The following is an episode of Somerset also posted at Soap TV. Follow us on Twitter (@tweetsoaptv) or visit us online at http://w11.zetaboards.com/SoapTV/index
SOMERSET EPISODE 20
Original airdate: August 8, 2008
Written by: Steve Ungrey
SCENE ONE
FADE IN -- Petterino household
It is early evening in Somerset as the last episode of the fourth week opens up.
Annabella
is at the kitchen table, looking at herself in a compact mirror as we
hear a knock on the door. Annabella rises from the chair and opens the
door to find Scott standing there.
SCOTT
Evening, my dear.
Annabella hugs Scott tightly and kisses him on the cheek.
ANNABELLA
Buongiorno, my dear. You’re early! Come on in and have a seat. Just checking myself out in the mirror.
SCOTT
Now I find that hard to believe.
Annabella has her powder puff out when she looks at Scott a little crazily.
ANNABELLA
What do you find hard to believe?
SCOTT
That a model would need to check her face before going out…
Annabella laughs and raises a finger of caution at Scott.
ANNABELLA
Uh
uh, Scott. Don’t even go there… you know I’m a model overseas but here
I’m just Annabella Petterino, Rose and Giovanni’s daughter.
Scott feigns shock.
SCOTT
Oh sorry! I plumb forgot my manners.
ANNABELLA
I’ll
just bet you did. I’ll give you a heads up that my pool skills might be
a little rusty. I haven’t had much of a chance to play lately.
SCOTT
Don’t tell me they don’t have pool tables over in Venice.
ANNABELLA
They do, but when you’re on shoots like mine the first thing you want to do is go back to the hotel and crash.
SCOTT
Well, remember. Here you’re Annabella, Giovanni’s daughter.
ANNABELLA
Quite right.
She snaps her compact shut, places it in her purse and smiles.
ANNABELLA
By the way, we might run into Victoria this evening.
SCOTT
Really? Is she out with her friends?
ANNABELLA
A
few nurses – Taylor, Alana, and a couple others – decided to have
another girls’ night out since they had so much fun the other time.
SCOTT
It seems they were just out last night, weren’t they? Ah, to be young once.
ANNABELLA
Speak for yourself. (Flips her hair back) I’ve still got it.
Scott laughs hysterically.
SCOTT
You’re damn right you do. Whatever that is.
Scott and Annabella share a warm smile as they reconnect their friendship. The picture fades to black.
We
see an overhead shot of downtown, with the camera slowly pulling away
from the buildings. The Somerset logo pops on the screen and goes into
position at the center.
BILL WOLFF
This… is Somerset.
The
first part of Somerset is presented today by the new Swiffer sweeper,
the floor cleaner that reaches places other household cleaners can’t
touch.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Petterino house
The scene briefly switches back to the Petterino kitchen, as Scott and Annabella are chatting for a bit before heading out.
SCOTT
We could have invited Tori along with us.
ANNABELLA
I told her to stop on in, but she wanted to give us privacy. I don’t know why.
SCOTT
Imagine that. (Rolls eyes) Let’s go, shall we?
Scott
puts a hand on Annabella’s shoulder and gently guides her toward the
door; we briefly cut to Scott’s car, where the two continue their
conversation.
ANNABELLA
I got a big surprise today. I found out my sister has huge issues with her self-esteem and how she looks.
SCOTT
I’ve
noticed it too, Annabella. But Rose thinks it’s nothing major. She
thinks that Tori’s spent so much time at the hospital that she doesn’t
know how to react if a guy is interested in her.
ANNABELLA
Well,
duh! Get a name, get a number, and call! Right? Besides, it isn't as if
my sister hasn't dated before. She's just been so hung up on completing
the nursing program...
SCOTT
Well, maybe. (Pauses) Guess it depends on who it is. (Starts car) Let’s go. I got a game of pool to win.
ANNABELLA
You just hope you win… (Laughs)
Light music plays as Annabella and Scott drive off.
DISSOLVE TO -- Martin Enterprises
Susannah
is looking at a file folder and doing a bit of research online about
one of Jack’s businesses, but she is interrupted by a knock on the door
from Joanne.
JOANNE
What are you still doing here? It’s quitting time, Susannah.
SUSANNAH
Hey, Joanne, what’s going on? (Shuts file) You’re right, this file can wait.
JOANNE
You’re
damn straight. A couple of us wondered if we could take Martin
Enterprises’ newest employee out for a drink. Did you want to come?
Susannah doesn’t need any time to think it over.
SUSANNAH
Sure! I could use a break from the humdrum life I’ve had lately. Let me close this file (phone buzzes) and take this quick call.
JOANNE
Did you want me to get this?
SUSANNAH
Naa, it’s my cell. I bet I know who it is.
Susannah answers the phone.
SUSANNAH
Good evening, Susannah Lucas?
The
caller is Sam on the other end of the line, calling from Oklahoma City.
Sam is in his office finishing up paperwork on a case. He turns to face
the window.
SAM
How’s my favorite attorney daughter on her first day at Martin?
SUSANNAH
Hi, Daddy!
Joanne motions she’s headed outside.
JOANNE
Don’t worry. We’ll be outside waiting. Take your time, we’re not in a hurry.
Susannah gives a thumbs up and smile to Joanne and then turns back to the phone.
SUSANNAH
Checking up on me or something?
SAM
Not at all, Susie. Just wondering how your first day as a gainfully employed attorney in Somerset went.
SUSANNAH
It
was fine. Jack’s got me working on a couple details involving his
Project X… he still hasn’t filled me in on what the hell’s going on,
though… oh, and Patrick stopped by as I was getting ready this morning.
SAM
Awfully nice of Patrick to do that.
SUSANNAH
Yeah.
I made him help me pick out what to wear today. I think I embarrassed
the heck out of him. He and I had a quick breakfast before I came to the
office.
SAM
Sounds like you’re having fun. Lahoma sends her best wishes.
SUSANNAH
Tell
Mom I’ll e-mail her tonight. Patrick took a phone picture of me dressed
for my first day at work and I think she’ll get a kick out of me.
SAM
She’ll like that, I’m sure. Did I catch you at a bad time?
SUSANNAH
No, not at all! I was just about to go out with Joanne and a couple of her friends for drinks.
SAM
Making fast friends at the office already. Hey, don’t let me stop you… I just wanted to call and say hi and see how things went.
SUSANNAH
I appreciate the thought. Tell Mom hi, and if I don’t talk to you later tonight I’ll be sure to call in the morning.
SAM
Thank ya, hon. Love you.
SUSANNAH
I love you too, Dad.
As
she hangs up, light music plays and Susannah grabs her purse and shuts
out the lights, waiting to join Joanne and her friends. The picture
fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “The Children of Salem” title card)
Like
sands through the hourglass… so are the days of our lives of the
younger residents of Salem. New this fall... The Children of Salem.
Weekdays.
(We see “Somerset” title card with mid-show music)
BILL WOLFF
The
second half of Somerset is presented today by Era Plus, the detergent
with the power of protein to get out all of your tough stains.
We'll return to Somerset following station identification.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- The Riverboat Club
We
see The Riverboat Club, a restored Mississippi River-style
paddlewheeler moored in the St. Charles River that has been turned into a
restaurant.
We dissolve inside the club, where Alana, Taylor,
Victoria and a couple other nurses are sitting around a large table with
two pitchers of beer in the center.
TAYLOR
Great idea you guys had to go out again tonight.
ALANA
Yeah… only let’s not make it back-to-back nights in the future, OK? Some of us had to work and missed out before.
TAYLOR
Is it my fault you were watching a patient closely?
VICTORIA
(Laughing) Careful, Taylor… that’s still a sore spot with Alana.
Alana sips from her drink and looks at Victoria.
ALANA
It’s
not a sore spot! (Pause) Nick and I have become better friends as of
late. We’ve gotten over the awkward stage we were in following our
breakup.
TAYLOR
That’s good. (Looks at the bar) Because your other friend just walked in.
Alana
turns to notice Mike at the bar. Mike doesn’t see Alana, but she gets
up. Checking her face, Alana dabs on a little lipstick.
ALANA
Ladies… I will be right back.
Taylor turns, warily eyeing Victoria.
TAYLOR
I wonder if Mike knows what’s about to hit him.
Alana goes over with her beer glass to the bar and taps Mike on the shoulder.
ALANA
Hey you…
MIKE
(Turns) Hi!
Obviously
he is very glad to see Alana and he reaches out, draws Alana close, and
gives her a quick kiss. It’s an awkward moment, and the two look at
each other a bit strange afterwards.
Cutting back to the main
table, Victoria has a drink set down in front of her by the waitress,
causing her to become a bit confused.
VICTORIA
(Turns to waitress) I’m sorry, miss… I didn’t order this.
WAITRESS
I know. It’s courtesy of the gentleman at the bar.
Victoria
turns to see Zachary sitting there, smiling and waving. She turns back
and has a devilish grin on her face. We hear the music in the bar
playing as we change scenes.
CUT TO -- Bernard’s
Scott
and Annabella are sharing a game of pool in the back room of Bernard’s.
Annabella has just finished putting the 8-ball away, much to Scott’s
chagrin, and she celebrates with a drink from her beer glass.
SCOTT
Uh, who was it that said they were a little rusty at pool?
ANNABELLA
Well… I thought I was.
SCOTT
The
way you’re playing, you could have beat Jackie Gleason at this game if
he were still alive. You hustler. That’s four games in a row you’ve won!
ANNABELLA
Oh, so you’re implying I’m a con artist?
SCOTT
Yes. A damn good looking con artist.
Annabella blushes slightly and reaches over, giving Scott a quick kiss.
ANNABELLA
Thanks.
SCOTT
It’s nice to see someone captured your heart in Italy. Will we ever get to meet this guy when he comes to Somerset?
ANNABELLA
Well, it was kind of a whirlwind romance. He’s back here in the states now and he said he’d look me up when he had a chance.
SCOTT
You can wait that long?
ANNABELLA
I’ll try. It won’t be easy. But I’ll try.
SCOTT
Hey, that’s what you’ve got friends like me for, isn’t it?
ANNABELLA
I like being with you because you don’t ask questions. You’re not an inquisitive person away from the police station.
Scott sits with Annabella at the high-top table by the pool area, drinks from his beer and gets a little misty-eyed.
ANNABELLA
Don’t tell me I make you cry when I beat you four times in a row.
SCOTT
Naa.
It’s not that. I just remember when you were a teenager helping out
with the don’t talk to strangers program that the Somerset Police
sponsored. I got to be good friends with your family. Julia and I loved
the company.
ANNABELLA
I know. (Gets a little misty-eyed herself) I still miss your wife a lot.
SCOTT
Well, you were there for me after Julia passed away, and I’ll never forget that.
ANNABELLA
Do you think about her often?
SCOTT
Every time I hear about a car accident in Somerset.
ANNABELLA
It’s
okay, you can tell me. (Pauses and thinks) I guess that’s why you got
on my case last night about driving so quickly to get to Grant’s
Preserve.
SCOTT
I didn’t know that was you. I’d never seen that car.
ANNABELLA
I fined myself $500 for speeding. I sent a check off to the Red Cross this morning. I’ve got the receipt to prove it.
SCOTT
I’d have fined you less.
ANNABELLA
I’d
have refused. I want to do some good things with the money I earned
over in Italy. There’s more where that came from, I tell myself.
Scott smiles, and Annabella also smiles as she grabs the pool stick for another game.
ANNABELLA
You up for another?
Annabella blows on the top of the pool stick like a gun.
ANNABELLA
Maybe this time I’ll let you win.
SCOTT
You’re on.
The two begin another game of pool as the picture fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Riverboat Club
We’re back at the main bar, as Mike pulls away from Alana. He even feels a bit awkward.
ALANA
Wagner, you had a few too many already?
MIKE
Hey, you can throw that beer in my face if you want. I’m sorry. I’m just giddy.
ALANA
Really? (Puts beer down) I’ll spare you the shower then. What’s got you so giddy?
MIKE
Meet Mike Wagner, the newest investigative reporter at The Register. I got promoted this afternoon.
Alana’s eyes widen and she takes Mike’s face in her hands.
ALANA
Oh my God! That’s wonderful! In that case…
Alana
reaches in and plants a kiss of her own on Mike’s lips. We see Taylor’s
mouth open, looking a little shocked as Victoria giggles.
ALANA
Unfortunately,
bud, that’s the last kiss you’re getting from me tonight because I’m
out with the girls. But I will buy you a cold one if you’d like.
MIKE
I accept.
For
the first time, we see Mike with his hand around Alana’s back. Usually
she pulls away from stuff like this, but this time she really isn’t
resisting being by his side.
CUT TO -- Susannah’s house
Susannah
has pulled up after going out with Joanne for a couple drinks, and she
swings her legs out to the driveway to get out of the car. She is on the
phone with Joanne.
SUSANNAH
Yes, Joanne. I got home safely.
We’ll have to do this again very soon, maybe make a night of it with
some of the other employees. (Pauses) OK, have a good night! See ya at
the office tomorrow.
Susannah walks up the sidewalk and kneels to pick up the Register. She notices the newspaper sticking out of the corner.
SUSANNAH
Now why would a paperboy bury the paper under the floor mat like that?
She picks up the paper, without noticing the contents, and unlocks the door to go inside.
Susannah
puts the papers on the kitchen counter and turns on the lights, taking
off her suit jacket. She sees the Register on the top.
SUSANNAH
Almost feels like I got two papers. Wonder what’s good in the news today?
The
light music gives way to a funeral-style piano dirge as Susannah picks
up the Register… and she sees an old copy of the Kansas City Star
underneath.
Gasping, she puts the paper down.
We see
Susannah looking frightened. The camera cuts down to her chest, as we
see her with both hands on her chest. We hear a fast, generic heart
beating as Susannah has a terrified look on her face.
SUSANNAH
No… no… it can’t be.
It’s obvious what is in that paper has given Susannah some sort of anxiety attack. Looking down, she sees her hands trembling.
Quickly
reaching into the refrigerator, she grabs a bottled water and slugs it
down to calm her fragile nerves. We hear the heart slow down and she
becomes calmer.
SUSANNAH
Susie... no. You're safe here. And anyway... no one can hurt you.
Susannah still looks frightened as the piano music continues. The picture immediately cuts to black.
COMMERCIAL BREAK
Fade in on the closing credits for Somerset as the theme plays.
BILL WOLFF
This... was Somerset.
Women’s suits by Ann Taylor.
Jewelry by Irwin Pearl.
(We see “Harpers Falls” title card)
Stay tuned for romance, suspense and drama. On Harpers Falls, which follows immediately over most of these same stations.
