, didn’t the mob have something to do with it?
LAHOMA
Yes. Good old Leo Kurtz tried to break up our marriage. But we became stronger in the end because of it. God… when I called Ada and said where we were, I swore Sam broke the land speed record getting back to Oklahoma.
SUSANNAH
And I have a faint memory of him arriving back in Oklahoma and the two of you dancing around our living room.
LAHOMA
It only showed how much he loved me and you. But for a long time in our household, Somerset was a bad word.
SUSANNAH
Well, I intend on making it a good one.
Lahoma and Susannah lean in and share a tight hug. Soft music plays and the picture fades to black.
BILL WOLFF: We’ll return to Somerset in just a moment.
SCENE FOUR
FADE IN -- Bernard’s
After going back to the office for a bit and finishing some work, Michael has returned to Bernard’s, this time for a beer.
Another gentleman, in his mid 30s, walks in. The man, Nick Barclay, bellies up to the bar for a beer.
MICHAEL
Well, if it isn’t Somerset’s youngest-ever city manager. Off duty?
NICK
Yes, I am. On the prowl for a story, Mike?
MICHAEL
Naa. I was here earlier talking with Scott Garfield on a story about crime in Somerset.
NICK
Or lack thereof. We’ve been very lucky there. (Raps the tabletop) Knock on wood, of course.
Michael comes over and knocks on Nick’s head.
NICK
Very funny, man.
MICHAEL
Relax, Nick. You’re well-liked by us. I wouldn’t joke like this if we didn’t care for you.
NICK
I’ll keep that in mind.
MICHAEL
Hey, I’m talking to Jack tomorrow and he mentioned his big project. Any light you can shed with me on it?
NICK
On or off the record?
MICHAEL
Your choice.
NICK
Well, either way I couldn’t help you out. Jack has yet to brief ME on what's going on and I'm like a son to him.
MICHAEL
Ahh, he’ll tell you what’s going on. I think we all will.
NICK
That’s Jack’s plan, anyway. I’ve heard about this grand scheme of his and the more I hear about it, the more I think he’s serious.
MICHAEL
Indeed.
As Nick and Michael sip their beers, the scene dissolves.
DISSOLVE TO -- Cleypool Mansion
Zachary and George have put the model on a table and are studying it.
ZACHARY
Dad, whoever worked on this model really knew what he was doing.
GEORGE
Pretty lifelike, isn’t it son?
ZACHARY
Soon I'm going to wonder if you've got little people running around this model.
Zachary takes one look at the model and realizes some buildings are there that do not belong.
ZACHARY
Wait a minute. These buildings aren't a part of downtown Somerset. Nor are those. (Looks at George) What is this?
GEORGE
Oh, don’t worry, Zach. It’s Somerset. (Pauses) When I’m done with it.
The music swells to its conclusion as the picture fades to black and the Somerset credits roll.
COMMERCIAL BREAK
BILL WOLFF: Furniture by Rooms Today. Automobiles furnished by Pontiac.
Join us each weekday afternoon at this time for the continuing story of Somerset.
This program was pre-recorded.
Writer: Steve Ungrey
SCENE ONE
FADE IN -- Cleypool Mansion
We see a shot of an imposing Gothic-style mansion nestled on a hill with sweeping views of downtown Somerset. This is the Cleypool mansion, formerly the Moore estate. Emily Moore and Philip Matson owned the house before both left Somerset in the mid-1970s. The house sat vacant for several years before the Cleypool family bought the property.
It is now the home of George and Zachary Cleypool, a father and son duo who are responsible for the day-to-day duties of the Cleybank Corporation.
George is inside sitting in his richly decorated study, smoking a pipe and looking at what appears to be a legal document amid the darkly-lit room. His butler, Fenwick, interrupts.
FENWICK
Excuse me, Master Cleypool. You have a package waiting for you.
George looks up from his documents and sees Fenwick’s package, and a broad smile breaks out on his face.
GEORGE
Oh, good! I hope it's the special one I've been waiting on for a while. The guy that designs these said he could make one for me but it might take some time.
Fenwick lifts up the package to bring it in, setting it close to George.
FENWICK
It better be good, sir… because this is one of the heaviest packages I've ever seen you get. I swear your collection of packages has gotten heavier by the day.
George takes the pipe out of his mouth and shakes his head in mock disappointment.
GEORGE
Fenwick, you know I'll compensate you for it.
FENWICK
With combat pay, I hope. My wine collection could use a new bottle or two. (Dryly smiles) Will that be all, Master Cleypool?
GEORGE
Yes, Fenwick, you may go. (Laughs)
As Fenwick exits, a younger man enters the study. The young man is Zachary Cleypool, George’s son. After exchanging pleasantries with Fenwick, Zachary approaches his dad.
ZACHARY
Afternoon, Dad. I haven’t seen you this excited in a long time.
GEORGE
Wait until you see what this is. That is, if it’s what I think it is.
ZACHARY
Uh, Dad? You want to run that by me again? Define the word is for me.
GEORGE
Oh, no, son… we’re not going down that road again. Never mind.
George opens the package and pulls out a large model of a city. He sets it on the table. It is what George believed it was. Inside is a model of downtown Somerset.
ZACHARY
Dad, other millionaires collect model trains. Planes. Cars. What are you doing collecting miniature cities?
GEORGE
Son! Take a closer look at the city.
George points down at the model and Zachary takes a look at the landscape. Once he sees downtown, he recognizes it immediately.
ZACHARY
Uh, Dad… what are you doing with a model of Somerset?
GEORGE
Son. I’m playing God, that’s what. Playing God.
Somewhat sinister music plays as George and Zachary look over the model of the city. The picture fades to black.
We see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen as the familiar theme plays and announcer Bill Wolff speaks.
BILL WOLFF: From New York. This… is Somerset. This portion brought to you today by Lilt, the only home permanent with gripper sponges. The way to shiny, beautiful hair.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Grant’s Preserve
We see a tree-lined street with leaves blowing as the camera focuses in on Susannah’s house. Sam and Lahoma are there helping Susannah move packages into the property.
Sam brings in some small furniture and sets it down, while Lahoma is at the counter unpacking dishes and glasses for the kitchen. The moving van arrived yesterday, and the three are busy putting stuff in Susannah’s new house.
SAM
Susannah, honey, where would you like this picture?
He shows a picture of the three of them off.
SUSANNAH
Dad, that goes right where I can see it at all times. Put it on the table right there and I’ll do some straightening out later.
LAHOMA
Your dishes survived the move perfectly, honey. Hope the glasses did, too.
Susannah goes over and looks in the box.
SUSANNAH
Oh, we did a good job with the packing. Everything looks just fine. Dad, what do you think?
Sam is looking a little misty-eyed.
SAM
I think… it looks beautiful.
Susannah is a little puzzled why Sam looks that way, and then she realizes what Sam is looking at. In one of the boxes he has seen an old photo of him with Lahoma and Susannah. The photo is from the early 1970s, likely just after Lahoma gave birth.
SUSANNAH
Oh, Dad… you should know I kept that photo for a long time.
SAM
I know. I figured anything related to family you kept. Isn’t there a few teddy bears in your collection still?
SUSANNAH
Well, Dad… I don’t sleep with a bear if that’s what you’re asking me. It always helps to keep these around if I should decide someday to have children.
SAM
I see. (Pauses) Guys, would you mind if I took off for a bit and cleared my head?
LAHOMA
Honey, are you okay?
SAM
Oh, just getting a little… sentimental, that’s all. I won’t be gone very long.
SUSANNAH
We’ve got it covered here, Dad. Don’t worry.
SAM
Good. Figured you two would like a little girl time.
He laughs, takes the keys and goes out the front door.
Susannah looks a little concerned as music plays to close out the scene.
DISSOLVE TO -- Another street in Grant’s Preserve
A nice, three-story, unassuming middle-class home with a few Italian-inspired touches is the home of the Petterino family. The Petterinos live in another section of Grant’s Preserve, just around the corner from Susannah Lucas.
We see a car driven by Victoria pull up in front of the home. She gets out of the vehicle and goes inside.
CUT TO -- Petterino kitchen
Inside the family’s kitchen is Rose Petterino, the matriarch of the family. Actually, matriarch may be too rough a word because Rose is only in her early 50s, but she dotes on her three children. She’s especially doting on Victoria because she’s the only one of the children home at this time.
Rose is in the kitchen, testing a sauce in a pan when Victoria walks in.
ROSE
Mmm mmm. Tori dear, taste.
VICTORIA
Well, I can see I’ll have to go to the gym for a workout later. (Kisses Rose on the cheek) And hello to you too, Mom.
She tastes off the spoon and gives a thumbs up.
VICTORIA
How many different kinds of pesto can you make?
ROSE
Oh, honey, it’s not pesto. It’s a different sauce Giovanni is thinking about testing in one or two dishes. What do you think, is it good?
VICTORIA
Well, if you say it's not pesto then it's not... it's good.
Rose’s brow furrows in mock disappointment.
ROSE
Are we not a fan of pesto, Tori?
VICTORIA
Of course I am! I grew up on Dad’s cooking and yours. Heaven forbid I say anything bad about it.
ROSE
Oh, we’ve made our fair share of bad dishes once in a while. Now THIS one, I shall tell Giovanni it means with your seal of approval. How was work today?
VICTORIA
It was good, Mom! I got to sit in the vaunted nurses lounge for the first time.
ROSE
Alert the media. My stars… you act as if the nurses lounge is a state secret.
VICTORIA
Well, before this, the student nurses just had coffee in the hospital cafeteria. Now I feel like I’ve been admitted to the inner sanctum.
ROSE
Oh, dear, the other nurses will get to use that lounge too.
Victoria reaches for the cupboard to grab a cup and then gets coffee from the counter.
VICTORIA
Mom, trust me. Seeing the lounge for the first time is a big deal. After this it’ll be second nature.
Rose sits at the counter as Victoria sips from her coffee cup.
ROSE
Honey, I think Alana really likes you as a nurse. She's raved about your abilities every time she stops in for takeout.
VICTORIA
I like Alana too. She’s a great mentor. She and Annabella are good friends. They haven’t done a lot together lately with how their jobs have fared...
ROSE
Honey, with Annabella in Italy that’s very hard.
VICTORIA
I know. Annabella has mentioned going out for a girls night out with Alana when she returns.
ROSE
She’s almost like family to us, honey. And the family socializes very well. Alana's almost like a sister to both of you and another child to us with Johnny in Denver.
VICTORIA
Alana thinks I’m jealous of Annabella at times, that I’m in her shadow. I'm not... am I?
ROSE
Oh, Tori. It couldn’t be farther from the truth!
She stands, comes over and puts a hand on Victoria’s shoulder.
ROSE
I know it's been hard listening to Giovanni moan on and on about Annabella this, Annabella that. But Giovanni and I love our children equally.
VICTORIA
Trust me, Mom, I’m not complaining. It will show in the end. (Pauses) Need a hand with the sauce?
ROSE
Sure honey, roll up the sleeves.
Victoria rises from the chair and helps Rose prepare more sauce as we hear light music in the background. The picture fades to black.
BILL WOLFF: We'll return to Somerset in just a moment.
COMMERCIAL BREAK
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(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF: And now, following station identification, we’ll continue with the second half of Somerset. This portion of today’s program is brought to you by Ivory, the soap without a lot of extra ingredients. For a pure, natural kind of clean… lather up with Ivory!
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Susannah’s house
Lahoma and Susannah are sitting at the kitchen counter, surveying the scene.
SUSANNAH
When did I get this much stuff?
LAHOMA
You forget your apartment in Oklahoma City had a lot of knick-knacks in it.
SUSANNAH
Well, this is a house with a lot more room. It will look better when I’m finished with it.
LAHOMA
Of that I am confident, honey. (Pauses) Now why don’t you tell me what’s on your mind?
SUSANNAH
Why did Dad decide not to help us and take off with one of the cars?
LAHOMA
Oh, Susie… I don’t think it was anything you did. I think he got a little misty-eyed looking at Somerset and how much it had changed. Realizing these houses are built on top of the plant where he worked for so long took a little getting used to and he wasn't ready.
SUSANNAH
These are just houses. Admittedly, they’re nice houses, but…
LAHOMA
Well, they’re not just houses to Dad. This town was a big part of his life. OUR life. This is the town where you were born. I know you didn't live here too long, honey, and I really admire your desire to come back to Somerset and start a new chapter...
SUSANNAH
But you think coming back here opened up a lot of wounds?
LAHOMA
Not wounds, honey. Memories. We came here thinking things were going to be so good. Sam had a great job at Delaney Brands, all was right with the world, I became pregnant and we had you…
SUSANNAH
Okay, now you’re going to make ME misty-eyed.
LAHOMA
Relax, honey. This isn’t bad. It’s just we had some tough times here in Somerset, and most of them were connected with Delaney Brands. When you and I left town, I thought we'd have to start a new life without Sam.
SUSANNAH
Then you had second thoughts and told people where we were.
LAHOMA
It got to the point where I couldn’t live without Sam. Yes, he had an affair…
SUSANNAH
But it was very brief. And if I’m not mistaken, didn’t the mob have something to do with it?
LAHOMA
Yes. Good old Leo Kurtz tried to break up our marriage. But we became stronger in the end because of it. God… when I called Ada and said where we were, I swore Sam broke the land speed record getting back to Oklahoma.
SUSANNAH
And I have a faint memory of him arriving back in Oklahoma and the two of you dancing around our living room.
LAHOMA
It only showed how much he loved me and you. But for a long time in our household, Somerset was a bad word.
SUSANNAH
Well, I intend on making it a good one.
Lahoma and Susannah lean in and share a tight hug. Soft music plays and the picture fades to black.
BILL WOLFF: We’ll return to Somerset in just a moment.
SCENE FOUR
FADE IN -- Bernard’s
After going back to the office for a bit and finishing some work, Michael has returned to Bernard’s, this time for a beer.
Another gentleman, in his mid 30s, walks in. The man, Nick Barclay, bellies up to the bar for a beer.
MICHAEL
Well, if it isn’t Somerset’s youngest-ever city manager. Off duty?
NICK
Yes, I am. On the prowl for a story, Mike?
MICHAEL
Naa. I was here earlier talking with Scott Garfield on a story about crime in Somerset.
NICK
Or lack thereof. We’ve been very lucky there. (Raps the tabletop) Knock on wood, of course.
Michael comes over and knocks on Nick’s head.
NICK
Very funny, man.
MICHAEL
Relax, Nick. You’re well-liked by us. I wouldn’t joke like this if we didn’t care for you.
NICK
I’ll keep that in mind.
MICHAEL
Hey, I’m talking to Jack tomorrow and he mentioned his big project. Any light you can shed with me on it?
NICK
On or off the record?
MICHAEL
Your choice.
NICK
Well, either way I couldn’t help you out. Jack has yet to brief ME on what's going on and I'm like a son to him.
MICHAEL
Ahh, he’ll tell you what’s going on. I think we all will.
NICK
That’s Jack’s plan, anyway. I’ve heard about this grand scheme of his and the more I hear about it, the more I think he’s serious.
MICHAEL
Indeed.
As Nick and Michael sip their beers, the scene dissolves.
DISSOLVE TO -- Cleypool Mansion
Zachary and George have put the model on a table and are studying it.
ZACHARY
Dad, whoever worked on this model really knew what he was doing.
GEORGE
Pretty lifelike, isn’t it son?
ZACHARY
Soon I'm going to wonder if you've got little people running around this model.
Zachary takes one look at the model and realizes some buildings are there that do not belong.
ZACHARY
Wait a minute. These buildings aren't a part of downtown Somerset. Nor are those. (Looks at George) What is this?
GEORGE
Oh, don’t worry, Zach. It’s Somerset. (Pauses) When I’m done with it.
The music swells to its conclusion as the picture fades to black and the Somerset credits roll.
COMMERCIAL BREAK
BILL WOLFF: Furniture by Rooms Today. Automobiles furnished by Pontiac.
Join us each weekday afternoon at this time for the continuing story of Somerset.
This program was pre-recorded.
Wednesday, January 2, 2013
EPISODE 2 -- THE COMMUNITY
SOMERSET EPISODE 2
Written by: Steve Ungrey
SCENE ONE
FADE IN -- Somerset Hospital
Our first view today is an outside shot of a high-rise building that is clearly a hospital campus, as the camera zooms in on one of the higher floors.
Somerset Hospital is bustling with activity at midday, and nurse Alana Singleton is holding down the fort at the fourth floor nurses station when the phone buzzes.
Alana picks up the phone.
ALANA
Fourth floor, this is Nurse Singleton?
She cradles the phone on her shoulder while grabbing a notepad and some charts.
ALANA
Ah yes, Mr. Poindexter, I’ve been waiting for your call. We’ve been waiting for those test results and let me see (leafing through charts)… Dr. Kurtz wants to talk with you about your case, but the good news is it’s good news… no, nothing special showed up. He just wants to go over some preventive forms of treatment.
She checks a wall schedule.
ALANA
Yes, Dr. Kurtz will be here this afternoon. We’ll look forward to seeing you then.
Alana puts down the phone. As she finishes the call, we see a young woman in her early twenties come around the hall, file away a few clipboards and proceed toward the nurses station. The woman, Victoria Petterino -- nicknamed “Tori” for short -- is a student nurse at the hospital who is just finishing up the last parts of her learning program before joining the staff full-time.
Victoria sits in a chair and leans forward, rubbing her ankles. Alana sees her and comes over, smiling.
ALANA
Hey there, Tori. Feet hurt?
VICTORIA
(Shaking head) Naa, it’s getting used to all this walking. Before I was just cracking book after book and now it’s like pounding the pavement. You can’t accuse me of not getting exercise.
ALANA
Beats heading to a health club midway through the day. Free exercise here on campus. And besides, you know your dad is very proud of what you do.
VICTORIA
I know. He’s told me on more than one occasion. (Smiles) And just how do YOU rate staying at the nurses station?
ALANA
(Laughing) Someone has to answer these phones! They’re constantly ringing! And you should see me here when it gets chaotic. Which you will shortly when you finish all of your training. How'd it go today?