(We see "Somerset" title card)
Join us each weekday afternoon at this time for the continuing story of Somerset.
This program was recorded.
Saturday, January 4, 2014
Friday, January 3, 2014
EPISODE 19 -- FACING THE SKEPTICS
The following is an episode of Somerset from the SoapTV website. Follow us on Twitter at @tweetsoaptv or visit us at http://w11.zetaboards.com/SoapTV/index/
SOMERSET EPISODE 019
Original airdate: August 7, 2008
Written by: Steve Ungrey
SCENE ONE
FADE IN -- Nick’s apartment
Morning has turned to afternoon in Somerset.
Alana spent the morning sleeping in Nick’s bed before waking up, making sure Nick was okay and then leaving. Nick has gotten some more sleep, but he is rousted awake by a knock on the door.
Nick gets up and slowly makes his way to the door, still a bit groggy but feeling better.
NICK
Coming, coming.
As he opens the door, he sees a slightly bemused Jack standing there with flowers and a floor pillow.
JACK
You really have to stop falling out of bed, you know.
Nick laughs at the sight of Jack with flowers.
NICK
Why, Jack. I didn’t know you cared.
JACK
I do, but not in the way you’d think.
NICK
Very funny. Come on in.
Nick turns around and goes toward the kitchen as Jack shuts the door.
NICK
I’d offer you something to drink, but I can’t have anything with this concussion.
JACK
Not even coffee?
NICK
Well, except that. There’s a pot on the counter.
JACK
Well then, don’t mind if I do.
Jack notices Nick coming out toward the kitchen and shoos him back toward the couch.
JACK
Get back on the couch, I’ll get your coffee. Now how the heck did you do this again?
NICK
I’m sure Alana filled you in.
JACK
Humor me, Nicholas. I was out of commission last night and I’ve been with Susannah, my new employee, most of the morning working on getting her settled at Martin Enterprises.
NICK
And hopefully she’s settled in fine, right?
JACK
That she is. I knew I needed to check on you after the message I got this morning. Now out with it. What the hell happened to you?
NICK
Something tells me you WON’T want to know this.
Jack shakes his head.
JACK
Doesn’t work this time. I want to know how Somerset’s future mayor took a header onto his bedroom floor. (Smiles) Now out with it, my boy.
NICK
Well, okay. If you insist…
As Nick begins telling the story, the music rises and the picture fades to black.
We see an overhead shot of downtown, with the camera slowly pulling away from the buildings. The Somerset logo pops on the screen and goes into position at the center.
BILL WOLFF
This… is Somerset.
The first part of Somerset is presented today by Lilt, the only home permanent with gripper sponges. The way to shiny, beautiful hair.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Bernard’s
Mike is in Bernard’s at the bar on a lunch break, and he’s chatting Bernard up at the bar on the possible story involving graffiti.
MIKE
(Sipping a beer)
Everything OK around here lately, man?
Bernard nods his head.
BERNARD
If you’re looking for a couple comments from me on the graffiti I haven’t seen any. They generally leave me alone.
MIKE
That’s good. It shows that they’re not messing around with the established properties. Giovanni said he hasn’t had any guff from the young people causing trouble.
BERNARD
You know this better than I would. Is there a gang problem down there?
MIKE
Naaa. There are gang issues here in Somerset, but the waterfront isn’t where they’re hanging out. It’s more of an inner-city issue, like most other cities our size. Or bigger.
BERNARD
Hell, sometimes smaller. Well, hopefully it doesn’t spread out from there.
MIKE
You’re going to be safe here. Restaurant Row is an institution in Somerset. You and Giovanni have been around for years.
BERNARD
Amazing that we’re good friends throughout all of this competition, huh?
MIKE
You serve different food. I can eat here for lunch and at Giovanni’s for dinner if I really wanted to do it.
BERNARD
Nice.
Bernard looks toward the back of the room, by the corner booth.
BERNARD
Say, isn’t that your boss back there?
Mike turns around and notices Norman Vickery there entertaining a client.
MIKE
Well, so it is. Wonder what’s going on?
Mike notices Norman is getting up from entertaining his client, and he notices Norman coming over to the bar area.
MIKE
(Laughing)
Spying on your employees at Bernard’s, Norman?
Norman laughs and notices Mike drinking a beer.
NORMAN
You’re lucky I look the other way on certain things.
MIKE
One beer, boss?
NORMAN
Relax. It’s all right. Not like you’re hanging out here on duty, anyway.
MIKE
I could if you’d like me to do it…
NORMAN
You’re lucky I’ve got a good sense of humor, Wagner. Actually, I’m here working a source for a possible A-1 story that I’ll hand off once I get more information… but I have been meaning to talk to you regarding another matter.
MIKE
(Sips beer)
Something wrong?
NORMAN
Oh no no, nothing wrong. Just something long overdue regarding you. I’ll meet you back at the office.
As Norman leaves the bar, Mike finishes his beer with a puzzled look on his face, wondering why Norman would want to see him.
MIKE
Well, he’s not firing me. What’s up?
Bernard shrugs his shoulders as Mike has a questioning look on his face. The picture fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “Oakdale Royalty” title card)
Next week, Oakdale Royalty makes its long-awaited return to the airwaves. Enjoy Oakdale Royalty, weekdays.
(We see “Somerset” title card with mid-show music)
BILL WOLFF
The next part of Somerset is presented today by Millstone, the premium coffee without the premium price. We'll return to Somerset following station identification.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Cleybank Corporation
At the Cleybank Corporation, George is in a conference call with some investors regarding his plans for Somerset’s downtown renovation. As he is talking, a few voices have questions.
GEORGE
You have the documents in front of you, all of you should be looking at the page marked “Five-Year Renovation”.
Voices on the other end talk about the plan one by one.
VOICE #1
I have to tell you, George… your plan for Somerset has plenty of changes in it.
VOICE #2
A lot of restaurants that are popular would be affected by this.
GEORGE
They will get the chance for buyouts of their buildings. But I’m only offering one deal. If they don’t take the deal, they’ll pay the consequences.
VOICE #1
George, restaurants like Bernard’s and Giovanni’s are institutions in Somerset. If you tore those properties down and replaced them with something nondescript, you’d risk alienating the population here.
GEORGE
I know the city’s exploding in population. The consequences would be harsh if they didn’t buy my offer.
VOICE #1
I’d hate to hear the consequences, but go ahead.
GEORGE
This vision of Somerset has to stand. The Peoples Building, the Woodruff, the old Somerset Inn, those restaurants…
Another voice chimes in to the conversation.
VOICE #3
You’d better have a good explanation for the Somerset Inn’s owner. That’s a historic landmark. They renovated the property several years ago and it has attracted a lot of attention.
VOICE #1
I’ve had clients stay in their rooms. The ownership did a nice job refurbishing the lobby and the rooms themselves.
GEORGE
I’ll deal with that later. Maybe our company takes over the hotel and quietly does what we want to do with it.
VOICE #2
Why the interest in The Peoples Building, George?
George rises from his chair and looks out the window at the Somerset skyline.
GEORGE
Why not? When I’m done with this town, it’s going to look a lot different. The area’s been stagnant for far too long.
VOICE #3
George, this area snapped back pretty well after the last recession. The economy is still humming along quite nicely.
GEORGE
But it is not humming nationally. People are hurting in parts of the country, even here in New York.
VOICE #1
The area isn’t feeling the pinch of the housing market. Most of the houses in Somerset are selling for relative bargains. Grant’s Preserve has several homes in the $125,000 range that are selling well.
George is starting to wonder if his team is solidly behind him.
GEORGE
Look, are you all nuts? I thought I had a team that was behind my vision of Somerset. Instead, I’m getting questions about whether or not you think I’m competent enough to pull this off.
VOICE #2
George, no one is saying that. We know you’ve got it in for Jack Martin. You want to see your vision for Somerset implemented before his.
GEORGE
You’re right. (Turns from window and smiles) I do.
As light music mixes with a foreboding piano medley, the picture switches to the next scene.
DISSOLVE TO -- Nick’s apartment
The scene changes to Jack sitting down and listening to Nick’s woeful tale of love lost in a dream.
JACK
This woman is really affecting you, isn’t she?
NICK
Listen, Jack. I know she’s gone. I know I have to get on with my life. I had a chance encounter in a bar with a beautiful woman. It happens more often than you’d think, right?
JACK
Not in my life it hasn’t. (Laughs and drinks coffee)
NICK
Oh come on, Jack. You can’t tell me someone as handsome and virile as you hasn’t had woman falling at your feet.
JACK
Virile?
(Jack swigs his coffee back like he’s quickly downing a shot of whiskey)
JACK
Now that called for a shot of caffeine.
NICK
You know what I meant.
JACK
Well, Nick… I have had my share of dates. You’ve seen some of the ladies I’ve squired around Somerset.
NICK
Of course I have. I think people would say you have fine taste in women.
JACK
Why thank you, Nicholas. I knew there was a reason why I kept you around and built you up to eventually be a good politician someday.
Nick covers his eyes and shakes his head.
NICK
I just wish I could have really met my mystery woman and that it wasn’t a dream. God, she had on the most gorgeous dress…
JACK
Somewhere, someday, your princess will come to Somerset.
NICK
Yes, but it won’t be her!
JACK
So what if it’s not her? Someone in this town will knock you off your feet. This just proved that you have what it takes yet. Don’t sell yourself short!
NICK
I know. And I know it may be sooner than I think, right?
JACK
Well, you told me Alana stayed here this morning.
NICK
Ah, yes. Alana. The great love of my life before all hell broke loose. (Drinks coffee) We did have two really good years together.
JACK
You’re friends right now, and that’s how it will stay. No more enemies for either of you.
NICK
You’re right. I don’t think I could take another long separation from her. If there was one thing good that came from this accident, it was getting to see Alana again and clearing the air with her on a lot of things.
JACK
So keep on your path you’re on right now. Have Alana in your life as a friend and search for your happiness.
Nick gets a strange look on his face.
NICK
Search for your happiness? That sounds sooooo much like a soap opera.
JACK
Well, I’d have told you to search for tomorrow, Nick, but that’s been done already. (Laughs)
The two share a laugh as Nick settles back in on the couch and the picture fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Cleybank Corporation
George is in his office at Cleybank, having finished the conference call. He is now on the phone with Zachary, whom we do not see, discussing how things went.
GEORGE
Mixed results. Some of the investors are a little wary that my plan might be a bit too grandiose… hey, if you have any other smart ideas, let them know. I think I got through to them, but I’m going to need a little more help.
George faces the window as he continues talking to Zachary.
GEORGE
All right, Zach. Stay off your feet and… what do you mean you’re meeting friends tonight? (Turns back toward the camera) Dammit, son! Are you trying to get yourself killed?
He realizes he’s being too dramatic and pulls back.
GEORGE
I know the doctors said you could drive. At least you’re doing it with a car. All right, I’ll see you when I get home tonight. Will you be home for dinner?... Good, I’ll see you then.
As George hangs up, he looks outside at the view of Somerset and the sun shining overhead on the city.
GEORGE
Just a matter of time. That’s all.
The music builds as the scene changes.
DISSOLVE TO -- Somerset Register
The music plays lightly as we switch back to the Register office, where Norman is working on some story ideas when Mike knocks on the door.
MIKE
Hey, boss. How did the meeting go?
NORMAN
Not bad. Have a seat.
Mike sits down, feeling a bit fidgety because he has no idea what is going on.
NORMAN
You seem a little… nervous. Do you think you’re in trouble or something?
MIKE
Well, the thought did cross my mind. Am I being fired?
Norman looks a little stunned.
NORMAN
Now why would you think that? Didn’t I tell you it wasn’t bad news?
MIKE
I know I haven’t been the happiest person at the Register lately, and I wondered if you guys were getting sick of my attitude.
NORMAN
On the contrary. The fact you’re getting antsy and not being complacent tells me you’d be the perfect investigative reporter here at the Register.
Now this is not what Mike was ready to hear. His mouth drops, and he smiles slightly as he takes a deep breath.
MIKE
You don’t mean that.
NORMAN
I can take it back if you’d like…
MIKE
Okay! (Laughs as he holds up hand) You mean it! You mean I’m going to be the next Steve Slade?
NORMAN
I don’t think anyone could stop Steve. Or top him, for that matter. But the higher-ups are willing to give you a chance.
MIKE
I’ll take it! (Shakes Norman’s hand) Now what’s my first order of business?
NORMAN
What everyone else in this town is wondering. What the hell is Project X and how is Jack Martin behind it?
MIKE
(Music in the background) I already know a couple of Jack’s secrets… do you want something more full-fledged?
NORMAN
Jack has to know that people around here are starting to wonder. Get to the bottom of what is going on.
MIKE
I’ll get on it right away.
As happy music plays, Mike is happy about his job promotion, and he wants to celebrate. The picture fades to black.
COMMERCIAL BREAK
Fade in on the closing credits for Somerset as the theme plays.
BILL WOLFF
This... was Somerset.
Neckwear furnished by The Tie Bar.
(We see “Harpers Falls” title card)
Stay tuned for romance, suspense and drama on Harpers Falls, which follows immediately over most of these same stations.
(We see "Somerset" title card)
Join us each weekday afternoon at this time for the continuing story of Somerset.
This program was recorded.
SOMERSET EPISODE 019
Original airdate: August 7, 2008
Written by: Steve Ungrey
SCENE ONE
FADE IN -- Nick’s apartment
Morning has turned to afternoon in Somerset.
Alana spent the morning sleeping in Nick’s bed before waking up, making sure Nick was okay and then leaving. Nick has gotten some more sleep, but he is rousted awake by a knock on the door.
Nick gets up and slowly makes his way to the door, still a bit groggy but feeling better.
NICK
Coming, coming.
As he opens the door, he sees a slightly bemused Jack standing there with flowers and a floor pillow.
JACK
You really have to stop falling out of bed, you know.
Nick laughs at the sight of Jack with flowers.
NICK
Why, Jack. I didn’t know you cared.
JACK
I do, but not in the way you’d think.
NICK
Very funny. Come on in.
Nick turns around and goes toward the kitchen as Jack shuts the door.
NICK
I’d offer you something to drink, but I can’t have anything with this concussion.
JACK
Not even coffee?
NICK
Well, except that. There’s a pot on the counter.
JACK
Well then, don’t mind if I do.
Jack notices Nick coming out toward the kitchen and shoos him back toward the couch.
JACK
Get back on the couch, I’ll get your coffee. Now how the heck did you do this again?
NICK
I’m sure Alana filled you in.