VICTORIA
I'm slowly getting the hang of some stuff that didn't come clear to me before. I know I’m almost working 40 hours a week these days as it is, but I can't believe my training is almost over.
ALANA
Believe it. And also believe that the whole staff is looking forward to having you on board.
VICTORIA
Why, because my father makes the best Italian food in all of Somerset?
Alana laughs heartily at that remark.
ALANA
Okay, you got me. It was the spaghetti. How about we indoctrinate you in another way of life for nurses?
VICTORIA
Does it involve changing bedpans?
ALANA
We have orderlies for that, you know that. We’ve all had to change them at one point or another. No, this involves a cup of coffee. Come on, it's time you saw the nurses' lounge for more than just a couple seconds at a time.
VICTORIA
Ooo, I can’t wait.
She walks away with Alana as light music plays, and the picture fades to black.
We see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen as the familiar theme plays, and we hear the voice of announcer Bill Wolff.
BILL WOLFF: From New York. This… is Somerset. This portion brought to you today by digestible, all-vegetable Crisco. For fried foods that taste great without cholesterol… and for pie crusts that are flaky… you can trust Crisco.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Somerset Register
A small high-rise in downtown Somerset is shown, with the words “The Register” on the outside. These are the offices of The Somerset Register, Somerset’s longtime newspaper. Once run by Julian Cannell, it has a long history of strong investigative reporting.
Inside the busy newsroom, we zero in on a cubicle where a 40ish-man is sitting at his keyboard, taking notes on a story. The man, Michael Wagner, is a metro reporter for the Register, and he is talking with Jack.
MICHAEL
Didn’t think I’d hear from you right away, Jack.
Cut to Jack, who is sitting on the balcony of his high-rise condo in downtown Somerset.
JACK
I didn’t think your workday would be quite finished yet. Besides, you know you have an open-door policy with me as long as you write the truth.
MICHAEL
I’d never go over to the dark side, you know that. Anyway, word’s starting to get out that you’ve got some projects cooking up, and I tried you at the office yesterday, but you were busy with other stuff.
JACK
I’ll have to tell Joanne I could have talked with you. I got surprised at the office yesterday by an old friend whose daughter is moving to Somerset, so I was talking with them for part of the afternoon.
MICHAEL
Ahh, I see. Welcoming a new resident to Somerset is always good, especially since it helps our runaway population growth. If I have to do one more story on how the suburbs are bursting at the seams…
JACK
It’s good for you, you know that.
MICHAEL
I’ve told Norman that I’m ready for more substantial stuff. The thing is, nothing ever happens around Somerset.
JACK
(Laughs as he sips from a wine glass) You better watch that remark, Mike. Soon we could have a whole boatload of stuff to write about. Especially when I get my long-term project underway.
MICHAEL
Now that’s what I like to hear. Do you want to meet tomorrow around 3:30 or so? I can recommend any place around town to meet or we can do this in your office, whichever is best.
JACK
Why don’t we play it by ear. I’ve got a couple other appointments that day and maybe a late lunch is in order if I haven’t eaten yet.
MICHAEL
That’s fine by me. (Taps a few keys) Whatever new details you can pass along are great. Thanks as always, Jack.
JACK
Look forward to the chatter. Take care.
As Michael puts down the phone he is surprised by a face leaning over the cubicle wall and smiling. Michael raises his hands in the air to feign innocence.
MICHAEL
I didn’t do nothin’, officer… I swear…
The man, Lt. Scott Garfield, laughs.
SCOTT
In your line of work, shouldn’t it be I didn’t do anything?
MICHAEL
Next I know, you’ll be a professor teaching all of this. What’s going on?
SCOTT
Relax, you’re not in trouble. I was here to see one of the editors on a completely different manner. Tanda had that idea on the cleanup of the Tremont district a while back?
MICHAEL
(Nods his head) Ah yes. Tanda’s been pursuing that story for a while.
SCOTT
But now that I’m here, didn’t YOU want to talk to me?
MICHAEL
You’ve got to check your messages more often. I was trying to speak to you a while back about a press release you were putting out.
SCOTT
Sorry. I'm still not computer-savvy. I'm an old-guard police officer.
MICHAEL
Your office was talking about a new way of life in Somerset. I’d be interested in going to Bernard’s next door and talking about it.
SCOTT
A liquid lunch for the lieutenant? We’re both on duty, you know.
MICHAEL
Relax. One beer won’t hurt, right?
SCOTT
I’m game if you are. Let’s go.
MICHAEL
Just a second while I tap my computer screen (taps keys) to show I’m out of the office.
He takes his recorder and a notepad out.
MICHAEL
Now then… all set?
SCOTT
Yup. Let’s go.
The two exit the office, with light music in the background, as we change scenes.
DISSOLVE TO -- Somerset Hospital
We see the vaunted nurses’ lounge for the first time. It looks a little shopworn, definitely not glamorous, and certainly no place where nurses dish about themselves like on Grey’s Anatomy -- well, most of the time.
Alana and Victoria each have cups of coffee and they come in and settle themselves around the center table.
ALANA
Welcome to the quiet respite of the lounge.
VICTORIA
I always assumed this place was more for the veterans on the staff.
ALANA
Look around. It says nurses’ lounge, doesn’t it? (Laughs) You’ve been welcome here for quite a while. You’ve been on staff logging hours for what, about a year now?
VICTORIA
And making some decent money. That’ll help pay back those student loans.
ALANA
Dad didn’t pay for college?
VICTORIA
He offered. I declined. Dad is a proud man and he wants to help his children just like he helped himself when he started the restaurant, but I told him I wanted to do this all by myself.
ALANA
Your mom and dad are very nice people. They’ve basically taken me in as a surrogate child at times.
VICTORIA
You’re Johnny’s substitute.
ALANA
Except I wear women’s clothing. In his case, that would be a no-no. (The two laugh) No, with Johnny in Denver running his own restaurant I think your parents have basically taken me in.
VICTORIA
And you’re working just as hard as I am.
Alana stretches and sips her coffee, laughing.
ALANA
It's been a long week here for me, that's for sure. I've logged about 50 hours and there’s more to come.
VICTORIA
Can’t you limit your work week if you wanted to do it?
ALANA
I’ve been told I can by the higher-ups, but I’ve got to be here at least 50 hours a week to supervise other nurses. The truth is I love it here. Not much of a relationship person, you knew that.
VICTORIA
You’ve got to get out and enjoy yourself once again like you used to do before.
ALANA
Don’t worry. When the right guy comes along, I will. Now you on the other hand... I've seen the way you turn faces around here when you walk around the halls.
VICTORIA
And most of the faces I turn are under 30, is that what you're telling me?
ALANA
Tori, don’t get me wrong. Don’t take it the wrong way. You’ve got strikingly good looks and a brain to match. You’d be a huge catch for someone.
VICTORIA
Most guys I know would prefer to forget the brains.
ALANA
I think you’re selling all of Somerset short. This is a pretty smart community.
VICTORIA
I’ve been told my Mom and Dad that I have flawless features, and a great face, but I’ll let Annabella do all the modeling, thank you.
Alana laughs as she sips her coffee. Light music plays as the picture fades to black.
BILL WOLFF: We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF: And now, following station identification, we’ll continue with the second half of Somerset. This portion of our program is presented today by Cheer. Fight for the bright with the new varieties of All-Temperature Cheer.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Somerset Hospital
We continue the conversation between Alana and Victoria, who are in the nurses’ lounge enjoying coffee.
ALANA
How is Annabella, anyway?
VICTORIA
Miss Drop-Dead Gorgeous? (Laughing hysterically) No, seriously, you know we get along just great. She’s wrapping up a modeling assignment in Italy. She's talking about returning to Somerset after that for a few months. I know it'll make Dad happy.
ALANA
Come on. He loves you too. He loves all his children equally.
VICTORIA
Oh, I know that, Alana. I think he’s happiest about me because I went to nursing school and am nearly finished with my education. Annabella's taken some college but she got distracted by the modeling...
ALANA
How come she’s never thought about coming back here?
VICTORIA
She’s making great money over in Italy. She has freedom. She’s dated over there, but she likes keeping a low profile too. But Dad's after her to settle down, find a guy to make her happy, run the restaurant...
ALANA
Mmm hmm. So Mom and Dad can retire, right?
VICTORIA
Yeah. Dad's talked about retiring, but I think he'd rather have Annabella running the restaurant before he makes any moves.
ALANA
Let me give you a piece of advice. (The camera zooms in) Men. They're not worth it.
Victoria is taken by surprise as the next scene cues up, accompanied by a bit of stinging piano music.
DISSOLVE TO -- Bernard’s
Bernard’s is a combination restaurant and bar, a popular watering hole in Somerset but also a place where people can grab dinner. Michael and Scott have retired to the restaurant to talk a bit.
Bernard, the restaurant owner, is at the bar chatting with both of them.
BERNARD
What can I get you gentlemen? Tap or bottle?
SCOTT
Tap for me. Make it the weak stuff, I still have to go back to the office and file a few reports.
BERNARD
I'll have you know, Lt. Garfield, that I always keep the strong stuff around.
MICHAEL
He’s not kidding. Many a late night of mine has been spent here watching sports on the TV or poring over notes for a story.
BERNARD
That’s right. One drink order from you and I can sleep better at night knowing my restaurant's in the black. Coming right up.
As Bernard leaves the area to fix drinks, Scott turns and laughs at Michael’s reputation.
SCOTT
(Laughing as he opens a folder) You have a reputation in this town as a hard drinker?
MICHAEL
A hard drinker and a hard reporter, as you may find out one day.
SCOTT
Allow me to stay on your good side for this story. It has to do with Somerset's crime rate being at its lowest level in nearly 25 years.
MICHAEL
Well, there’s an A1 story for tomorrow! I know that will make some people in this town happy. Especially Nick. He’s been waiting for a press release like this. As chief, that has to make you happy.
SCOTT
Somewhere, Lt. Price is smiling. Will was one of the best. He didn't want to retire until the crime rate started going down. You never knew Will, did you?
MICHAEL
No, but two of our more memorable investigative reporters worked with him. Greg Mercer was a tiger, and I'm sorry I didn't work back in the era when people like Greg and Steve Slade were dogging the cops about the syndicate's presence in this town.
SCOTT
Thankfully we won't have to worry about the mob this time around. You're stuck with me, I guess. Can you put up with me?
MICHAEL
As long as you have some good ideas, we’ll take them.
Michael and Scott sip from their beers as the picture fades to black.
BILL WOLFF: We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Somerset Hospital
The last of the conversation unfolds between Alana and Victoria.
ALANA
Geez, sorry if I sounded so harsh about that. I didn't mean to be.
VICTORIA
Wait until a certain gentleman hears how you really feel.
ALANA
Tori Petterino, don’t you dare tell him.
VICTORIA
(Smiles mischievously) Pass me and my lips are sealed. (Laughs) I'm just kidding. I know. I've had the opportunity to go on a few dates here and there and I always turn them down. It drives my mom nuts.
ALANA
Someday, your prince will come. Either that, or you'll take my job when I take over this hospital.
The nurses laugh as the light music plays to transition between scenes.
DISSOLVE TO -- Bernard’s
MICHAEL
Thanks for the good story. This will work in nicely with another idea I'm working on.
SCOTT
It wouldn’t involve Jack Martin by any chance, would it?
MICHAEL
(Appears a little startled) It would. Why do you ask?
SCOTT
No reason. I know he's really gung-ho about renovating certain parts of downtown and this story will play right into the hands of his investors.
MICHAEL
If the Cleybank Corporation doesn’t get its hands on properties first, that is.
SCOTT
We can only hope it doesn't happen. (Sips beer) For Somerset's sake.
Michael nods his approval as he downs the last of his beer and the picture fades to black.
COMMERCIAL BREAK
The closing credits roll on Somerset as the theme music plays.
BILL WOLFF: This... was Somerset. Shirts by Perry Ellis. Nurses wear by Nurse Mate.
Join us each weekday afternoon at this time for the continuing story of Somerset. The preceding program was recorded.
(For more episodes of SOMERSET or to check out other talented writers visit OnTV, a site often imitated but NEVER duplicated)
Written by: Steve Ungrey
SCENE ONE
FADE IN -- Somerset Hospital
Our first view today is an outside shot of a high-rise building that is clearly a hospital campus, as the camera zooms in on one of the higher floors.
Somerset Hospital is bustling with activity at midday, and nurse Alana Singleton is holding down the fort at the fourth floor nurses station when the phone buzzes.
Alana picks up the phone.
ALANA
Fourth floor, this is Nurse Singleton?
She cradles the phone on her shoulder while grabbing a notepad and some charts.
ALANA
Ah yes, Mr. Poindexter, I’ve been waiting for your call. We’ve been waiting for those test results and let me see (leafing through charts)… Dr. Kurtz wants to talk with you about your case, but the good news is it’s good news… no, nothing special showed up. He just wants to go over some preventive forms of treatment.
She checks a wall schedule.
ALANA
Yes, Dr. Kurtz will be here this afternoon. We’ll look forward to seeing you then.
Alana puts down the phone. As she finishes the call, we see a young woman in her early twenties come around the hall, file away a few clipboards and proceed toward the nurses station. The woman, Victoria Petterino -- nicknamed “Tori” for short -- is a student nurse at the hospital who is just finishing up the last parts of her learning program before joining the staff full-time.
Victoria sits in a chair and leans forward, rubbing her ankles. Alana sees her and comes over, smiling.
ALANA
Hey there, Tori. Feet hurt?
VICTORIA
(Shaking head) Naa, it’s getting used to all this walking. Before I was just cracking book after book and now it’s like pounding the pavement. You can’t accuse me of not getting exercise.
ALANA
Beats heading to a health club midway through the day. Free exercise here on campus. And besides, you know your dad is very proud of what you do.
VICTORIA
I know. He’s told me on more than one occasion. (Smiles) And just how do YOU rate staying at the nurses station?
ALANA
(Laughing) Someone has to answer these phones! They’re constantly ringing! And you should see me here when it gets chaotic. Which you will shortly when you finish all of your training. How'd it go today?
VICTORIA
I'm slowly getting the hang of some stuff that didn't come clear to me before. I know I’m almost working 40 hours a week these days as it is, but I can't believe my training is almost over.
ALANA
Believe it. And also believe that the whole staff is looking forward to having you on board.
VICTORIA
Why, because my father makes the best Italian food in all of Somerset?
Alana laughs heartily at that remark.
ALANA
Okay, you got me. It was the spaghetti. How about we indoctrinate you in another way of life for nurses?
VICTORIA
Does it involve changing bedpans?
ALANA
We have orderlies for that, you know that. We’ve all had to change them at one point or another. No, this involves a cup of coffee. Come on, it's time you saw the nurses' lounge for more than just a couple seconds at a time.
VICTORIA
Ooo, I can’t wait.
She walks away with Alana as light music plays, and the picture fades to black.
We see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen as the familiar theme plays, and we hear the voice of announcer Bill Wolff.
BILL WOLFF: From New York. This… is Somerset. This portion brought to you today by digestible, all-vegetable Crisco. For fried foods that taste great without cholesterol… and for pie crusts that are flaky… you can trust Crisco.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Somerset Register
A small high-rise in downtown Somerset is shown, with the words “The Register” on the outside. These are the offices of The Somerset Register, Somerset’s longtime newspaper. Once run by Julian Cannell, it has a long history of strong investigative reporting.
Inside the busy newsroom, we zero in on a cubicle where a 40ish-man is sitting at his keyboard, taking notes on a story. The man, Michael Wagner, is a metro reporter for the Register, and he is talking with Jack.
MICHAEL
Didn’t think I’d hear from you right away, Jack.
Cut to Jack, who is sitting on the balcony of his high-rise condo in downtown Somerset.
JACK
I didn’t think your workday would be quite finished yet. Besides, you know you have an open-door policy with me as long as you write the truth.
MICHAEL
I’d never go over to the dark side, you know that. Anyway, word’s starting to get out that you’ve got some projects cooking up, and I tried you at the office yesterday, but you were busy with other stuff.
JACK
I’ll have to tell Joanne I could have talked with you. I got surprised at the office yesterday by an old friend whose daughter is moving to Somerset, so I was talking with them for part of the afternoon.
MICHAEL
Ahh, I see. Welcoming a new resident to Somerset is always good, especially since it helps our runaway population growth. If I have to do one more story on how the suburbs are bursting at the seams…
JACK
It’s good for you, you know that.
MICHAEL
I’ve told Norman that I’m ready for more substantial stuff. The thing is, nothing ever happens around Somerset.
JACK
(Laughs as he sips from a wine glass) You better watch that remark, Mike. Soon we could have a whole boatload of stuff to write about. Especially when I get my long-term project underway.
MICHAEL
Now that’s what I like to hear. Do you want to meet tomorrow around 3:30 or so? I can recommend any place around town to meet or we can do this in your office, whichever is best.
JACK
Why don’t we play it by ear. I’ve got a couple other appointments that day and maybe a late lunch is in order if I haven’t eaten yet.
MICHAEL
That’s fine by me. (Taps a few keys) Whatever new details you can pass along are great. Thanks as always, Jack.
JACK
Look forward to the chatter. Take care.
As Michael puts down the phone he is surprised by a face leaning over the cubicle wall and smiling. Michael raises his hands in the air to feign innocence.
MICHAEL
I didn’t do nothin’, officer… I swear…
The man, Lt. Scott Garfield, laughs.
SCOTT
In your line of work, shouldn’t it be I didn’t do anything?
MICHAEL
Next I know, you’ll be a professor teaching all of this. What’s going on?
SCOTT
Relax, you’re not in trouble. I was here to see one of the editors on a completely different manner. Tanda had that idea on the cleanup of the Tremont district a while back?
MICHAEL
(Nods his head) Ah yes. Tanda’s been pursuing that story for a while.
SCOTT
But now that I’m here, didn’t YOU want to talk to me?
MICHAEL
You’ve got to check your messages more often. I was trying to speak to you a while back about a press release you were putting out.
SCOTT
Sorry. I'm still not computer-savvy. I'm an old-guard police officer.