JACK
Humor me, Nicholas. I was out of commission last night and I’ve been with Susannah, my new employee, most of the morning working on getting her settled at Martin Enterprises.
NICK
And hopefully she’s settled in fine, right?
JACK
That she is. I knew I needed to check on you after the message I got this morning. Now out with it. What the hell happened to you?
NICK
Something tells me you WON’T want to know this.
Jack shakes his head.
JACK
Doesn’t work this time. I want to know how Somerset’s future mayor took a header onto his bedroom floor. (Smiles) Now out with it, my boy.
NICK
Well, okay. If you insist…
As Nick begins telling the story, the music rises and the picture fades to black.
We see an overhead shot of downtown, with the camera slowly pulling away from the buildings. The Somerset logo pops on the screen and goes into position at the center.
BILL WOLFF
This… is Somerset.
The first part of Somerset is presented today by Lilt, the only home permanent with gripper sponges. The way to shiny, beautiful hair.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Bernard’s
Mike is in Bernard’s at the bar on a lunch break, and he’s chatting Bernard up at the bar on the possible story involving graffiti.
MIKE
(Sipping a beer)
Everything OK around here lately, man?
Bernard nods his head.
BERNARD
If you’re looking for a couple comments from me on the graffiti I haven’t seen any. They generally leave me alone.
MIKE
That’s good. It shows that they’re not messing around with the established properties. Giovanni said he hasn’t had any guff from the young people causing trouble.
BERNARD
You know this better than I would. Is there a gang problem down there?
MIKE
Naaa. There are gang issues here in Somerset, but the waterfront isn’t where they’re hanging out. It’s more of an inner-city issue, like most other cities our size. Or bigger.
BERNARD
Hell, sometimes smaller. Well, hopefully it doesn’t spread out from there.
MIKE
You’re going to be safe here. Restaurant Row is an institution in Somerset. You and Giovanni have been around for years.
BERNARD
Amazing that we’re good friends throughout all of this competition, huh?
MIKE
You serve different food. I can eat here for lunch and at Giovanni’s for dinner if I really wanted to do it.
BERNARD
Nice.
Bernard looks toward the back of the room, by the corner booth.
BERNARD
Say, isn’t that your boss back there?
Mike turns around and notices Norman Vickery there entertaining a client.
MIKE
Well, so it is. Wonder what’s going on?
Mike notices Norman is getting up from entertaining his client, and he notices Norman coming over to the bar area.
MIKE
(Laughing)
Spying on your employees at Bernard’s, Norman?
Norman laughs and notices Mike drinking a beer.
NORMAN
You’re lucky I look the other way on certain things.
MIKE
One beer, boss?
NORMAN
Relax. It’s all right. Not like you’re hanging out here on duty, anyway.
MIKE
I could if you’d like me to do it…
NORMAN
You’re lucky I’ve got a good sense of humor, Wagner. Actually, I’m here working a source for a possible A-1 story that I’ll hand off once I get more information… but I have been meaning to talk to you regarding another matter.
MIKE
(Sips beer)
Something wrong?
NORMAN
Oh no no, nothing wrong. Just something long overdue regarding you. I’ll meet you back at the office.
As Norman leaves the bar, Mike finishes his beer with a puzzled look on his face, wondering why Norman would want to see him.
MIKE
Well, he’s not firing me. What’s up?
Bernard shrugs his shoulders as Mike has a questioning look on his face. The picture fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “Oakdale Royalty” title card)
Next week, Oakdale Royalty makes its long-awaited return to the airwaves. Enjoy Oakdale Royalty, weekdays.
(We see “Somerset” title card with mid-show music)
BILL WOLFF
The next part of Somerset is presented today by Millstone, the premium coffee without the premium price. We'll return to Somerset following station identification.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Cleybank Corporation
At the Cleybank Corporation, George is in a conference call with some investors regarding his plans for Somerset’s downtown renovation. As he is talking, a few voices have questions.
GEORGE
You have the documents in front of you, all of you should be looking at the page marked “Five-Year Renovation”.
Voices on the other end talk about the plan one by one.
VOICE #1
I have to tell you, George… your plan for Somerset has plenty of changes in it.
VOICE #2
A lot of restaurants that are popular would be affected by this.
GEORGE
They will get the chance for buyouts of their buildings. But I’m only offering one deal. If they don’t take the deal, they’ll pay the consequences.
VOICE #1
George, restaurants like Bernard’s and Giovanni’s are institutions in Somerset. If you tore those properties down and replaced them with something nondescript, you’d risk alienating the population here.
GEORGE
I know the city’s exploding in population. The consequences would be harsh if they didn’t buy my offer.
VOICE #1
I’d hate to hear the consequences, but go ahead.
GEORGE
This vision of Somerset has to stand. The Peoples Building, the Woodruff, the old Somerset Inn, those restaurants…
Another voice chimes in to the conversation.
VOICE #3
You’d better have a good explanation for the Somerset Inn’s owner. That’s a historic landmark. They renovated the property several years ago and it has attracted a lot of attention.
VOICE #1
I’ve had clients stay in their rooms. The ownership did a nice job refurbishing the lobby and the rooms themselves.
GEORGE
I’ll deal with that later. Maybe our company takes over the hotel and quietly does what we want to do with it.
VOICE #2
Why the interest in The Peoples Building, George?
George rises from his chair and looks out the window at the Somerset skyline.
GEORGE
Why not? When I’m done with this town, it’s going to look a lot different. The area’s been stagnant for far too long.
VOICE #3
George, this area snapped back pretty well after the last recession. The economy is still humming along quite nicely.
GEORGE
But it is not humming nationally. People are hurting in parts of the country, even here in New York.
VOICE #1
The area isn’t feeling the pinch of the housing market. Most of the houses in Somerset are selling for relative bargains. Grant’s Preserve has several homes in the $125,000 range that are selling well.
George is starting to wonder if his team is solidly behind him.
GEORGE
Look, are you all nuts? I thought I had a team that was behind my vision of Somerset. Instead, I’m getting questions about whether or not you think I’m competent enough to pull this off.
VOICE #2
George, no one is saying that. We know you’ve got it in for Jack Martin. You want to see your vision for Somerset implemented before his.
GEORGE
You’re right. (Turns from window and smiles) I do.
As light music mixes with a foreboding piano medley, the picture switches to the next scene.
DISSOLVE TO -- Nick’s apartment
The scene changes to Jack sitting down and listening to Nick’s woeful tale of love lost in a dream.
JACK
This woman is really affecting you, isn’t she?
NICK
Listen, Jack. I know she’s gone. I know I have to get on with my life. I had a chance encounter in a bar with a beautiful woman. It happens more often than you’d think, right?
JACK
Not in my life it hasn’t. (Laughs and drinks coffee)
NICK
Oh come on, Jack. You can’t tell me someone as handsome and virile as you hasn’t had woman falling at your feet.
JACK
Virile?
(Jack swigs his coffee back like he’s quickly downing a shot of whiskey)
JACK
Now that called for a shot of caffeine.
NICK
You know what I meant.
JACK
Well, Nick… I have had my share of dates. You’ve seen some of the ladies I’ve squired around Somerset.
NICK
Of course I have. I think people would say you have fine taste in women.
JACK
Why thank you, Nicholas. I knew there was a reason why I kept you around and built you up to eventually be a good politician someday.
Nick covers his eyes and shakes his head.
NICK
I just wish I could have really met my mystery woman and that it wasn’t a dream. God, she had on the most gorgeous dress…
JACK
Somewhere, someday, your princess will come to Somerset.
NICK
Yes, but it won’t be her!
JACK
So what if it’s not her? Someone in this town will knock you off your feet. This just proved that you have what it takes yet. Don’t sell yourself short!
NICK
I know. And I know it may be sooner than I think, right?
JACK
Well, you told me Alana stayed here this morning.
NICK
Ah, yes. Alana. The great love of my life before all hell broke loose. (Drinks coffee) We did have two really good years together.
JACK
You’re friends right now, and that’s how it will stay. No more enemies for either of you.
NICK
You’re right. I don’t think I could take another long separation from her. If there was one thing good that came from this accident, it was getting to see Alana again and clearing the air with her on a lot of things.
JACK
So keep on your path you’re on right now. Have Alana in your life as a friend and search for your happiness.
Nick gets a strange look on his face.
NICK
Search for your happiness? That sounds sooooo much like a soap opera.
JACK
Well, I’d have told you to search for tomorrow, Nick, but that’s been done already. (Laughs)
The two share a laugh as Nick settles back in on the couch and the picture fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Cleybank Corporation
George is in his office at Cleybank, having finished the conference call. He is now on the phone with Zachary, whom we do not see, discussing how things went.
GEORGE
Mixed results. Some of the investors are a little wary that my plan might be a bit too grandiose… hey, if you have any other smart ideas, let them know. I think I got through to them, but I’m going to need a little more help.
George faces the window as he continues talking to Zachary.
GEORGE
All right, Zach. Stay off your feet and… what do you mean you’re meeting friends tonight? (Turns back toward the camera) Dammit, son! Are you trying to get yourself killed?
He realizes he’s being too dramatic and pulls back.
GEORGE
I know the doctors said you could drive. At least you’re doing it with a car. All right, I’ll see you when I get home tonight. Will you be home for dinner?... Good, I’ll see you then.
As George hangs up, he looks outside at the view of Somerset and the sun shining overhead on the city.
GEORGE
Just a matter of time. That’s all.
The music builds as the scene changes.
DISSOLVE TO -- Somerset Register
The music plays lightly as we switch back to the Register office, where Norman is working on some story ideas when Mike knocks on the door.
MIKE
Hey, boss. How did the meeting go?
NORMAN
Not bad. Have a seat.
Mike sits down, feeling a bit fidgety because he has no idea what is going on.
NORMAN
You seem a little… nervous. Do you think you’re in trouble or something?
MIKE
Well, the thought did cross my mind. Am I being fired?
Norman looks a little stunned.
NORMAN
Now why would you think that? Didn’t I tell you it wasn’t bad news?
MIKE
I know I haven’t been the happiest person at the Register lately, and I wondered if you guys were getting sick of my attitude.
NORMAN
On the contrary. The fact you’re getting antsy and not being complacent tells me you’d be the perfect investigative reporter here at the Register.
Now this is not what Mike was ready to hear. His mouth drops, and he smiles slightly as he takes a deep breath.
MIKE
You don’t mean that.
NORMAN
I can take it back if you’d like…
MIKE
Okay! (Laughs as he holds up hand) You mean it! You mean I’m going to be the next Steve Slade?
NORMAN
I don’t think anyone could stop Steve. Or top him, for that matter. But the higher-ups are willing to give you a chance.
MIKE
I’ll take it! (Shakes Norman’s hand) Now what’s my first order of business?
NORMAN
What everyone else in this town is wondering. What the hell is Project X and how is Jack Martin behind it?
MIKE
(Music in the background) I already know a couple of Jack’s secrets… do you want something more full-fledged?
NORMAN
Jack has to know that people around here are starting to wonder. Get to the bottom of what is going on.
MIKE
I’ll get on it right away.
As happy music plays, Mike is happy about his job promotion, and he wants to celebrate. The picture fades to black.
COMMERCIAL BREAK
Fade in on the closing credits for Somerset as the theme plays.
BILL WOLFF
This... was Somerset.
Neckwear furnished by The Tie Bar.
(We see “Harpers Falls” title card)
Stay tuned for romance, suspense and drama on Harpers Falls, which follows immediately over most of these same stations.
(We see "Somerset" title card)
Join us each weekday afternoon at this time for the continuing story of Somerset.
This program was recorded.
Thursday, January 2, 2014
EPISODE 18 -- SISTER BONDING
SOMERSET EPISODE 18
DRtv airdate: August 6, 2008
Written by: Steve Ungrey
SCENE ONE
FADE IN -- Petterino house
The beginning of this episode is a direct pickup from Episode 17, as Victoria has said something about her looks that Annabella can’t believe.
They are still at the kitchen table having morning coffee as the 18th episode of Somerset begins, and Annabella is talking about life over in Italy while Victoria wipes the sleep out of her eyes and repeats that she’s not the model type.
ANNABELLA
Tell me you didn’t say what you just did.
VICTORIA
It’s true. I’m not in the same league you are, Bella.
Annabella, by now, is incredulous. She runs to her purse, takes out a huge compact and opens it up.
ANNABELLA
Look at yourself, Tori.
VICTORIA
Oh, come on, Annabella… I don’t even have that much makeup on…
ANNABELLA
That’s the point!
Annabella makes Victoria look at herself in the mirror.
ANNABELLA
My God, Tori. Look at you. You’re gorgeous. You’ve got a face that could stop traffic…
VICTORIA
Are you saying this because you’re my sister?
Annabella looks a little surprised, but she isn't. She's seen this side of Victoria before.
ANNABELLA
Wow. I didn’t know my sister had self-esteem issues.
The camera focuses in on Victoria as she looks at her face in the mirror. A light music melody plays as the picture fades to black.
We see an overhead shot of downtown, with the camera slowly pulling away from the buildings. The Somerset logo pops on the screen and goes into position at the center.
BILL WOLFF
This… is Somerset.
This portion of Somerset is brought to you today by Cascade, the dishwashing detergent with sheeting action. Leaves dishes and glasses spotless and shiny.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Petterino house
We pick the scene back up as Victoria puts down the compact and gets up from her chair.
VICTORIA
I guess I don’t look that bad, do I?
ANNABELLA
Don’t look that bad… please. Tori, I know you’re so wrapped up in your budding nursing career that you’re not letting yourself go and have fun, but take my advice. I did the same thing when I was a beginning model. I told myself I didn’t have time for guys.
Victoria walks across the room to the coffeemaker, ready to pour another cup.
VICTORIA
Bella, like you said… I’m just 23. You’re around 30. We’ve both got a long life ahead of us when it comes to finding Mr. Right… right?
ANNABELLA
What do you think I’ve been trying to tell you?
VICTORIA
And besides… it’s not like I don’t have a lot of guy friends. I keep in touch with my high school and college buddies, you know.
ANNABELLA
I know you do… I had to listen to you giggling on the phone all throughout high school. And I know one or two in particular. (Smiles) Do you have self-esteem problems?
VICTORIA
I don’t. It’s just I’m not that type of woman.
ANNABELLA
I never knew there was a type. Does that mean I’m vain and insecure just because of what I do? I’m a model, so I should obsess about something?
Victoria spins to face Annabella.
VICTORIA
My God, Bella! No! I didn’t mean it that way. I’m just not the model type.
ANNABELLA
And you think I am when I’m here in the states? No way. I love my anonymity over here. Only a handful of people know that in Italy, I’m one of the (puts up her fingers as if she is quoting) hotter supermodels around.
VICTORIA
While here, you’re just Annabella Petterino.
ANNABELLA
And I love it. The minute I get on that plane and set foot in the states, it’s a relief to not have anyone notice me like that here. I come through customs and pick up my bags just like any ordinary citizen. I can pick my car up out of storage. I can go through a drive-in window and order a cheeseburger without anyone looking at me funny.
Victoria nods her head and gets a sly grin on her face.
VICTORIA
Especially because you’re a model ordering a cheeseburger.
ANNABELLA
Tell me about it. Some models cringe when they get around peanut dust. They worry they’ll put on a pound just by inhaling it.
VICTORIA
With this family, we put on a pound just by inhaling Dad’s cooking.
Annabella pours another coffee and laughs.
ANNABELLA
Make that 10 pounds. We have good cooks for parents. Now come back here, sit down and play catch-up with me. I wanna hear what’s going on in your life.
VICTORIA
Yours is more exciting.
ANNABELLA
Suuuuuure it is.
Music plays in the background as the sisters laugh, able to share a fun moment together. The scene changes.
DISSOLVE TO -- Martin Enterprises
Susannah comes off the elevator into Jack’s office area, just as Joanne is coming out from Jack’s office having placed some faxes and paperwork inside.
JOANNE
Susannah, good morning! Welcome aboard!
Joanne comes over and hugs Susannah.
JOANNE
You nervous at all?
SUSANNAH
A little. I’m not sure what to expect.
JOANNE
You’ll do just fine. You look very nice today, by the way.
SUSANNAH
(Twirls around)
Thank you. I tried to rope a friend of mine into helping me decide what to wear on my first day here at Martin Enterprises. Now he calls this my lawyerly look.
JOANNE
You actually called upon a guy's help... (Laughs) Well, Susannah, you’ll fit in nicely in a courtroom.
SUSANNAH
Thanks. I’ve heard that before. Is the big boss in?
JOANNE
He’s on the phone with the New York financial markets. He’s talking to a contact of his down there. He’ll be out in a second. (Hears door open) His ears must have been burning.
Jack steps out and sees Susannah there.
JACK
Susannah! Good morning and welcome to the first day of the rest of your life.
SUSANNAH
Ah, does this mean lifetime employment?
JACK
I don’t know. That’s up to you. It beat saying welcome to your first day in hell. (Laughs) Come with me, your cubicle awaits.
SUSANNAH
I just get a cubicle?
JACK
Well, actually, you do have an office. You’ll share it with others down the line, but for now it’s yours and yours alone.
Light music plays as Susannah and Jack go down the hall. We see Joanne put on her headphone to take a call as the picture fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “Salem Days” title card)
The secret you can’t wait to see, as John’s life is turned upside down. Salem Days. Weekdays.
(We see “Somerset” title card with mid-show music)
BILL WOLFF
Somerset... is presented today by Comet, the kitchen and bathroom cleanser that disinfects as it cleans. Available in multiple sizes for kitchen and bathroom use.
We'll return with the second half of Somerset following station identification.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Cleypool mansion
At the Cleypool estate, George is on a call with an investor as Zachary limps down the curved staircase and into the living room. Fenwick arrives with coffee for George and notices Zachary.
FENWICK
Good morning, Master Zachary. Orange juice?
ZACHARY
Sure, Fenwick. If there’s any available.
FENWICK
Mmmmyes sir. I was just in the grove this morning squeezing freshly. I’ll get the carton.
Zachary breaks out laughing.
ZACHARY
I needed that, Fenwick. Thanks.
FENWICK
Glad I could be of service. I shall return.
Fenwick sets coffee by George’s desk and leaves the room. George is finishing up his phone call.
GEORGE
OK, Del. I’ll be in touch and hopefully I’ve got good news to give you. You take care.
George puts down the phone and turns around to face Zachary.
GEORGE
Why the hell didn’t you sleep down here last night? Didn’t the doctor say to stay off your feet?
ZACHARY
No, he said don’t run into the corner of a bed. I’ve already done that.
GEORGE
Very funny, Mr. Sarcasm. How is the ankle feeling?
ZACHARY
It hurts like hell at times, but I’ll live. Are you working from home today?
GEORGE
If you think you can get around here on your own, I’ll probably go into the office and oversee today’s conference call. I’m going to get my team together and discuss our options for Somerset’s urban renewal.
Now Zachary’s interest is piqued.
ZACHARY
Is this like the urban renewal on your cityscape you got several days ago?
GEORGE
I’m trying to put together some sort of deal where we buy this property, wreck it and build fresh on the site.
He points at the map. On the map, with ominous music playing in the background, we see George is pointing at The Peoples Building. The camera zooms in on the map site and the next scene blends in…
DISSOLVE TO -- Martin Enterprises
We see a shot of The Peoples Building out the window, and the camera pans back to show an empty office. Jack and Susannah enter.
JACK
Voila. Susannah, meet your office.
Susannah walks in and looks around. She sets her briefcase down on the desk and nods her head in approval. Looking around, Susannah sees her office has a healthy window view of Somerset.
SUSANNAH
I love this interior. Very nice. As for the outside view... Jack Martin, don’t feel obligated to give me a great view just because you and my dad are old friends.
Jack holds up his hand as if to say “not my doing”.
JACK
Hold it, hold it with the protest, my dear. I think if you look outside any office window on this side you’ll see the same view of Somerset. Goes with the territory when you own the building.
SUSANNAH
Well, either way, I’m going to love working in here. Thank you very much, Jack. Now all I need are some other people in here with me. This office looks a little too big for one person.
JACK
I am working on that as we speak. I’ll be out of town for a couple days on business, but I intend on making it a top priority when I return. I have some resumes of promising people to take a look at.
He points at the desk drawer.
JACK
By the way, we keep the computers strictly secure for safekeeping. Your computer log-in information should be tucked inside your desk.
SUSANNAH
Gotcha. All right, I’ll get right on everything I’ve got to do.
JACK
I haven’t even talked about work with you yet.
SUSANNAH
You see how eager I am to start? (Smiles)
Jack chuckles as Susannah sits down at the desk, turns on the computer and swirls around to look at the view outside. Light music plays as the scene changes.
DISSOLVE TO -- Petterino house
Annabella and Victoria are talking up a storm about her last visit to Italy, but the conversation topic inevitably turns back to life in Somerset.
ANNABELLA
I find it very hard to believe that some guy hasn’t swept you off your feet yet and whisked you away to the Thousand Islands or something.
VICTORIA
I’ve been busy at the hospital…
We see Victoria briefly thinking about Zachary.
VICTORIA
But there IS this cute guy that came in a while back to get treated for an ankle injury he had in a motorbike accident.
ANNABELLA
Ooooo! I’d like to hear about this one.
VICTORIA
Well… there’s really nothing to tell. Except his name. It’s Zachary Cleypool.
Annabella is a little incredulous.
ANNABELLA
THE Zachary Cleypool? As in Cleybank Corporation?
Annabella takes one big gulp of coffee and shakes her head, albeit with a small smile on her face.
ANNABELLA
Ooo boy, Tori.
VICTORIA
I know. I shouldn’t be doing anything like this. I don’t know how often he comes in for therapy but he’s been nothing but supportive to me when he does come in.
ANNABELLA
Well, it sounds to me like you have a winner.
Before Victoria can say anything, the phone rings. Annabella picks it up.
ANNABELLA
Good morning, Petterinos?
Scott is on the other end, already at his office going over cases. We only hear his voice on the phone.
SCOTT
I didn’t wake you guys up, did I?
ANNABELLA
Why not at all, Lt. Garfield. Good morning to you too.
As Victoria chuckles to herself, a light melody plays on piano as Annabella settles in briefly to talk to Scott. The picture fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Petterino house
Annabella is finishing up her phone call as the scene opens up.
ANNABELLA
I will see you tonight. Give me a call when you figure out what time. (Pause) OK, have a good day! Bye.
Victoria laughs as Annabella puts down the phone.
VICTORIA
Now what about YOUR personal life? I see you have a date with Scott tonight.
ANNABELLA
Tori… (laughs and blushes a bit) It’s not a date. Scott and I are just going for a drink and playing pool. We did that all the time when I was here. You know we go way back.
VICTORIA
How long before you two admit there’s a spark there?
ANNABELLA
Never. (Sees Tori looking kind of skeptical) Tori, I mean it. Scott knows how I feel and I know how he feels. And besides, I can’t wait to share my news with him.
VICTORIA
What news is that?
ANNABELLA
Well… he already knows the gist of it, but I met someone in Italy.
Victoria’s face brightens as Annabella smiles.
VICTORIA
But I don’t know the details. Bella, you give up details right this instant.
ANNABELLA
Well, I don’t really want to share an awful lot in case it doesn‘t work out… he lives here in the states, but he does business occasionally in Italy. I want to keep things kind of quiet because Mom and Dad don’t know about him.
VICTORIA
Yet Scott does. That makes sense.
ANNABELLA
Like I said… we’ve got that kind of friendship.
VICTORIA
Hmm. Okay, whatever you say…
The music plays briefly and then fades as the next scene commences.
DISSOLVE TO -- Cleypool mansion
Back at the Cleypool estate. George is looking at the map and comparing it to the model of Somerset on the table.
ZACHARY
I gotta tell you, Dad, your model of Somerset looks considerably different than the one on the map.
GEORGE
Son, that’s the whole point. This block of Somerset will look a lot different when I’m done with it.
Sinister piano music plays as Zachary looks down and realizes where George is looking.
ZACHARY
But Dad… that includes The Peoples Building… the Woodruff Building… One Somerset Plaza… and all the business on this street. Why would you want to knock the Woodruff Building down? That was just restored in the last several years.
George looks at Zachary pointing at development on Trowbridge Street.
GEORGE
And your point is?
ZACHARY
Some hard-working people own businesses on this block.
George looks at his son and quizzically wonders what the hell is going on.
GEORGE
Son, you getting soft on me? (Pauses) Or do you have a hankering for Italian food all of a sudden?
The music builds in intensity, as the piano theme darkens in mood.
ZACHARY
You’re not serious about the last part, are you?
GEORGE
Restaurant row. Bernard’s. Giovanni’s. The Riverboat Club. Gone. All of them. When I’m done, this town won’t know what hit it.
Zachary looks at George with a little skepticism. Given his stance between his father and how he likes the restaurants, what does he do? The picture fades to black.
COMMERCIAL BREAK
Fade in on the closing credits for Somerset as the theme plays.
BILL WOLFF
This... was Somerset.
Women’s shirts by Willow Ridge.
Shoes by Rockport.
(We see “Harpers Falls” title card)
Stay tuned for romance, suspense, and drama... on Harpers Falls, which follows immediately over most of these same stations.
Join us each weekday afternoon at this time for the continuing story of Somerset.
This program was pre-recorded.
DRtv airdate: August 6, 2008
Written by: Steve Ungrey
SCENE ONE
FADE IN -- Petterino house
The beginning of this episode is a direct pickup from Episode 17, as Victoria has said something about her looks that Annabella can’t believe.
They are still at the kitchen table having morning coffee as the 18th episode of Somerset begins, and Annabella is talking about life over in Italy while Victoria wipes the sleep out of her eyes and repeats that she’s not the model type.
ANNABELLA
Tell me you didn’t say what you just did.
VICTORIA
It’s true. I’m not in the same league you are, Bella.
Annabella, by now, is incredulous. She runs to her purse, takes out a huge compact and opens it up.
ANNABELLA
Look at yourself, Tori.
VICTORIA
Oh, come on, Annabella… I don’t even have that much makeup on…
ANNABELLA
That’s the point!
Annabella makes Victoria look at herself in the mirror.
ANNABELLA
My God, Tori. Look at you. You’re gorgeous. You’ve got a face that could stop traffic…
VICTORIA
Are you saying this because you’re my sister?
Annabella looks a little surprised, but she isn't. She's seen this side of Victoria before.
ANNABELLA
Wow. I didn’t know my sister had self-esteem issues.
The camera focuses in on Victoria as she looks at her face in the mirror. A light music melody plays as the picture fades to black.
We see an overhead shot of downtown, with the camera slowly pulling away from the buildings. The Somerset logo pops on the screen and goes into position at the center.
BILL WOLFF
This… is Somerset.
This portion of Somerset is brought to you today by Cascade, the dishwashing detergent with sheeting action. Leaves dishes and glasses spotless and shiny.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Petterino house
We pick the scene back up as Victoria puts down the compact and gets up from her chair.
VICTORIA
I guess I don’t look that bad, do I?
ANNABELLA
Don’t look that bad… please. Tori, I know you’re so wrapped up in your budding nursing career that you’re not letting yourself go and have fun, but take my advice. I did the same thing when I was a beginning model. I told myself I didn’t have time for guys.
Victoria walks across the room to the coffeemaker, ready to pour another cup.
VICTORIA
Bella, like you said… I’m just 23. You’re around 30. We’ve both got a long life ahead of us when it comes to finding Mr. Right… right?
ANNABELLA
What do you think I’ve been trying to tell you?
VICTORIA
And besides… it’s not like I don’t have a lot of guy friends. I keep in touch with my high school and college buddies, you know.
ANNABELLA
I know you do… I had to listen to you giggling on the phone all throughout high school. And I know one or two in particular. (Smiles) Do you have self-esteem problems?
VICTORIA
I don’t. It’s just I’m not that type of woman.
ANNABELLA
I never knew there was a type. Does that mean I’m vain and insecure just because of what I do? I’m a model, so I should obsess about something?
Victoria spins to face Annabella.
VICTORIA
My God, Bella! No! I didn’t mean it that way. I’m just not the model type.
ANNABELLA
And you think I am when I’m here in the states? No way. I love my anonymity over here. Only a handful of people know that in Italy, I’m one of the (puts up her fingers as if she is quoting) hotter supermodels around.
VICTORIA
While here, you’re just Annabella Petterino.
ANNABELLA
And I love it. The minute I get on that plane and set foot in the states, it’s a relief to not have anyone notice me like that here. I come through customs and pick up my bags just like any ordinary citizen. I can pick my car up out of storage. I can go through a drive-in window and order a cheeseburger without anyone looking at me funny.
Victoria nods her head and gets a sly grin on her face.
VICTORIA
Especially because you’re a model ordering a cheeseburger.
ANNABELLA
Tell me about it. Some models cringe when they get around peanut dust. They worry they’ll put on a pound just by inhaling it.
VICTORIA
With this family, we put on a pound just by inhaling Dad’s cooking.