MICHAEL
Your office was talking about a new way of life in Somerset. I’d be interested in going to Bernard’s next door and talking about it.
SCOTT
A liquid lunch for the lieutenant? We’re both on duty, you know.
MICHAEL
Relax. One beer won’t hurt, right?
SCOTT
I’m game if you are. Let’s go.
MICHAEL
Just a second while I tap my computer screen (taps keys) to show I’m out of the office.
He takes his recorder and a notepad out.
MICHAEL
Now then… all set?
SCOTT
Yup. Let’s go.
The two exit the office, with light music in the background, as we change scenes.
DISSOLVE TO -- Somerset Hospital
We see the vaunted nurses’ lounge for the first time. It looks a little shopworn, definitely not glamorous, and certainly no place where nurses dish about themselves like on Grey’s Anatomy -- well, most of the time.
Alana and Victoria each have cups of coffee and they come in and settle themselves around the center table.
ALANA
Welcome to the quiet respite of the lounge.
VICTORIA
I always assumed this place was more for the veterans on the staff.
ALANA
Look around. It says nurses’ lounge, doesn’t it? (Laughs) You’ve been welcome here for quite a while. You’ve been on staff logging hours for what, about a year now?
VICTORIA
And making some decent money. That’ll help pay back those student loans.
ALANA
Dad didn’t pay for college?
VICTORIA
He offered. I declined. Dad is a proud man and he wants to help his children just like he helped himself when he started the restaurant, but I told him I wanted to do this all by myself.
ALANA
Your mom and dad are very nice people. They’ve basically taken me in as a surrogate child at times.
VICTORIA
You’re Johnny’s substitute.
ALANA
Except I wear women’s clothing. In his case, that would be a no-no. (The two laugh) No, with Johnny in Denver running his own restaurant I think your parents have basically taken me in.
VICTORIA
And you’re working just as hard as I am.
Alana stretches and sips her coffee, laughing.
ALANA
It's been a long week here for me, that's for sure. I've logged about 50 hours and there’s more to come.
VICTORIA
Can’t you limit your work week if you wanted to do it?
ALANA
I’ve been told I can by the higher-ups, but I’ve got to be here at least 50 hours a week to supervise other nurses. The truth is I love it here. Not much of a relationship person, you knew that.
VICTORIA
You’ve got to get out and enjoy yourself once again like you used to do before.
ALANA
Don’t worry. When the right guy comes along, I will. Now you on the other hand... I've seen the way you turn faces around here when you walk around the halls.
VICTORIA
And most of the faces I turn are under 30, is that what you're telling me?
ALANA
Tori, don’t get me wrong. Don’t take it the wrong way. You’ve got strikingly good looks and a brain to match. You’d be a huge catch for someone.
VICTORIA
Most guys I know would prefer to forget the brains.
ALANA
I think you’re selling all of Somerset short. This is a pretty smart community.
VICTORIA
I’ve been told my Mom and Dad that I have flawless features, and a great face, but I’ll let Annabella do all the modeling, thank you.
Alana laughs as she sips her coffee. Light music plays as the picture fades to black.
BILL WOLFF: We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF: And now, following station identification, we’ll continue with the second half of Somerset. This portion of our program is presented today by Cheer. Fight for the bright with the new varieties of All-Temperature Cheer.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Somerset Hospital
We continue the conversation between Alana and Victoria, who are in the nurses’ lounge enjoying coffee.
ALANA
How is Annabella, anyway?
VICTORIA
Miss Drop-Dead Gorgeous? (Laughing hysterically) No, seriously, you know we get along just great. She’s wrapping up a modeling assignment in Italy. She's talking about returning to Somerset after that for a few months. I know it'll make Dad happy.
ALANA
Come on. He loves you too. He loves all his children equally.
VICTORIA
Oh, I know that, Alana. I think he’s happiest about me because I went to nursing school and am nearly finished with my education. Annabella's taken some college but she got distracted by the modeling...
ALANA
How come she’s never thought about coming back here?
VICTORIA
She’s making great money over in Italy. She has freedom. She’s dated over there, but she likes keeping a low profile too. But Dad's after her to settle down, find a guy to make her happy, run the restaurant...
ALANA
Mmm hmm. So Mom and Dad can retire, right?
VICTORIA
Yeah. Dad's talked about retiring, but I think he'd rather have Annabella running the restaurant before he makes any moves.
ALANA
Let me give you a piece of advice. (The camera zooms in) Men. They're not worth it.
Victoria is taken by surprise as the next scene cues up, accompanied by a bit of stinging piano music.
DISSOLVE TO -- Bernard’s
Bernard’s is a combination restaurant and bar, a popular watering hole in Somerset but also a place where people can grab dinner. Michael and Scott have retired to the restaurant to talk a bit.
Bernard, the restaurant owner, is at the bar chatting with both of them.
BERNARD
What can I get you gentlemen? Tap or bottle?
SCOTT
Tap for me. Make it the weak stuff, I still have to go back to the office and file a few reports.
BERNARD
I'll have you know, Lt. Garfield, that I always keep the strong stuff around.
MICHAEL
He’s not kidding. Many a late night of mine has been spent here watching sports on the TV or poring over notes for a story.
BERNARD
That’s right. One drink order from you and I can sleep better at night knowing my restaurant's in the black. Coming right up.
As Bernard leaves the area to fix drinks, Scott turns and laughs at Michael’s reputation.
SCOTT
(Laughing as he opens a folder) You have a reputation in this town as a hard drinker?
MICHAEL
A hard drinker and a hard reporter, as you may find out one day.
SCOTT
Allow me to stay on your good side for this story. It has to do with Somerset's crime rate being at its lowest level in nearly 25 years.
MICHAEL
Well, there’s an A1 story for tomorrow! I know that will make some people in this town happy. Especially Nick. He’s been waiting for a press release like this. As chief, that has to make you happy.
SCOTT
Somewhere, Lt. Price is smiling. Will was one of the best. He didn't want to retire until the crime rate started going down. You never knew Will, did you?
MICHAEL
No, but two of our more memorable investigative reporters worked with him. Greg Mercer was a tiger, and I'm sorry I didn't work back in the era when people like Greg and Steve Slade were dogging the cops about the syndicate's presence in this town.
SCOTT
Thankfully we won't have to worry about the mob this time around. You're stuck with me, I guess. Can you put up with me?
MICHAEL
As long as you have some good ideas, we’ll take them.
Michael and Scott sip from their beers as the picture fades to black.
BILL WOLFF: We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Somerset Hospital
The last of the conversation unfolds between Alana and Victoria.
ALANA
Geez, sorry if I sounded so harsh about that. I didn't mean to be.
VICTORIA
Wait until a certain gentleman hears how you really feel.
ALANA
Tori Petterino, don’t you dare tell him.
VICTORIA
(Smiles mischievously) Pass me and my lips are sealed. (Laughs) I'm just kidding. I know. I've had the opportunity to go on a few dates here and there and I always turn them down. It drives my mom nuts.
ALANA
Someday, your prince will come. Either that, or you'll take my job when I take over this hospital.
The nurses laugh as the light music plays to transition between scenes.
DISSOLVE TO -- Bernard’s
MICHAEL
Thanks for the good story. This will work in nicely with another idea I'm working on.
SCOTT
It wouldn’t involve Jack Martin by any chance, would it?
MICHAEL
(Appears a little startled) It would. Why do you ask?
SCOTT
No reason. I know he's really gung-ho about renovating certain parts of downtown and this story will play right into the hands of his investors.
MICHAEL
If the Cleybank Corporation doesn’t get its hands on properties first, that is.
SCOTT
We can only hope it doesn't happen. (Sips beer) For Somerset's sake.
Michael nods his approval as he downs the last of his beer and the picture fades to black.
COMMERCIAL BREAK
The closing credits roll on Somerset as the theme music plays.
BILL WOLFF: This... was Somerset. Shirts by Perry Ellis. Nurses wear by Nurse Mate.
Join us each weekday afternoon at this time for the continuing story of Somerset. The preceding program was recorded.
(For more episodes of SOMERSET or to check out other talented writers visit OnTV, a site often imitated but NEVER duplicated)
Tuesday, January 1, 2013
OUR FIRST EPISODE -- WELCOME
SOMERSET EPISODE 1
Writer: Steve Ungrey
SCENE ONE
FADE IN -- Exterior overhead shot along highway
The very first scene of Somerset begins with a sweeping camera view through the air and then swoops down to focus in on a car driving along a highway.
There is a woman in her late 30s at the wheel, who is smiling as she is driving along looking at the scenery. We see an exterior shot of the car passing a nice display with a sign that says "Welcome to Somerset".
The car pulls over at a scenic overlook, and the woman gets out to view the area. The woman, whose name is Susannah Lucas, is obviously in awe at what she is seeing in front of her. Another car is heard pulling up behind the stopped vehicle, and we hear a woman's voice.
The voice is that of Lahoma Lucas, who still has that Southern spitfire charm.
LAHOMA
Susannah, honey, why did you pull over? We’re not even to Somerset yet. We just passed the welcome sign back there.
SUSANNAH
Is this where you and dad spent a few nights admiring the view? Or is this where I was conceived? I could see this site as being really romantic.