Annabella pours another coffee and laughs.
ANNABELLA
Make that 10 pounds. We have good cooks for parents. Now come back here, sit down and play catch-up with me. I wanna hear what’s going on in your life.
VICTORIA
Yours is more exciting.
ANNABELLA
Suuuuuure it is.
Music plays in the background as the sisters laugh, able to share a fun moment together. The scene changes.
DISSOLVE TO -- Martin Enterprises
Susannah comes off the elevator into Jack’s office area, just as Joanne is coming out from Jack’s office having placed some faxes and paperwork inside.
JOANNE
Susannah, good morning! Welcome aboard!
Joanne comes over and hugs Susannah.
JOANNE
You nervous at all?
SUSANNAH
A little. I’m not sure what to expect.
JOANNE
You’ll do just fine. You look very nice today, by the way.
SUSANNAH
(Twirls around)
Thank you. I tried to rope a friend of mine into helping me decide what to wear on my first day here at Martin Enterprises. Now he calls this my lawyerly look.
JOANNE
You actually called upon a guy's help... (Laughs) Well, Susannah, you’ll fit in nicely in a courtroom.
SUSANNAH
Thanks. I’ve heard that before. Is the big boss in?
JOANNE
He’s on the phone with the New York financial markets. He’s talking to a contact of his down there. He’ll be out in a second. (Hears door open) His ears must have been burning.
Jack steps out and sees Susannah there.
JACK
Susannah! Good morning and welcome to the first day of the rest of your life.
SUSANNAH
Ah, does this mean lifetime employment?
JACK
I don’t know. That’s up to you. It beat saying welcome to your first day in hell. (Laughs) Come with me, your cubicle awaits.
SUSANNAH
I just get a cubicle?
JACK
Well, actually, you do have an office. You’ll share it with others down the line, but for now it’s yours and yours alone.
Light music plays as Susannah and Jack go down the hall. We see Joanne put on her headphone to take a call as the picture fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “Salem Days” title card)
The secret you can’t wait to see, as John’s life is turned upside down. Salem Days. Weekdays.
(We see “Somerset” title card with mid-show music)
BILL WOLFF
Somerset... is presented today by Comet, the kitchen and bathroom cleanser that disinfects as it cleans. Available in multiple sizes for kitchen and bathroom use.
We'll return with the second half of Somerset following station identification.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Cleypool mansion
At the Cleypool estate, George is on a call with an investor as Zachary limps down the curved staircase and into the living room. Fenwick arrives with coffee for George and notices Zachary.
FENWICK
Good morning, Master Zachary. Orange juice?
ZACHARY
Sure, Fenwick. If there’s any available.
FENWICK
Mmmmyes sir. I was just in the grove this morning squeezing freshly. I’ll get the carton.
Zachary breaks out laughing.
ZACHARY
I needed that, Fenwick. Thanks.
FENWICK
Glad I could be of service. I shall return.
Fenwick sets coffee by George’s desk and leaves the room. George is finishing up his phone call.
GEORGE
OK, Del. I’ll be in touch and hopefully I’ve got good news to give you. You take care.
George puts down the phone and turns around to face Zachary.
GEORGE
Why the hell didn’t you sleep down here last night? Didn’t the doctor say to stay off your feet?
ZACHARY
No, he said don’t run into the corner of a bed. I’ve already done that.
GEORGE
Very funny, Mr. Sarcasm. How is the ankle feeling?
ZACHARY
It hurts like hell at times, but I’ll live. Are you working from home today?
GEORGE
If you think you can get around here on your own, I’ll probably go into the office and oversee today’s conference call. I’m going to get my team together and discuss our options for Somerset’s urban renewal.
Now Zachary’s interest is piqued.
ZACHARY
Is this like the urban renewal on your cityscape you got several days ago?
GEORGE
I’m trying to put together some sort of deal where we buy this property, wreck it and build fresh on the site.
He points at the map. On the map, with ominous music playing in the background, we see George is pointing at The Peoples Building. The camera zooms in on the map site and the next scene blends in…
DISSOLVE TO -- Martin Enterprises
We see a shot of The Peoples Building out the window, and the camera pans back to show an empty office. Jack and Susannah enter.
JACK
Voila. Susannah, meet your office.
Susannah walks in and looks around. She sets her briefcase down on the desk and nods her head in approval. Looking around, Susannah sees her office has a healthy window view of Somerset.
SUSANNAH
I love this interior. Very nice. As for the outside view... Jack Martin, don’t feel obligated to give me a great view just because you and my dad are old friends.
Jack holds up his hand as if to say “not my doing”.
JACK
Hold it, hold it with the protest, my dear. I think if you look outside any office window on this side you’ll see the same view of Somerset. Goes with the territory when you own the building.
SUSANNAH
Well, either way, I’m going to love working in here. Thank you very much, Jack. Now all I need are some other people in here with me. This office looks a little too big for one person.
JACK
I am working on that as we speak. I’ll be out of town for a couple days on business, but I intend on making it a top priority when I return. I have some resumes of promising people to take a look at.
He points at the desk drawer.
JACK
By the way, we keep the computers strictly secure for safekeeping. Your computer log-in information should be tucked inside your desk.
SUSANNAH
Gotcha. All right, I’ll get right on everything I’ve got to do.
JACK
I haven’t even talked about work with you yet.
SUSANNAH
You see how eager I am to start? (Smiles)
Jack chuckles as Susannah sits down at the desk, turns on the computer and swirls around to look at the view outside. Light music plays as the scene changes.
DISSOLVE TO -- Petterino house
Annabella and Victoria are talking up a storm about her last visit to Italy, but the conversation topic inevitably turns back to life in Somerset.
ANNABELLA
I find it very hard to believe that some guy hasn’t swept you off your feet yet and whisked you away to the Thousand Islands or something.
VICTORIA
I’ve been busy at the hospital…
We see Victoria briefly thinking about Zachary.
VICTORIA
But there IS this cute guy that came in a while back to get treated for an ankle injury he had in a motorbike accident.
ANNABELLA
Ooooo! I’d like to hear about this one.
VICTORIA
Well… there’s really nothing to tell. Except his name. It’s Zachary Cleypool.
Annabella is a little incredulous.
ANNABELLA
THE Zachary Cleypool? As in Cleybank Corporation?
Annabella takes one big gulp of coffee and shakes her head, albeit with a small smile on her face.
ANNABELLA
Ooo boy, Tori.
VICTORIA
I know. I shouldn’t be doing anything like this. I don’t know how often he comes in for therapy but he’s been nothing but supportive to me when he does come in.
ANNABELLA
Well, it sounds to me like you have a winner.
Before Victoria can say anything, the phone rings. Annabella picks it up.
ANNABELLA
Good morning, Petterinos?
Scott is on the other end, already at his office going over cases. We only hear his voice on the phone.
SCOTT
I didn’t wake you guys up, did I?
ANNABELLA
Why not at all, Lt. Garfield. Good morning to you too.
As Victoria chuckles to herself, a light melody plays on piano as Annabella settles in briefly to talk to Scott. The picture fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Petterino house
Annabella is finishing up her phone call as the scene opens up.
ANNABELLA
I will see you tonight. Give me a call when you figure out what time. (Pause) OK, have a good day! Bye.
Victoria laughs as Annabella puts down the phone.
VICTORIA
Now what about YOUR personal life? I see you have a date with Scott tonight.
ANNABELLA
Tori… (laughs and blushes a bit) It’s not a date. Scott and I are just going for a drink and playing pool. We did that all the time when I was here. You know we go way back.
VICTORIA
How long before you two admit there’s a spark there?
ANNABELLA
Never. (Sees Tori looking kind of skeptical) Tori, I mean it. Scott knows how I feel and I know how he feels. And besides, I can’t wait to share my news with him.
VICTORIA
What news is that?
ANNABELLA
Well… he already knows the gist of it, but I met someone in Italy.
Victoria’s face brightens as Annabella smiles.
VICTORIA
But I don’t know the details. Bella, you give up details right this instant.
ANNABELLA
Well, I don’t really want to share an awful lot in case it doesn‘t work out… he lives here in the states, but he does business occasionally in Italy. I want to keep things kind of quiet because Mom and Dad don’t know about him.
VICTORIA
Yet Scott does. That makes sense.
ANNABELLA
Like I said… we’ve got that kind of friendship.
VICTORIA
Hmm. Okay, whatever you say…
The music plays briefly and then fades as the next scene commences.
DISSOLVE TO -- Cleypool mansion
Back at the Cleypool estate. George is looking at the map and comparing it to the model of Somerset on the table.
ZACHARY
I gotta tell you, Dad, your model of Somerset looks considerably different than the one on the map.
GEORGE
Son, that’s the whole point. This block of Somerset will look a lot different when I’m done with it.
Sinister piano music plays as Zachary looks down and realizes where George is looking.
ZACHARY
But Dad… that includes The Peoples Building… the Woodruff Building… One Somerset Plaza… and all the business on this street. Why would you want to knock the Woodruff Building down? That was just restored in the last several years.
George looks at Zachary pointing at development on Trowbridge Street.
GEORGE
And your point is?
ZACHARY
Some hard-working people own businesses on this block.
George looks at his son and quizzically wonders what the hell is going on.
GEORGE
Son, you getting soft on me? (Pauses) Or do you have a hankering for Italian food all of a sudden?
The music builds in intensity, as the piano theme darkens in mood.
ZACHARY
You’re not serious about the last part, are you?
GEORGE
Restaurant row. Bernard’s. Giovanni’s. The Riverboat Club. Gone. All of them. When I’m done, this town won’t know what hit it.
Zachary looks at George with a little skepticism. Given his stance between his father and how he likes the restaurants, what does he do? The picture fades to black.
COMMERCIAL BREAK
Fade in on the closing credits for Somerset as the theme plays.
BILL WOLFF
This... was Somerset.
Women’s shirts by Willow Ridge.
Shoes by Rockport.
(We see “Harpers Falls” title card)
Stay tuned for romance, suspense, and drama... on Harpers Falls, which follows immediately over most of these same stations.
Join us each weekday afternoon at this time for the continuing story of Somerset.
This program was pre-recorded.
Thursday, December 26, 2013
EPISODE 17 -- FIRST DAY JITTERS
SOMERSET EPISODE 17
DRtv airdate: August 5, 2008
Written by: Steve Ungrey
SCENE ONE
FADE IN -- Susannah’s house
We see an exterior shot of Grant’s Preserve in the morning, establishing that it is a new day in Somerset.
Susannah is in her upstairs bathroom, wearing nothing but undergarments and preparing for her first day as a lawyer on the Martin Enterprises payroll.
She is applying makeup and humming to herself as we hear a knock at the downstairs door.
SUSANNAH
What the… who could be here at this hour?
She leans out and yells down the stairs.
SUSANNAH
Come on in! The door’s open.
We hear the doorknob turn and someone enter Susannah’s house. Susannah has turned back towards the mirror to finish doing her face.
SUSANNAH
(Yelling down)
Who’s here?
The voice gives away the fact it is Patrick. He yells up the staircase.
PATRICK
A houseguest who wants to see you off on your first day of work.
Susannah smiles to herself as she continues doing her face.
SUSANNAH
(Nods her head)
Very impressive, Patrick. I thought you were working today.
PATRICK
I was on last night. Alana worked a 12-hour shift yesterday and I took part of that shift because we work well as a team and because I wanted to be awake to see you off this morning. I am working later tonight if you want to find me.
Susannah has thrown on a nightshirt, and she comes downstairs with a few clothes in her hand.
PATRICK
Anyhow, I figured I could use a little rest. But not before I came to see you off.
Patrick notices the clothes in Susannah's hand.
PATRICK
What do I get to do, play Project Runway here or something?
SUSANNAH
Well…
Susannah kisses Patrick on his cheek.
SUSANNAH
You are so sweet to come over here and see me off to work like this. And you are just in time to help me make the most important first decision of my career at Martin.
She holds up two pairs of nylons.
SUSANNAH
What do you think, black or brown?
Patrick laughs.
PATRICK
I’m afraid I don’t have much experience there, Susie. (Snickers) It has been a long time since I've worn pantyhose...
Susannah has that "very funny" look on her face.
SUSANNAH
All right, mister... cut the comedy or I’ll have to wrap these around your neck. Let me phrase it another way.
Susannah holds up her suit jacket.
SUSANNAH
Now then... black or brown?
PATRICK
Oh, I get it. You’re asking me what you would look best in overall. Don’t they say one color makes you look thinner?
Susannah playfully whacks him over the head with her suit jacket.
SUSANNAH
Are you saying I need to lose weight or something? The last I knew...
PATRICK
No, no! Not at all. Isn’t that what they say, anyway? One color gives you the illusion of being thinner?
SUSANNAH
(Holds up a flowery blouse) Well, I’m not exactly going monochrome…
PATRICK
Ah, so you will look a little feminine this morning.
Patrick points at Susannah's black hose.
PATRICK
Then black becomes you.
SUSANNAH
Thank you for the opinion. Now that I’ve gotten it, I’m putting myself together.
PATRICK
I brought a little breakfast, by the way.
Susannah turns as if she's going to head back up the stairs.
SUSANNAH
Oh good! Set it on the counter on your way out…
PATRICK
Huh?
Susannah turns back, smiles and gives Patrick a small smooch on his lips.
SUSANNAH
Gotcha. Hold on tight, I’ll be right back.
Patrick sips his coffee and sits down at the kitchen table, laughing to himself as a light melody plays. The picture fades to black.
We see an overhead shot of downtown, with the camera slowly pulling away from the buildings. The Somerset logo pops on the screen and goes into position at the center.
BILL WOLFF
This… is Somerset.
This portion of Somerset is brought to you today by America’s favorite household cleanser, today’s Spic and Span. It releases its power in water.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Petterino house
Victoria is slowly coming downstairs, looking a bit bleary-eyed from the night before. As promised, she spent about 90 minutes crashing on Taylor’s couch before getting in her car and returning home to climb into bed.
She goes into the kitchen but turns away before she can see Annabella at the counter making coffee. Annabella sees her and smiles.
ANNABELLA
Would you like one lump or two with your coffee?
VICTORIA
Two, please. It was a long…
It suddenly hits Victoria who is talking. Her face brightens as she turns toward Annabella.
VICTORIA
Night! BELLA!!
She runs toward Annabella for a tight hug.
VICTORIA
Welcome home, sis!
ANNABELLA
It’s good to be here. (Gets grin on her face) Where were you last night, anyway? It’s not like you to be out so late.
VICTORIA
I didn’t know you were my babysitter. (Laughing)
ANNABELLA
No, you just missed my grand entrance back into Somerset. Didn’t you wonder about the car outside this morning?
VICTORIA
I was kind of out of it last night when I got home. It had been a long day, plus I’d been out with a couple nurse friends of mine. I had tunnel vision. I wanted my own bed.
ANNABELLA
Well, I sped into Somerset last night and had trouble getting in the house, so I finally remembered that Dad usually keeps the porch door open. I shimmied through there and set off the alarm.
Victoria takes a cup of coffee from Annabella.
VICTORIA
Thanks. Oh God, you don’t know how much I need this.
ANNABELLA
Did you work yesterday?
VICTORIA
Yes, I was on duty. Today, thankfully, is one of my days off. But Taylor, Alana and I are talking about a girls night out tonight, so I’ll probably catch up with a nap this afternoon.
ANNABELLA
Do it while you’re young, that’s what I say. (Laughs)
VICTORIA
Well, I went back to Taylor’s and crashed for a little bit, until I felt well enough to drive on my own. Tonight I may just stay there.
ANNABELLA
Smart girl. You always had the brains in the family.
VICTORIA
You had the looks.
Annabella turns to look at Victoria, who many would consider strikingly attractive, and wonders how Victoria could say such a thing.
ANNABELLA
Victoria Petterino, you look at yourself in the mirror and say that line once again. I had the looks? Look at yourself.
Victoria takes out her purse and looks in a compact mirror. She grimaces.
VICTORIA
Right now, I look like someone who had one too many cosmopolitans last night.
Annabella laughs as she takes a cup of coffee herself and sits down. A light melody can be heard in the background as the scene changes.
DISSOLVE TO -- Somerset Hospital
At the hospital, Alana is off the clock but she elected to sleep in the nurses’ lounge until more information on Nick was released. Patrick left an order to spring Nick from the hospital this morning if he felt fine.
Alana goes down the hall and looks in on Nick, who has been sleeping but is awake and struggling a bit to sit up.
ALANA
(Comes in and helps Nick out)
Hey, bud. Let the nurses take care of that.
NICK
Ah, Alana… I’m fine. But it is good to see you, albeit under strange circumstances.
ALANA
You too, honey.
Alana leans down to kiss Nick on his forehead.
ALANA
It’s good to see we can be on speaking terms again after a long time.
NICK
Well, I never wanted to be getting the silent treatment in the first place. I am just glad things thawed out between us. (Looks at Alana) I’m just happy you’re doing something you love.
ALANA
I’ve been meaning to call you and see if you wanted to grab a drink or something and talk as friends, kind of re-establish our friendship.
NICK
I may take you up on that. (Grins) But won’t Mike get jealous?
Alana closes her eyes and shakes her head.
ALANA
Oh, Nick. Not you too. There’s nothing between Mike and myself.
NICK
Not yet, anyway.
ALANA
You just hush your mouth while I check your vitals.
Alana goes through the motions of checking Nick’s blood pressure and everything else, and the prognosis is good.
NICK
Am I going to live?
ALANA
Put it this way. Once those tests come back, if they’re negative you’re a free man. Do you have a ride?
NICK
I was going to call Jack, but I forgot this morning.
ALANA
Ahh, don’t bug Jack. I’m getting ready to leave here and I’ll see if your discharge papers will be ready. I’ll drop you off.
NICK
Is this part of your job?
ALANA
Consider it an old girlfriend paying back someone she cares about. (Leans down to kiss Nick again) I’ll be back.
As Alana leaves the room, Nick closes his eyes and tries to catch a small catnap amidst his groggy feeling. The picture fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “North Star” title card)
A pair of families living in rural Maryland are the focus of North Star, the new soap that can be seen weekdays.
(We see “Somerset” title card with bumper music)
BILL WOLFF
Somerset.... is brought to you today by Dawn, the dishwashing liquid that cuts through tough grease. Leaves grease off your hands and off your dishes.
We'll return with more of Somerset following station identification.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Petterino house
We return to the Petterino kitchen, where Victoria is drinking her coffee and getting acquainted with her sister once again.
VICTORIA
I can’t believe we’re thinking of going out again tonight.
ANNABELLA
Why not? You’re still young. You’re 23 years old. You’re just starting out in your career.
VICTORIA
Joining the nurses at the bar doesn’t hold a candle to the lavish parties you attend, sis. No offense, but…
ANNABELLA
It may surprise you, Tori, but I don’t go to all those lavish parties in Italy. I do my job, I do it well, and a lot of times when I’m away from the cameras I just want to be alone. I take my car and I drive away.
VICTORIA
So no dates with Italy’s glamorous elite, huh?
ANNABELLA
Please. I separate my life there with my life here. The money’s great, but I’m not extravagant by any means. I’ll have to take you for a ride in that sportscar.
VICTORIA
Yeah. Now that I’ve seen it from in here, it DOES look like a dream car.
ANNABELLA
It handles well. It’s also a little fast, like Scott found out last night.
VICTORIA
Ah, I see. (Pauses) So you’re going to lie low?
ANNABELLA
I probably won’t do much today. I’m recovering from yesterday, and I have a feeling Scott may call and we may go get a beer tonight.
VICTORIA
Ah hah. I see.
Annabella turns and looks at Victoria. She lifts a finger and points it at Victoria.
ANNABELLA
Not a word, Tori…
VICTORIA
Okay! I won’t push.
ANNABELLA
I’ll push you instead. Have you let yourself drop the focus on career and start building a social life?
VICTORIA
Bella, it’s not exactly like the guys are rushing to call. And besides, I’m nothing special anyway.
A bit of “stinger” piano music plays, as if Annabella is dumbstruck by what Victoria just said. Before she can say anything, the scene changes.
DISSOLVE TO -- Susannah’s house
Patrick is downstairs sitting and drinking from his orange juice, and he hears Susannah coming downstairs. She is fully dressed in the traditional “power suit” look.
Patrick eyes Susannah and nods his head in approval.
PATRICK
Hubba hubba. Susie Lucas, you know how to turn a head.
Susannah does a spin in place and fluffs out her hair.
SUSANNAH
Is this good enough for you?
PATRICK
Hey, you’re not out to impress me. It’s your boss that you’re out to impress.
SUSANNAH
Jack’s not that type.
PATRICK
You’re right. He’s definitely not your average CEO of a major company. Anyhow, you look… lawyerly.
SUSANNAH
A little admiration of how I wear it well?
PATRICK
Just kidding. You look great. Now sit and eat with me. You don’t have to be in until…
SUSANNAH
I told Jack I’d be in before 9:30, and it’s (checks watch) oh, 8:45. Not too bad.
PATRICK
Considering traffic in Somerset is always a killer. (Laughter) At least out on the interstate.
SUSANNAH
I’d like to make a good impression on Jack now that I know Dad didn’t put him up to this job.
PATRICK
And what if he had?
Susannah sips her coffee and sits down as Patrick pulls out her chair, and Susannah has a look on her face like she wouldn’t have been surprised.
SUSANNAH
Jack told me I earned this chance fair and square, so I’m happy.
PATRICK
Hey, you’re not alone, you know. When I applied to work here, there was an old guard who knew the names Stanley and Teri Kurtz. I had to tell them I have an uncle in prison, just to sully the Kurtz name a bit.
SUSANNAH
So Leo’s still in jail, huh?
PATRICK
He’s content to live out his days because of what he did here in Somerset. I mean, some people hate Jack Martin for what he did with Delaney Brands…
SUSANNAH
(Grins)
One in particular?
PATRICK
Yeah, right. Jack may have made a mistake or two, but Leo Kurtz running Delaney Brands was like putting Al Capone in charge of the US Treasury.
Patrick sips his coffee as Susannah laughs.
PATRICK
So I wanted a fresh start. I told them to give me a job low down on the food chain.
SUSANNAH
And what happened?
PATRICK
I did so well at it, they damn ended up promoting me a couple years later. Now I’m just a couple steps away from chief of staff.
SUSANNAH
I know what you mean. I worked with Dad in Oklahoma City for several years until I decided I wanted to strike out on my own. So I hung out my own shingle in that city as a corporate attorney at another law firm.
PATRICK
Did you get sick of it?
SUSANNAH
Well, I was in Kansas City for a while and then I left there. I got homesick. Wanted to go back and feel the wind come sweeping down the plain.
PATRICK
(Sips coffee and smiles) Is this where you break into oh, what a beautiful morning?
SUSANNAH
No, but if you hum a few bars…
PATRICK
I’ll pass. Still a little bleary-eyed. I’m going to go home and hit the sack, I think.
SUSANNAH
I don’t blame you there. Could use a little more sleep myself. Anyhow...
Susannah kisses Patrick's cheek.
SUSANNAH
Thanks for coming to keep me company.
PATRICK
You're going to knock them out, you knockout.
Patrick and Susannah smile as the music builds and the picture fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Nick’s apartment
We see Nick’s darkened apartment as he and Alana enter. Alana guides Nick over to the couch so he can sit and relax.
ALANA
Are you sure you don’t want to lie down?
NICK
I probably will, but not in there. I may not sleep in that bed for a while.
Alana turns and sees the lamp and nightstand on the floor.
ALANA
Relax. I can go tidy up in there shortly. So… who is this mystery woman that had you so wrapped up in thought that you actually fell out of bed dreaming about her?
NICK
Oh, it’s no one. Not even a one-night stand. Never got a name, never got a number.
Alana kisses Nick on the cheek.
ALANA
Poor baby. Humor me, OK? We dated for nearly two years. Then we had a falling out over work. You went one way, and I went the other.
NICK
Which I regret to this day. I treated you badly toward the end and I’m sorry for it.
ALANA
Hey… you’re entitled to have a little fun once in a while. You just weren’t having any when you devoted all your life to work.
NICK
Tell me about it.
Nick reclines on the couch and then recalls the woman.
NICK
She had the most beautiful red hair… that smile…
ALANA
One look and you were hooked, right?
NICK
Close. (Starting to feel woozy) I think my meds are kicking in.
ALANA
Yes. The medicine you took at the hospital should help you sleep. Tell ya what. I’ve worked overnight and I could crash, so let me stay here with you for a while.
NICK
You don’t have to do that…
ALANA
I’m just going to recline… mind if I use that bed? I promise I’ll clean up for you.
NICK
Hey, you were familiar with it at one point. Be my guest. (Smiles)
ALANA
(Yawns) Thanks, old friend.
Nick and Alana wrap their arms around each other and gently kiss on the lips, a sign that their friendship will be solid.
Nick turns and goes to sleep as the music builds and Alana heads into the bedroom.
DISSOLVE TO -- Susannah’s house
Susannah is grabbing her briefcase and looking at her hair in the mirror. She bends down, adjusts her nylons and the hem on her skirt... in other words, wanting to make sure she looks perfect.
PATRICK
Susie, you look fine.
SUSANNAH
Just fine. You sure?
PATRICK
If I said drop-dead gorgeous, would you think I was lying?
SUSANNAH
Well… (Leans in and kisses Patrick on the cheek) Yes.
PATRICK
Ouch. That hurt. (Laughs) Go out there and knock them dead.
SUSANNAH
Thanks.
The two exit and walk down the sidewalk, with Patrick getting in his car and Susannah in hers.
Once the cars leave, we cut back to the house.
Low piano music plays as we see a shadowy figure with The Kansas City Star in hand and gloves on to prevent any prints from being left.
The figure, whose feet we can only see, sticks the paper underneath the welcome mat with one corner sticking out, and he walks away as an eerie music theme plays. We cannot see who it is as the picture immediately cuts to black.
COMMERCIAL BREAK
Fade in on the closing credits for Somerset as the theme plays.
BILL WOLFF
This... was Somerset.
Women’s suits by Ann Taylor.
Men’s shirts by Nautica.
Join us each weekday at this time for the continuing story of Somerset. And stay tuned for romance, suspense and drama on Harpers Falls, which follows immediately over most of these same stations.
This program was pre-recorded.
DRtv airdate: August 5, 2008
Written by: Steve Ungrey
SCENE ONE
FADE IN -- Susannah’s house
We see an exterior shot of Grant’s Preserve in the morning, establishing that it is a new day in Somerset.
Susannah is in her upstairs bathroom, wearing nothing but undergarments and preparing for her first day as a lawyer on the Martin Enterprises payroll.
She is applying makeup and humming to herself as we hear a knock at the downstairs door.
SUSANNAH
What the… who could be here at this hour?
She leans out and yells down the stairs.
SUSANNAH
Come on in! The door’s open.
We hear the doorknob turn and someone enter Susannah’s house. Susannah has turned back towards the mirror to finish doing her face.
SUSANNAH
(Yelling down)
Who’s here?
The voice gives away the fact it is Patrick. He yells up the staircase.
PATRICK
A houseguest who wants to see you off on your first day of work.
Susannah smiles to herself as she continues doing her face.
SUSANNAH
(Nods her head)
Very impressive, Patrick. I thought you were working today.
PATRICK
I was on last night. Alana worked a 12-hour shift yesterday and I took part of that shift because we work well as a team and because I wanted to be awake to see you off this morning. I am working later tonight if you want to find me.
Susannah has thrown on a nightshirt, and she comes downstairs with a few clothes in her hand.
PATRICK
Anyhow, I figured I could use a little rest. But not before I came to see you off.
Patrick notices the clothes in Susannah's hand.
PATRICK
What do I get to do, play Project Runway here or something?
SUSANNAH
Well…
Susannah kisses Patrick on his cheek.
SUSANNAH
You are so sweet to come over here and see me off to work like this. And you are just in time to help me make the most important first decision of my career at Martin.
She holds up two pairs of nylons.
SUSANNAH
What do you think, black or brown?
Patrick laughs.
PATRICK
I’m afraid I don’t have much experience there, Susie. (Snickers) It has been a long time since I've worn pantyhose...
Susannah has that "very funny" look on her face.
SUSANNAH
All right, mister... cut the comedy or I’ll have to wrap these around your neck. Let me phrase it another way.
Susannah holds up her suit jacket.
SUSANNAH
Now then... black or brown?
PATRICK
Oh, I get it. You’re asking me what you would look best in overall. Don’t they say one color makes you look thinner?
Susannah playfully whacks him over the head with her suit jacket.
SUSANNAH
Are you saying I need to lose weight or something? The last I knew...
PATRICK
No, no! Not at all. Isn’t that what they say, anyway? One color gives you the illusion of being thinner?
SUSANNAH
(Holds up a flowery blouse) Well, I’m not exactly going monochrome…
PATRICK
Ah, so you will look a little feminine this morning.
Patrick points at Susannah's black hose.