An older man gets out of the car behind Lahoma -- it is Lahoma’s husband, Sam.
SAM
Well, when we first moved here this was the place to go if you wanted to spend some quality time…
Sam takes one look at the view and his mouth drops wide open.
SAM
Holy mackerel! Is that…
SUSANNAH
I take it this town has changed an awful lot since you were here?
SAM
I’ll say. (He motions over Lahoma) Lahoma, honey, take a look at this. You’re not going to believe it.
As Lahoma approaches the scenic overlook and sees the city in front of her, she’s dumbstruck.
LAHOMA
What the heck is this?
SUSANNAH
Well, Mother… when were you last here? Wasn’t it about 35 years ago? Of course this town has changed since then.
LAHOMA
People I talked to weren’t kidding. Old friends of mine said you wouldn’t believe Somerset when you saw it.
SUSANNAH
And?
LAHOMA
They were right. (She shakes her head) I don’t believe how much this town has changed!
For the first time, we see the Somerset skyline, complete with several skyscrapers and bridges where cars are busy crossing. Where the tallest building was maybe 10 stories back in the old days, a couple of the skyscrapers now top out at 30-40 stories tall.
Suffice to say Somerset looks radically different than it did in 1976.
SAM
Do you still want to live here, honey?
SUSANNAH
Dad… I said I wanted to make a fresh start. I wanted to cut the strings and begin a law career of my own once again. And what better place to do it than the town where you and Mom moved a long time ago.
LAHOMA
The place where a lot of things happened. Some good.
Lahoma points at Susannah.
LAHOMA
And unfortunately some bad.
Lahoma points at the town.
SAM
Aw, Lahoma, you can’t blame Somerset for what happened to us. We just went through a lot of treachery... some dealings with the mob... Susie honey, it's not too late to change your mind.
Susannah smiles, shakes her head and looks out at the city.
SUSANNAH
Not a chance. I've made up my mind.
Susannah takes a deep breath, uncurls a broad smile and wipes away a tear.
SUSANNAH
This is where I was born. This is my true home.
SAM
Always headstrong, just like your mother. Then what do you say we descend the hill and begin your new journey?
SUSANNAH
I’m game if you are.
Lahoma comes in and gives her daughter a big hug.
LAHOMA
Then welcome back to Somerset. Let’s take you home.
SAM
Ah, not just yet. First we have to make a pit stop.
The Lucases return to their respective cars and speed off, heading down a small hill toward the river. The camera sweeps up and focuses in on the downtown area as we hear a single, solitary flute playing the Somerset theme. The picture fades out.
We see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen as the familiar theme song plays. For the first time in over 30 years, we hear the familiar words as announcer Bill Wolff speaks.
BILL WOLFF: From New York. This… is Somerset.
This portion brought to you today by fresher than ever Lemon Fresh Joy. For a beautiful shine that's a nice reflection on you and your dishes.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Exterior shot of a tall office building
One of the tallest buildings in downtown Somerset houses Martin Enterprises on its top floors. The camera zeroes in on the upper floors, and we fade in on a 35-ish woman sitting at a desk. The woman, whose name is Joanne, is on the phone and deep in conversation.
JOANNE
Hey Mike… yes, I've got Jack’s schedule right here. He can see you Thursday at either 2:15 or 3:30. Or maybe you might run into him at one of the bars downtown. (Laughs) Seriously, I know he wants to get this done as soon as possible… Fine! I'll have Jack get in touch with you as quickly as I can.
As Joanne is hanging up the phone, Sam, Lahoma and Susannah come in the office.
JOANNE
Thanks for calling, Mike. Have a good day. (Puts down phone) Can I help you?
SAM
Yes. I was wondering if an old friend was in.
JOANNE
You mean Jack? Is he expecting you? Do you have an appointment with him?
SAM
No, no appointment… I know he’s pretty busy, but if you tell him his mentor is here to see him that would be great. I’m sure he’d know who that is.
Joanne looks momentarily puzzled but decides there is no harm or no foul.
JOANNE
All right. Hold on one second.
Joanne rises from her chair and disappears behind the door, going into Jack’s office and shutting the door for a bit.
SUSANNAH
Uh, Dad? What’s this all about?
SAM
(Smiles) You’ll see.
LAHOMA
Why all this mystery, Sam? I don’t remember anyone you were mentoring when you were at Delaney Brands… oh, wait a minute… (she smiles)
SAM
I think it’s starting to dawn on you, isn’t it? I’m sure you’ll recall this face.
A voice can be heard behind the door talking as Joanne emerges. From inside his office steps the great, the powerful, Jack Martin -- the CEO and all-around No. 1 guy behind Martin Enterprises.
JACK
Did someone say something about a mentor?
He sees Sam and puts a hand to his mouth in surprise.
JACK
Oh my God… Sam!
Jack and Sam exchange a big hug, after which he hugs both Lahoma and Susannah. Susannah is still a little puzzled about who this guy is, but Lahoma clearly knows him now that she’s seen the face.
SAM
Jack, how the heck are you? It’s been a while since we’ve seen each other in person.
JACK
Not bad at all. I can’t complain -- and yes, it has been a while. Too long, if you ask me. Lahoma, I’d recognize you anywhere… and Susannah? This cannot be Susannah.
SUSANNAH
If Dad was your mentor, I must have been what -- three years old the last time you saw me?
JACK
Ah yes. The executive training program at Delaney Brands. Back when things were a whooooole lot more interesting at that plant.
SAM
Don’t remind me. (Laughs) Jack Martin, this is Susannah Lucas, my now-grown daughter and a practicing attorney.
JACK
And I see you followed in your dad’s footsteps. Hopefully you are just as smart as Sam is.
SUSANNAH
I’ve been told I’m a chip off the old block by many a person. (Laughs)
JACK
Well, you certainly have the looks of your mom and dad, that’s for sure. And Lahoma, it has been way too long.
LAHOMA
Same here, Jack. I remember you spending a lot of time with Sam in the office.
JACK
Once I joined. When I came to train as a mentor, the whole business with Leo Kurtz was coming to an end. The mob owning Delaney Brands. Those weren’t happy times around here.
LAHOMA
They weren’t happy times for us.
JACK
I know. Sam was absolutely crestfallen when he left Somerset. He thought he’d lost you guys for good. (Pauses) Joanne, can we get a pot of coffee and some cups and let’s take this conversation in my office.
SAM
That sounds like a winner.
JACK
Then follow me. My office awaits.
We hear light music being played over the group going into Jack’s office, and the camera pulls back and the picture fades to black.
BILL WOLFF: We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF: And now, following station identification, we’ll continue with the second half of Somerset. This portion of our program is presented today by the man behind the shine, today’s Mr. Clean. He leaves a clean so shiny you have to ask is it wet… or is it dry?
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Jack Martin’s office
Behind Jack we see downtown Somerset in all of its glory, with blue skies stretching beyond the window and the other tall buildings in view. Jack and his guests are sipping coffee and reminiscing.
JACK
Anyhow, Sam taught me everything I know. How to amass a fortune... how to do the smart thing with your parents' estate... how not to buy a beloved Somerset treasure, turn around and sell it for a profit but gut the company in the process...
SAM
We all make mistakes, Jack. You can argue Delaney Brands wasn't the same once Leo Kurtz got done running it. Heck, Robert bought back the company and even his heart wasn't in it.
LAHOMA
Now there is an unwelcome blast from the past. (Realizes what she said) Oh goodness, I meant Leo, not dear Robert... Anyways, Mr. Martin...
JACK
Lahoma, dear, please call me Jack. I’m not a man that believes too much in formalities.
LAHOMA
Sam hasn’t talked too much about Somerset, Jack. What’s going on with Delaney Brands? Is the cannery still running?
JACK
I wish it were, but unfortunately it isn’t. The conglomerate that owned Delaney moved a lot of business away from Somerset in the early 1980s. The area fell on hard times, but once times improved the cannery turned into houses and condos when I and a few other associates rescued the land and built homes on it. You might see it if you're staying here a while... it's called Grant's Preserve.
SUSANNAH
Grant’s Preserve? Wow, did I buy smart.
LAHOMA
Honey? Is that where your home is?
SUSANNAH
Yes. I fell in love with it when I saw it.
JACK
Might I be the first to say you’re going to love it there. It’s a nice, peaceful place to live. And it was the best way we could honor Ben Grant. Didn’t Ben die shortly after you left town, Sam?
SAM
Yes. A car accident in Europe.
JACK
I think we bestowed this honor on him about 20 years ago. He was such an integral part of the community. It was either that or name a street after him here. I still recall Ellen crying when I called to tell her the good news.
LAHOMA
She sounds like she was very happy to hear Ben getting remembered as well as she did.
JACK
She’s happy now. Luke McKenzie died about five years ago, but they got to spend a long and happy marriage together. (Pauses) By the way, Sam, I was so sorry to hear of Ada’s death when it happened. I know we talked over the years about it, but that had to sting.
SAM
Thank you, Jack. Yes, it hurt a lot. Your card is still right by her picture. She got to spend some quality time with Nancy in Arizona before she died, but towards the end you could tell there wasn't much time.