PATRICK
Then black becomes you.
SUSANNAH
Thank you for the opinion. Now that I’ve gotten it, I’m putting myself together.
PATRICK
I brought a little breakfast, by the way.
Susannah turns as if she's going to head back up the stairs.
SUSANNAH
Oh good! Set it on the counter on your way out…
PATRICK
Huh?
Susannah turns back, smiles and gives Patrick a small smooch on his lips.
SUSANNAH
Gotcha. Hold on tight, I’ll be right back.
Patrick sips his coffee and sits down at the kitchen table, laughing to himself as a light melody plays. The picture fades to black.
We see an overhead shot of downtown, with the camera slowly pulling away from the buildings. The Somerset logo pops on the screen and goes into position at the center.
BILL WOLFF
This… is Somerset.
This portion of Somerset is brought to you today by America’s favorite household cleanser, today’s Spic and Span. It releases its power in water.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Petterino house
Victoria is slowly coming downstairs, looking a bit bleary-eyed from the night before. As promised, she spent about 90 minutes crashing on Taylor’s couch before getting in her car and returning home to climb into bed.
She goes into the kitchen but turns away before she can see Annabella at the counter making coffee. Annabella sees her and smiles.
ANNABELLA
Would you like one lump or two with your coffee?
VICTORIA
Two, please. It was a long…
It suddenly hits Victoria who is talking. Her face brightens as she turns toward Annabella.
VICTORIA
Night! BELLA!!
She runs toward Annabella for a tight hug.
VICTORIA
Welcome home, sis!
ANNABELLA
It’s good to be here. (Gets grin on her face) Where were you last night, anyway? It’s not like you to be out so late.
VICTORIA
I didn’t know you were my babysitter. (Laughing)
ANNABELLA
No, you just missed my grand entrance back into Somerset. Didn’t you wonder about the car outside this morning?
VICTORIA
I was kind of out of it last night when I got home. It had been a long day, plus I’d been out with a couple nurse friends of mine. I had tunnel vision. I wanted my own bed.
ANNABELLA
Well, I sped into Somerset last night and had trouble getting in the house, so I finally remembered that Dad usually keeps the porch door open. I shimmied through there and set off the alarm.
Victoria takes a cup of coffee from Annabella.
VICTORIA
Thanks. Oh God, you don’t know how much I need this.
ANNABELLA
Did you work yesterday?
VICTORIA
Yes, I was on duty. Today, thankfully, is one of my days off. But Taylor, Alana and I are talking about a girls night out tonight, so I’ll probably catch up with a nap this afternoon.
ANNABELLA
Do it while you’re young, that’s what I say. (Laughs)
VICTORIA
Well, I went back to Taylor’s and crashed for a little bit, until I felt well enough to drive on my own. Tonight I may just stay there.
ANNABELLA
Smart girl. You always had the brains in the family.
VICTORIA
You had the looks.
Annabella turns to look at Victoria, who many would consider strikingly attractive, and wonders how Victoria could say such a thing.
ANNABELLA
Victoria Petterino, you look at yourself in the mirror and say that line once again. I had the looks? Look at yourself.
Victoria takes out her purse and looks in a compact mirror. She grimaces.
VICTORIA
Right now, I look like someone who had one too many cosmopolitans last night.
Annabella laughs as she takes a cup of coffee herself and sits down. A light melody can be heard in the background as the scene changes.
DISSOLVE TO -- Somerset Hospital
At the hospital, Alana is off the clock but she elected to sleep in the nurses’ lounge until more information on Nick was released. Patrick left an order to spring Nick from the hospital this morning if he felt fine.
Alana goes down the hall and looks in on Nick, who has been sleeping but is awake and struggling a bit to sit up.
ALANA
(Comes in and helps Nick out)
Hey, bud. Let the nurses take care of that.
NICK
Ah, Alana… I’m fine. But it is good to see you, albeit under strange circumstances.
ALANA
You too, honey.
Alana leans down to kiss Nick on his forehead.
ALANA
It’s good to see we can be on speaking terms again after a long time.
NICK
Well, I never wanted to be getting the silent treatment in the first place. I am just glad things thawed out between us. (Looks at Alana) I’m just happy you’re doing something you love.
ALANA
I’ve been meaning to call you and see if you wanted to grab a drink or something and talk as friends, kind of re-establish our friendship.
NICK
I may take you up on that. (Grins) But won’t Mike get jealous?
Alana closes her eyes and shakes her head.
ALANA
Oh, Nick. Not you too. There’s nothing between Mike and myself.
NICK
Not yet, anyway.
ALANA
You just hush your mouth while I check your vitals.
Alana goes through the motions of checking Nick’s blood pressure and everything else, and the prognosis is good.
NICK
Am I going to live?
ALANA
Put it this way. Once those tests come back, if they’re negative you’re a free man. Do you have a ride?
NICK
I was going to call Jack, but I forgot this morning.
ALANA
Ahh, don’t bug Jack. I’m getting ready to leave here and I’ll see if your discharge papers will be ready. I’ll drop you off.
NICK
Is this part of your job?
ALANA
Consider it an old girlfriend paying back someone she cares about. (Leans down to kiss Nick again) I’ll be back.
As Alana leaves the room, Nick closes his eyes and tries to catch a small catnap amidst his groggy feeling. The picture fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “North Star” title card)
A pair of families living in rural Maryland are the focus of North Star, the new soap that can be seen weekdays.
(We see “Somerset” title card with bumper music)
BILL WOLFF
Somerset.... is brought to you today by Dawn, the dishwashing liquid that cuts through tough grease. Leaves grease off your hands and off your dishes.
We'll return with more of Somerset following station identification.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Petterino house
We return to the Petterino kitchen, where Victoria is drinking her coffee and getting acquainted with her sister once again.
VICTORIA
I can’t believe we’re thinking of going out again tonight.
ANNABELLA
Why not? You’re still young. You’re 23 years old. You’re just starting out in your career.
VICTORIA
Joining the nurses at the bar doesn’t hold a candle to the lavish parties you attend, sis. No offense, but…
ANNABELLA
It may surprise you, Tori, but I don’t go to all those lavish parties in Italy. I do my job, I do it well, and a lot of times when I’m away from the cameras I just want to be alone. I take my car and I drive away.
VICTORIA
So no dates with Italy’s glamorous elite, huh?
ANNABELLA
Please. I separate my life there with my life here. The money’s great, but I’m not extravagant by any means. I’ll have to take you for a ride in that sportscar.
VICTORIA
Yeah. Now that I’ve seen it from in here, it DOES look like a dream car.
ANNABELLA
It handles well. It’s also a little fast, like Scott found out last night.
VICTORIA
Ah, I see. (Pauses) So you’re going to lie low?
ANNABELLA
I probably won’t do much today. I’m recovering from yesterday, and I have a feeling Scott may call and we may go get a beer tonight.
VICTORIA
Ah hah. I see.
Annabella turns and looks at Victoria. She lifts a finger and points it at Victoria.
ANNABELLA
Not a word, Tori…
VICTORIA
Okay! I won’t push.
ANNABELLA
I’ll push you instead. Have you let yourself drop the focus on career and start building a social life?
VICTORIA
Bella, it’s not exactly like the guys are rushing to call. And besides, I’m nothing special anyway.
A bit of “stinger” piano music plays, as if Annabella is dumbstruck by what Victoria just said. Before she can say anything, the scene changes.
DISSOLVE TO -- Susannah’s house
Patrick is downstairs sitting and drinking from his orange juice, and he hears Susannah coming downstairs. She is fully dressed in the traditional “power suit” look.
Patrick eyes Susannah and nods his head in approval.
PATRICK
Hubba hubba. Susie Lucas, you know how to turn a head.
Susannah does a spin in place and fluffs out her hair.
SUSANNAH
Is this good enough for you?
PATRICK
Hey, you’re not out to impress me. It’s your boss that you’re out to impress.
SUSANNAH
Jack’s not that type.
PATRICK
You’re right. He’s definitely not your average CEO of a major company. Anyhow, you look… lawyerly.
SUSANNAH
A little admiration of how I wear it well?
PATRICK
Just kidding. You look great. Now sit and eat with me. You don’t have to be in until…
SUSANNAH
I told Jack I’d be in before 9:30, and it’s (checks watch) oh, 8:45. Not too bad.
PATRICK
Considering traffic in Somerset is always a killer. (Laughter) At least out on the interstate.
SUSANNAH
I’d like to make a good impression on Jack now that I know Dad didn’t put him up to this job.
PATRICK
And what if he had?
Susannah sips her coffee and sits down as Patrick pulls out her chair, and Susannah has a look on her face like she wouldn’t have been surprised.
SUSANNAH
Jack told me I earned this chance fair and square, so I’m happy.
PATRICK
Hey, you’re not alone, you know. When I applied to work here, there was an old guard who knew the names Stanley and Teri Kurtz. I had to tell them I have an uncle in prison, just to sully the Kurtz name a bit.
SUSANNAH
So Leo’s still in jail, huh?
PATRICK
He’s content to live out his days because of what he did here in Somerset. I mean, some people hate Jack Martin for what he did with Delaney Brands…
SUSANNAH
(Grins)
One in particular?
PATRICK
Yeah, right. Jack may have made a mistake or two, but Leo Kurtz running Delaney Brands was like putting Al Capone in charge of the US Treasury.
Patrick sips his coffee as Susannah laughs.
PATRICK
So I wanted a fresh start. I told them to give me a job low down on the food chain.
SUSANNAH
And what happened?
PATRICK
I did so well at it, they damn ended up promoting me a couple years later. Now I’m just a couple steps away from chief of staff.
SUSANNAH
I know what you mean. I worked with Dad in Oklahoma City for several years until I decided I wanted to strike out on my own. So I hung out my own shingle in that city as a corporate attorney at another law firm.
PATRICK
Did you get sick of it?
SUSANNAH
Well, I was in Kansas City for a while and then I left there. I got homesick. Wanted to go back and feel the wind come sweeping down the plain.
PATRICK
(Sips coffee and smiles) Is this where you break into oh, what a beautiful morning?
SUSANNAH
No, but if you hum a few bars…
PATRICK
I’ll pass. Still a little bleary-eyed. I’m going to go home and hit the sack, I think.
SUSANNAH
I don’t blame you there. Could use a little more sleep myself. Anyhow...
Susannah kisses Patrick's cheek.
SUSANNAH
Thanks for coming to keep me company.
PATRICK
You're going to knock them out, you knockout.
Patrick and Susannah smile as the music builds and the picture fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Nick’s apartment
We see Nick’s darkened apartment as he and Alana enter. Alana guides Nick over to the couch so he can sit and relax.
ALANA
Are you sure you don’t want to lie down?
NICK
I probably will, but not in there. I may not sleep in that bed for a while.
Alana turns and sees the lamp and nightstand on the floor.
ALANA
Relax. I can go tidy up in there shortly. So… who is this mystery woman that had you so wrapped up in thought that you actually fell out of bed dreaming about her?
NICK
Oh, it’s no one. Not even a one-night stand. Never got a name, never got a number.
Alana kisses Nick on the cheek.
ALANA
Poor baby. Humor me, OK? We dated for nearly two years. Then we had a falling out over work. You went one way, and I went the other.
NICK
Which I regret to this day. I treated you badly toward the end and I’m sorry for it.
ALANA
Hey… you’re entitled to have a little fun once in a while. You just weren’t having any when you devoted all your life to work.
NICK
Tell me about it.
Nick reclines on the couch and then recalls the woman.
NICK
She had the most beautiful red hair… that smile…
ALANA
One look and you were hooked, right?
NICK
Close. (Starting to feel woozy) I think my meds are kicking in.
ALANA
Yes. The medicine you took at the hospital should help you sleep. Tell ya what. I’ve worked overnight and I could crash, so let me stay here with you for a while.
NICK
You don’t have to do that…
ALANA
I’m just going to recline… mind if I use that bed? I promise I’ll clean up for you.
NICK
Hey, you were familiar with it at one point. Be my guest. (Smiles)
ALANA
(Yawns) Thanks, old friend.
Nick and Alana wrap their arms around each other and gently kiss on the lips, a sign that their friendship will be solid.
Nick turns and goes to sleep as the music builds and Alana heads into the bedroom.
DISSOLVE TO -- Susannah’s house
Susannah is grabbing her briefcase and looking at her hair in the mirror. She bends down, adjusts her nylons and the hem on her skirt... in other words, wanting to make sure she looks perfect.
PATRICK
Susie, you look fine.
SUSANNAH
Just fine. You sure?
PATRICK
If I said drop-dead gorgeous, would you think I was lying?
SUSANNAH
Well… (Leans in and kisses Patrick on the cheek) Yes.
PATRICK
Ouch. That hurt. (Laughs) Go out there and knock them dead.
SUSANNAH
Thanks.
The two exit and walk down the sidewalk, with Patrick getting in his car and Susannah in hers.
Once the cars leave, we cut back to the house.
Low piano music plays as we see a shadowy figure with The Kansas City Star in hand and gloves on to prevent any prints from being left.
The figure, whose feet we can only see, sticks the paper underneath the welcome mat with one corner sticking out, and he walks away as an eerie music theme plays. We cannot see who it is as the picture immediately cuts to black.
COMMERCIAL BREAK
Fade in on the closing credits for Somerset as the theme plays.
BILL WOLFF
This... was Somerset.
Women’s suits by Ann Taylor.
Men’s shirts by Nautica.
Join us each weekday at this time for the continuing story of Somerset. And stay tuned for romance, suspense and drama on Harpers Falls, which follows immediately over most of these same stations.
This program was pre-recorded.
Wednesday, December 25, 2013
EPISODE 16 -- WELCOME HOME
SOMERSET EPISODE 16
DRtv airdate: August 4, 2008
Written by: Steve Ungrey
SCENE ONE
FADE IN -- Petterino house
The fourth week of Somerset begins with a direct pickup of Friday’s final scene involving Giovanni and Rose in bed together, with the dialogue replayed so that viewers can recall what took place.
ROSE
I always can tell when you love not having the kids around. You turn into the lothario you always were when we were younger.
GIOVANNI
Hey… is it my fault I have the libido like a bodybuilder? It’s us passionate Italians, you know. Viagra’s not needed around this house.
ROSE
And I am so glad we came home early tonight. It’s a great feeling to…
We hear a rattling noise downstairs. The music instantly turns from light romantic to a sinister piano.
ROSE
(Sitting up bolt upright in bed)
What the hell?
GIOVANNI
Hey, don’t worry about it. The security alarm didn’t go off, so everything’s probably all right. It‘s so quiet in here sometimes we can hear rattling.