JACK
I never did meet her in person, but from what Sam said… she was a true gem. Very outspoken. I did run into Mackenzie Cory at a few conventions before he tragically died, and he always had a few good stories about Ada.
Lahoma heartily laughs and throws her head back roaring.
LAHOMA
Jack, that’s a big understatement. Not a day goes by where we don't think of her. I can still recall her giving Sam a piece of her mind about letting me go without a fight... heck, she had an opinion on just about everything.
JACK
That she did. (Pauses) Anyways, I don’t mean to take up all of your time. How long are you guys here?
LAHOMA
Sam has a trial back in Oklahoma City next week, so we’ll be leaving at week’s end.
JACK
Sam, you devil. Still practicing law after all these years?
SAM
(Laughing) I'm having too much fun. Much like you are here with your projects.
JACK
Well, wait until you hear the big one I’m working on. In fact, we all have to get together before you go so you can hear about it. If you thought Somerset had changed a lot already...
LAHOMA
Oh yes! I hardly recognized the city when we came in here, except for the bridge over the river. That hasn't changed one bit.
JACK
I think our last census count had us over 150,000 population. We were about 30,000 up until about 1980. A lot of this development was the result of a big building boom. You’ll flip when you see what I’ve got planned. Now I just have to convince the city that it can take more upheaval.
As Jack smiles, we see Sam, Lahoma and Susannah look at each other as if they're saying "more development?" The music plays and the picture fades to black.
BILL WOLFF: We'll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Car driving along a neighborhood subdivision road
We see an exterior shot of a pleasant subdivision with plenty of homes and lots of trees lining the streets. We also see the sign at the front, with flowers around a wooden sign that reads “Grant’s Preserve”.
Susannah is the first one out of her vehicle when she parks in the driveway, and we see her looking up at her dream -- a two-story house with basement and three bedrooms. It may be solo going for now, but home sweet home as far as she is concerned.
Sam and Lahoma emerge from Sam’s car and look up. Lahoma instantly falls in love with the property.
SUSANNAH
Grant’s Preserve looks so nice in person.
LAHOMA
Oh, Susie… your house (wipes away a tear) looks beautiful.
SUSANNAH
Wait until you see the inside. I did my homework with this place.
Sam looks around and can’t believe what he is seeing. Suffice to say the Delaney Brands landscape has changed big-time.
SAM
Unbelievable. To think this is where the factory once stood. Next time I talk to Robert, I'm going to have to tell him what this place looks like now.
LAHOMA
Careful. He's getting up there in years. Don't want to drive him to an early grave.
SUSANNAH
Early grave? Not likely. Robert’s in his 70s going on 50.
SAM
(Laughs) Ready to see your new home?
SUSANNAH
I’m ready as I’ll ever be. Let’s go.
We hear light music playing as Sam, Lahoma and Susannah all enter her house, and the scene changes.
TRANSITION TO -- Martin Enterprises
Jack sees the time on the wall clock and notices his schedule is devoid of appointments for the rest of the day, so he decides to knock off. He dials Joanne out in the office.
JACK
Joanne, if you want to knock off for the day and get some errands done, I don't think the rest of the day is going to be a problem.
JOANNE
All right, Jack. Have a good night. Don't work too hard.
JACK
Not a problem. Take care.
Jack puts down the phone and rises from his desk. Turning around and staring out the window, he focuses in on one area of Somerset's downtown that appears to have fallen into disrepair. There are a few tall buildings in the direction Jack is looking, but one is catching his attention.
We can’t see the building, but we can hear “Moonlight Serenade” by Glenn Miller playing in the background as Jack pours himself a glass of whiskey and holds it up in a toast.
JACK
A toast to you, my dear. Wherever you are. I’m doing all this for you.
Jack raises his whiskey glass and savors the drink. The picture fades out as the first episode of Somerset comes to a close.
COMMERCIAL BREAK
The closing credits roll on Somerset as the theme music plays.
BILL WOLFF: This was Somerset. Men’s suits by Claiborne and Company. Jewelry by Marvella.
Join us each weekday afternoon at this time for the continuing story of Somerset. This program was recorded.
(For more episodes of SOMERSET and to look at more talented writing in action, visit OnTV... often imitated but NEVER duplicated.)
Writer: Steve Ungrey
SCENE ONE
FADE IN -- Exterior overhead shot along highway
The very first scene of Somerset begins with a sweeping camera view through the air and then swoops down to focus in on a car driving along a highway.
There is a woman in her late 30s at the wheel, who is smiling as she is driving along looking at the scenery. We see an exterior shot of the car passing a nice display with a sign that says "Welcome to Somerset".
The car pulls over at a scenic overlook, and the woman gets out to view the area. The woman, whose name is Susannah Lucas, is obviously in awe at what she is seeing in front of her. Another car is heard pulling up behind the stopped vehicle, and we hear a woman's voice.
The voice is that of Lahoma Lucas, who still has that Southern spitfire charm.
LAHOMA
Susannah, honey, why did you pull over? We’re not even to Somerset yet. We just passed the welcome sign back there.
SUSANNAH
Is this where you and dad spent a few nights admiring the view? Or is this where I was conceived? I could see this site as being really romantic.
An older man gets out of the car behind Lahoma -- it is Lahoma’s husband, Sam.
SAM
Well, when we first moved here this was the place to go if you wanted to spend some quality time…
Sam takes one look at the view and his mouth drops wide open.
SAM
Holy mackerel! Is that…
SUSANNAH
I take it this town has changed an awful lot since you were here?
SAM
I’ll say. (He motions over Lahoma) Lahoma, honey, take a look at this. You’re not going to believe it.
As Lahoma approaches the scenic overlook and sees the city in front of her, she’s dumbstruck.
LAHOMA
What the heck is this?
SUSANNAH
Well, Mother… when were you last here? Wasn’t it about 35 years ago? Of course this town has changed since then.
LAHOMA
People I talked to weren’t kidding. Old friends of mine said you wouldn’t believe Somerset when you saw it.
SUSANNAH
And?
LAHOMA
They were right. (She shakes her head) I don’t believe how much this town has changed!
For the first time, we see the Somerset skyline, complete with several skyscrapers and bridges where cars are busy crossing. Where the tallest building was maybe 10 stories back in the old days, a couple of the skyscrapers now top out at 30-40 stories tall.
Suffice to say Somerset looks radically different than it did in 1976.
SAM
Do you still want to live here, honey?
SUSANNAH
Dad… I said I wanted to make a fresh start. I wanted to cut the strings and begin a law career of my own once again. And what better place to do it than the town where you and Mom moved a long time ago.
LAHOMA
The place where a lot of things happened. Some good.
Lahoma points at Susannah.
LAHOMA
And unfortunately some bad.
Lahoma points at the town.
SAM
Aw, Lahoma, you can’t blame Somerset for what happened to us. We just went through a lot of treachery... some dealings with the mob... Susie honey, it's not too late to change your mind.
Susannah smiles, shakes her head and looks out at the city.
SUSANNAH
Not a chance. I've made up my mind.
Susannah takes a deep breath, uncurls a broad smile and wipes away a tear.
SUSANNAH
This is where I was born. This is my true home.
SAM
Always headstrong, just like your mother. Then what do you say we descend the hill and begin your new journey?
SUSANNAH
I’m game if you are.
Lahoma comes in and gives her daughter a big hug.
LAHOMA
Then welcome back to Somerset. Let’s take you home.
SAM
Ah, not just yet. First we have to make a pit stop.
The Lucases return to their respective cars and speed off, heading down a small hill toward the river. The camera sweeps up and focuses in on the downtown area as we hear a single, solitary flute playing the Somerset theme. The picture fades out.
We see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen as the familiar theme song plays. For the first time in over 30 years, we hear the familiar words as announcer Bill Wolff speaks.
BILL WOLFF: From New York. This… is Somerset.
This portion brought to you today by fresher than ever Lemon Fresh Joy. For a beautiful shine that's a nice reflection on you and your dishes.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Exterior shot of a tall office building
One of the tallest buildings in downtown Somerset houses Martin Enterprises on its top floors. The camera zeroes in on the upper floors, and we fade in on a 35-ish woman sitting at a desk. The woman, whose name is Joanne, is on the phone and deep in conversation.
JOANNE
Hey Mike… yes, I've got Jack’s schedule right here. He can see you Thursday at either 2:15 or 3:30. Or maybe you might run into him at one of the bars downtown. (Laughs) Seriously, I know he wants to get this done as soon as possible… Fine! I'll have Jack get in touch with you as quickly as I can.
As Joanne is hanging up the phone, Sam, Lahoma and Susannah come in the office.
JOANNE
Thanks for calling, Mike. Have a good day. (Puts down phone) Can I help you?
SAM
Yes. I was wondering if an old friend was in.
JOANNE
You mean Jack? Is he expecting you? Do you have an appointment with him?
SAM
No, no appointment… I know he’s pretty busy, but if you tell him his mentor is here to see him that would be great. I’m sure he’d know who that is.
Joanne looks momentarily puzzled but decides there is no harm or no foul.
JOANNE
All right. Hold on one second.
Joanne rises from her chair and disappears behind the door, going into Jack’s office and shutting the door for a bit.
SUSANNAH
Uh, Dad? What’s this all about?
SAM
(Smiles) You’ll see.
LAHOMA
Why all this mystery, Sam? I don’t remember anyone you were mentoring when you were at Delaney Brands… oh, wait a minute… (she smiles)
SAM
I think it’s starting to dawn on you, isn’t it? I’m sure you’ll recall this face.
A voice can be heard behind the door talking as Joanne emerges. From inside his office steps the great, the powerful, Jack Martin -- the CEO and all-around No. 1 guy behind Martin Enterprises.
JACK
Did someone say something about a mentor?
He sees Sam and puts a hand to his mouth in surprise.
JACK
Oh my God… Sam!
Jack and Sam exchange a big hug, after which he hugs both Lahoma and Susannah. Susannah is still a little puzzled about who this guy is, but Lahoma clearly knows him now that she’s seen the face.
SAM
Jack, how the heck are you? It’s been a while since we’ve seen each other in person.
JACK
Not bad at all. I can’t complain -- and yes, it has been a while. Too long, if you ask me. Lahoma, I’d recognize you anywhere… and Susannah? This cannot be Susannah.
SUSANNAH
If Dad was your mentor, I must have been what -- three years old the last time you saw me?
JACK
Ah yes. The executive training program at Delaney Brands. Back when things were a whooooole lot more interesting at that plant.
SAM
Don’t remind me. (Laughs) Jack Martin, this is Susannah Lucas, my now-grown daughter and a practicing attorney.
JACK
And I see you followed in your dad’s footsteps. Hopefully you are just as smart as Sam is.
SUSANNAH
I’ve been told I’m a chip off the old block by many a person. (Laughs)
JACK
Well, you certainly have the looks of your mom and dad, that’s for sure. And Lahoma, it has been way too long.
LAHOMA
Same here, Jack. I remember you spending a lot of time with Sam in the office.
JACK
Once I joined. When I came to train as a mentor, the whole business with Leo Kurtz was coming to an end. The mob owning Delaney Brands. Those weren’t happy times around here.
LAHOMA
They weren’t happy times for us.
JACK
I know. Sam was absolutely crestfallen when he left Somerset. He thought he’d lost you guys for good. (Pauses) Joanne, can we get a pot of coffee and some cups and let’s take this conversation in my office.
SAM
That sounds like a winner.
JACK
Then follow me. My office awaits.
We hear light music being played over the group going into Jack’s office, and the camera pulls back and the picture fades to black.
BILL WOLFF: We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF: And now, following station identification, we’ll continue with the second half of Somerset. This portion of our program is presented today by the man behind the shine, today’s Mr. Clean. He leaves a clean so shiny you have to ask is it wet… or is it dry?
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Jack Martin’s office
Behind Jack we see downtown Somerset in all of its glory, with blue skies stretching beyond the window and the other tall buildings in view. Jack and his guests are sipping coffee and reminiscing.
JACK
Anyhow, Sam taught me everything I know. How to amass a fortune... how to do the smart thing with your parents' estate... how not to buy a beloved Somerset treasure, turn around and sell it for a profit but gut the company in the process...
SAM
We all make mistakes, Jack. You can argue Delaney Brands wasn't the same once Leo Kurtz got done running it. Heck, Robert bought back the company and even his heart wasn't in it.
LAHOMA
Now there is an unwelcome blast from the past. (Realizes what she said) Oh goodness, I meant Leo, not dear Robert... Anyways, Mr. Martin...
JACK
Lahoma, dear, please call me Jack. I’m not a man that believes too much in formalities.
LAHOMA
Sam hasn’t talked too much about Somerset, Jack. What’s going on with Delaney Brands? Is the cannery still running?
JACK
I wish it were, but unfortunately it isn’t. The conglomerate that owned Delaney moved a lot of business away from Somerset in the early 1980s. The area fell on hard times, but once times improved the cannery turned into houses and condos when I and a few other associates rescued the land and built homes on it. You might see it if you're staying here a while... it's called Grant's Preserve.
SUSANNAH
Grant’s Preserve? Wow, did I buy smart.
LAHOMA
Honey? Is that where your home is?
SUSANNAH
Yes. I fell in love with it when I saw it.
JACK
Might I be the first to say you’re going to love it there. It’s a nice, peaceful place to live. And it was the best way we could honor Ben Grant. Didn’t Ben die shortly after you left town, Sam?
SAM
Yes. A car accident in Europe.
JACK
I think we bestowed this honor on him about 20 years ago. He was such an integral part of the community. It was either that or name a street after him here. I still recall Ellen crying when I called to tell her the good news.
LAHOMA
She sounds like she was very happy to hear Ben getting remembered as well as she did.
JACK
She’s happy now. Luke McKenzie died about five years ago, but they got to spend a long and happy marriage together. (Pauses) By the way, Sam, I was so sorry to hear of Ada’s death when it happened. I know we talked over the years about it, but that had to sting.
SAM
Thank you, Jack. Yes, it hurt a lot. Your card is still right by her picture. She got to spend some quality time with Nancy in Arizona before she died, but towards the end you could tell there wasn't much time.
JACK
I never did meet her in person, but from what Sam said… she was a true gem. Very outspoken. I did run into Mackenzie Cory at a few conventions before he tragically died, and he always had a few good stories about Ada.
Lahoma heartily laughs and throws her head back roaring.
LAHOMA
Jack, that’s a big understatement. Not a day goes by where we don't think of her. I can still recall her giving Sam a piece of her mind about letting me go without a fight... heck, she had an opinion on just about everything.
JACK
That she did. (Pauses) Anyways, I don’t mean to take up all of your time. How long are you guys here?
LAHOMA
Sam has a trial back in Oklahoma City next week, so we’ll be leaving at week’s end.
JACK
Sam, you devil. Still practicing law after all these years?
SAM
(Laughing) I'm having too much fun. Much like you are here with your projects.
JACK
Well, wait until you hear the big one I’m working on. In fact, we all have to get together before you go so you can hear about it. If you thought Somerset had changed a lot already...
LAHOMA
Oh yes! I hardly recognized the city when we came in here, except for the bridge over the river. That hasn't changed one bit.
JACK
I think our last census count had us over 150,000 population. We were about 30,000 up until about 1980. A lot of this development was the result of a big building boom. You’ll flip when you see what I’ve got planned. Now I just have to convince the city that it can take more upheaval.
As Jack smiles, we see Sam, Lahoma and Susannah look at each other as if they're saying "more development?" The music plays and the picture fades to black.
BILL WOLFF: We'll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Car driving along a neighborhood subdivision road
We see an exterior shot of a pleasant subdivision with plenty of homes and lots of trees lining the streets. We also see the sign at the front, with flowers around a wooden sign that reads “Grant’s Preserve”.
Susannah is the first one out of her vehicle when she parks in the driveway, and we see her looking up at her dream -- a two-story house with basement and three bedrooms. It may be solo going for now, but home sweet home as far as she is concerned.
Sam and Lahoma emerge from Sam’s car and look up. Lahoma instantly falls in love with the property.
SUSANNAH
Grant’s Preserve looks so nice in person.
LAHOMA
Oh, Susie… your house (wipes away a tear) looks beautiful.
SUSANNAH
Wait until you see the inside. I did my homework with this place.
Sam looks around and can’t believe what he is seeing. Suffice to say the Delaney Brands landscape has changed big-time.
SAM
Unbelievable. To think this is where the factory once stood. Next time I talk to Robert, I'm going to have to tell him what this place looks like now.
LAHOMA
Careful. He's getting up there in years. Don't want to drive him to an early grave.
SUSANNAH
Early grave? Not likely. Robert’s in his 70s going on 50.
SAM
(Laughs) Ready to see your new home?
SUSANNAH
I’m ready as I’ll ever be. Let’s go.
We hear light music playing as Sam, Lahoma and Susannah all enter her house, and the scene changes.
TRANSITION TO -- Martin Enterprises
Jack sees the time on the wall clock and notices his schedule is devoid of appointments for the rest of the day, so he decides to knock off. He dials Joanne out in the office.
JACK
Joanne, if you want to knock off for the day and get some errands done, I don't think the rest of the day is going to be a problem.
JOANNE
All right, Jack. Have a good night. Don't work too hard.
JACK
Not a problem. Take care.
Jack puts down the phone and rises from his desk. Turning around and staring out the window, he focuses in on one area of Somerset's downtown that appears to have fallen into disrepair. There are a few tall buildings in the direction Jack is looking, but one is catching his attention.
We can’t see the building, but we can hear “Moonlight Serenade” by Glenn Miller playing in the background as Jack pours himself a glass of whiskey and holds it up in a toast.
JACK
A toast to you, my dear. Wherever you are. I’m doing all this for you.
Jack raises his whiskey glass and savors the drink. The picture fades out as the first episode of Somerset comes to a close.
COMMERCIAL BREAK
The closing credits roll on Somerset as the theme music plays.
BILL WOLFF: This was Somerset. Men’s suits by Claiborne and Company. Jewelry by Marvella.
Join us each weekday afternoon at this time for the continuing story of Somerset. This program was recorded.
(For more episodes of SOMERSET and to look at more talented writing in action, visit OnTV... often imitated but NEVER duplicated.)
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