The security alarm suddenly sounds, and now Giovanni is a little concerned.
GIOVANNI
Forget everything I just said. I’ll go check it out.
ROSE
Hurry back. (Scared tone of voice) And be careful.
Giovanni puts a pair of pants on and takes a baseball bat downstairs with him, a bat that he uses in just such an emergency.
He heads downstairs, where he sees a shadowy figure trying to mess with the security alarm.
GIOVANNI
Hands up, you…
The lights come on and Giovanni’s face drops.
GIOVANNI
Oh my…
He breaks out into a wide smile.
We cut to a young woman standing by the security system, having finally disabled the alarm. She turns around.
It is Annabella, the Petterinos’ oldest daughter, who has sneaked back into Somerset without warning.
ANNABELLA
(Sheepishly grinning)
Uh… hi, Daddy.
Giovanni can’t quite believe his eyes. The music plays and the picture fades to black.
The theme begins as we see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen.
BILL WOLFF
This… is Somerset.
This portion brought to you today by Pert, the 2-in-1 shampoo and conditioner for hair that bounces and behaves.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Somerset Hospital
We see the hospital’s outline at night, accompanied by dramatic piano music. A gurney is wheeled into the ER, with the camera rushing alongside it to give the viewer a sensation of being dramatically wheeled into the hospital.
Nick is on the gurney, having collapsed at his home in Friday’s cliffhanger. There is a white bandage on his head with red streaks indicating blood.
Patrick sees the gurney being brought in and rushes over.
PATRICK
Hey guys, what do we have…
He does a double take when he sees Nick’s face.
PATRICK
Oh my God… Nick! Nick, what happened?
Nick, who is struggling to stay conscious, mumbles.
NICK
Wh… where… am I?
PATRICK
It’s Patrick, Nick. Patrick Kurtz. You’ve been wheeled into the hospital. Do you know what happened to you?
Nick musters a faint smile.
NICK
I guess I’m…
Nick’s voice starts to tail off as he loses consciousness.
NICK
Not at Bernard’s anymore.
Patrick has a puzzled look on his face at what Nick just said. The gurney is wheeled into one of the emergency rooms.
DISSOLVE TO -- Taylor’s apartment
Victoria and Taylor are stumbling into Taylor’s apartment in the darkness. Taylor flips the light switch and for the first time we see Taylor’s apartment in the flesh.
Taylor, who lives in the Whispering Gardens complex just a few miles from Grant’s Preserve, has a modest but well-furnished one-bedroom apartment with a view of the edge of downtown Somerset.
Taylor puts down her purse and shuts the door.
TAYLOR
You sure you don’t want to stay the night? You’re more than welcome.
VICTORIA
Naaa, that’s all right. I may crash for a couple hours here and then sneak home to sleep in my own bed. Thanks, though.
TAYLOR
No problem. Tonight was a lot of fun.
Victoria turns and quizzically looks at Taylor.
VICTORIA
Was it?
TAYLOR
You act as if you didn’t have any fun.
VICTORIA
I did and so did you… until Joanne walked in.
Music plays as the picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “For Now and Forever” title card)
The show you loved to watch is back. Join us for repeats of For Now and Forever, as part of our lineup. Weekdays.
(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF:
In just a moment, the second part of Somerset. Presented today by the moist, delicious desserts of Duncan Hines.
We'll return to Somerset following station identification.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Somerset Hospital
Alana is in the nurses’ lounge taking one short break before finishing her 12-hour shift, and an unidentified nurse comes in looking for her.
ALANA
Hey, am I missing anything?
NURSE
I think they just brought your ex in here.
Alana suddenly appears worried.
ALANA
My ex… Nick, what happened?
CUT TO -- ER
Patrick is looking at Nick and he instructs a nurse to call Bernard’s.
PATRICK
I want to find out if Nick was at Bernard’s tonight.
Alana rushes toward the ER and comes through the door.
ALANA
Nick? Nick, are you here?
She sees Nick and rushes right over.
PATRICK
Calm down, Alana. I’m running some tests here shortly, but I think Nick’s just been the victim of a nasty bump on the head.
The police officer accompanying the gurney nods his head and agrees.
OFFICER
We got a call from Nick’s apartment but there wasn’t a response on the other end. Our tracing system routed the call back to his apartment. When we got there we saw no signs of a struggle. It looked like one of his drawers by the nightstand was hanging out slightly.
PATRICK
(Looks a little puzzled)
Nick, what the heck was going on at your place tonight?
ALANA
Poor baby. (She kisses Nick’s forehead) Hey sweetie, you awake?
Nick opens his eyes, albeit weakly. He softly talks.
NICK
I wondered how long it would take you to come running out here.
Alana strokes Nick’s forehead as the music plays to change scenes.
DISSOLVE TO -- Petterino home
Giovanni still has the bat hanging over his head.
ANNABELLA
Dad, you’re not going to look like Barry Bonds, no matter how hard you try.
Giovanni puts down the bat and opens his arms.
GIOVANNI
Bello figlia… welcome home.
Rose, who isn’t sure what’s going on, comes down the stairs.
ROSE
What’s all the commotion down here…
Rose turns and sees Annabella.
ROSE
Oh my… (Running over to hug and kiss Annabella) Bella, honey.
ANNABELLA
I missed you all like crazy. I couldn’t wait to get home.
GIOVANNI
I thought you weren’t coming home for a couple weeks, honey.
ANNABELLA
I thought so, too. Then they canceled a photo shoot I was supposed to do, and when my agents said I didn’t have anything left on the schedule I decided to make a couple plane arrangements on the sly.
ROSE
Well, you certainly surprised us. (Goes toward the kitchen) We need to make a pot of coffee.
ANNABELLA
Mom, don’t bother. I’m fine. I got some sleep on board the flight back. Don’t ask me how, but I did it.
ROSE
Well, we need some coffee. Right, Giovanni?
GIOVANNI
Speak for yourself, mia moglie.
ANNABELLA
I was able to get an earlier flight to Chicago. Then I got my car out of storage and drove out to Somerset. I figured I’d surprise you guys… I didn’t think you’d be asleep.
GIOVANNI
Oh, we weren’t asleep…
ANNABELLA
You weren’t…
She sees Giovanni’s smile and Rose snickering, and Annabella covers her ears.
ANNABELLA
Oh guys, more information than needed…
ROSE
(Changing the subject)
How was the trip back?
ANNABELLA
Not bad. The nice thing about getting in the skies and getting back to America is no one knows who I am here. It’s only when I get to Italy that I become Annabella, the supermodel.
GIOVANNI
Hey, a few people in the States know who you are. It’s not that bad, is it?
ANNABELLA
Naa. (Hears knock on door) Who could be… oh no, did I alert the police?
ROSE
You may have, I’ll check it out.
Rose goes to the back door and sees Scott there. She opens the door.
ROSE
Lt. Garfield! Come on in…
Scott enters the kitchen area.
SCOTT
Don’t mind if I do, Rose. I thought I’d check out the scene. The security company notified us there was an alarm tripped?
ANNABELLA
I’m afraid I tripped it.
Scott turns to see Annabella’s smiling face. Light music plays as we change scenes.
DISSOLVE TO -- Taylor’s apartment
Taylor and Victoria are in the middle of a conversation and Joanne’s name has come up.
TAYLOR
Was it that obvious?
VICTORIA
Well, when Joanne left and the other nurses got there everything started to kick up once again.
TAYLOR
I’m sorry if I appeared a little rude. I don’t want to talk about Joanne, if you get my drift.
VICTORIA
Nothing we can do to help out?
TAYLOR
No, Tori. It’s going to take an awful lot to fix. (Pauses) The less said, the better.
VICTORIA
So the best thing to do is just not talk about it. (Pause) Okay.
TAYLOR
I’m going to go crash for a while, all right? Wake me before you go.
VICTORIA
You got it. This couch looks comfy.
Victoria sits down and lays her head back on the couch arm as music plays. The picture fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Somerset Hospital
Back at Somerset Hospital, Nick has awakened somewhat but is still very groggy. Patrick is looking Nick over as a light melody plays in the background.
PATRICK
I’d say we’re dealing with a concussion here, but I’m waiting for the diagnosis to come in from upstairs.
The nurse checking with Bernard’s comes into the ER.
PATRICK
Any word?
NURSE
The bartender on duty didn’t see Nick. They called Bernard and he also hadn’t seen Nick at the bar earlier tonight.
NICK
(Still groggy)
I feel like I fell from five stories.
PATRICK
Fell?
It now dawns on Patrick what really happened. He realizes Nick wasn’t attacked, nor was he even at Bernard’s.
PATRICK
(Leans down)
By any chance, you didn’t fall out of bed, did you?
Nick is slowly nodding.
NICK
I didn’t think adults could fall out of bed, but I see it’s possible.
PATRICK
What the hell were you doing to make you fall out of bed?
NICK
Just having a sweet dream.
It is now obvious to the audience that Nick’s crash out of bed was the result of a dream he was having about the mystery woman, and that she wasn’t even in Somerset.
PATRICK
(Looks incredulous)
You better have been dreaming about Jessica Alba to make you fall out of bed like that.
NICK
She wasn’t Jessica Alba. (Smiles broadly) But damn close.
Alana comes in with the test results.
ALANA
Here you are, Patrick. I think your diagnosis is correct.
PATRICK
(Looks at the test results)
Well, so it is. Mr. Barclay, slight concussion, nothing major. But it has earned you a stay tonight with us at the Skeleton Hotel. You’ll get room service, a free continental breakfast…
NICK
All the nurses fawning over me that I want?
Alana kisses Nick’s forehead and strokes his hair.
ALANA
Especially that.
NICK
How long am I going to be out of commission?
PATRICK
It shouldn’t be bad. You’ll be groggy for a day or so, then you should slowly improve. I’d say take it easy for a while, though, like say the next several days.
NICK
Oh, don’t worry about that. I don’t plan on going anywhere.
The music builds behind Nick, Patrick and Alana as the scene changes.
DISSOLVE TO -- Petterino house
Scott has seen Annabella for the first time and has given her a hug.
SCOTT
Well, I’ll be damned… Welcome home, Annabella.
Annabella gives Scott a huge hug and a kiss on the cheek.
ANNABELLA
I can see you haven’t changed much.
SCOTT
It’s only been four months since you’ve been gone, right? What’d you think I’d do, shed the suit for something different?
ANNABELLA
Don’t change. Whatever you do, don’t change. We like you just the way you are.
SCOTT
I like myself the way I am, too. By the way, Annabella, was that your sportscar speeding through downtown?
ANNABELLA
(Gulps) Oh, boy. I didn’t think anyone was paying attention.
Giovanni is worried by now.
GIOVANNI
Annabella Petterino… (wags finger) What did we say about speeding with the car?
ANNABELLA
You never said anything, Dad.
GIOVANNI
(Stops and looks at finger before putting it down) Well, so I didn’t. But you still know better.
SCOTT
I had an APB out on your vehicle because it was speeding through downtown Somerset. I canceled the APB just now.
ANNABELLA
Scott, in lieu of a fine or ticket I can make a donation to your favorite police charity. And don’t call that bribing an officer.
SCOTT
You know what that reminds me of when I see high speed.
ANNABELLA
I do. (Lowers head) And I’m sorry.
SCOTT
That‘s… all right. Also, let me take a good friend out for a drink when you’re up for it.
ANNABELLA
And a game of pool?
SCOTT
Pool it is. Listen, I don’t want to intrude on your welcome home, so I’ll let you celebrate in private.
ANNABELLA
I’ll hold you to that drink and a game of pool. Good to see you again.
SCOTT
You too, Bella. Bye, everyone. (He waves and goes out the door)
ROSE
Bye, Lt. Garfield.
Rose watches the door shut before turning to Annabella.
ROSE
Some things never change, right, Annabella?
ANNABELLA
Mom. We’re just friends and we always have been.
Rose smiles as Annabella defends herself, as music plays and the picture fades to black.
COMMERCIAL BREAK
The closing credits roll on Somerset as the theme music plays.
BILL WOLFF
This... was Somerset.
Women’s fashions by Lillie Rubin Salon South and Southwest.
Cosmetics by MAC.
Join us each weekday afternoon at this time for the continuing story of Somerset. And stay tuned for Harpers Falls, which follows immediately over most of these same stations.
This program was pre-recorded.
DRtv airdate: August 4, 2008
Written by: Steve Ungrey
SCENE ONE
FADE IN -- Petterino house
The fourth week of Somerset begins with a direct pickup of Friday’s final scene involving Giovanni and Rose in bed together, with the dialogue replayed so that viewers can recall what took place.
ROSE
I always can tell when you love not having the kids around. You turn into the lothario you always were when we were younger.
GIOVANNI
Hey… is it my fault I have the libido like a bodybuilder? It’s us passionate Italians, you know. Viagra’s not needed around this house.
ROSE
And I am so glad we came home early tonight. It’s a great feeling to…
We hear a rattling noise downstairs. The music instantly turns from light romantic to a sinister piano.
ROSE
(Sitting up bolt upright in bed)
What the hell?
GIOVANNI
Hey, don’t worry about it. The security alarm didn’t go off, so everything’s probably all right. It‘s so quiet in here sometimes we can hear rattling.
The security alarm suddenly sounds, and now Giovanni is a little concerned.
GIOVANNI
Forget everything I just said. I’ll go check it out.
ROSE
Hurry back. (Scared tone of voice) And be careful.
Giovanni puts a pair of pants on and takes a baseball bat downstairs with him, a bat that he uses in just such an emergency.
He heads downstairs, where he sees a shadowy figure trying to mess with the security alarm.
GIOVANNI
Hands up, you…
The lights come on and Giovanni’s face drops.
GIOVANNI
Oh my…
He breaks out into a wide smile.
We cut to a young woman standing by the security system, having finally disabled the alarm. She turns around.
It is Annabella, the Petterinos’ oldest daughter, who has sneaked back into Somerset without warning.
ANNABELLA
(Sheepishly grinning)
Uh… hi, Daddy.
Giovanni can’t quite believe his eyes. The music plays and the picture fades to black.
The theme begins as we see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen.
BILL WOLFF
This… is Somerset.
This portion brought to you today by Pert, the 2-in-1 shampoo and conditioner for hair that bounces and behaves.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Somerset Hospital
We see the hospital’s outline at night, accompanied by dramatic piano music. A gurney is wheeled into the ER, with the camera rushing alongside it to give the viewer a sensation of being dramatically wheeled into the hospital.
Nick is on the gurney, having collapsed at his home in Friday’s cliffhanger. There is a white bandage on his head with red streaks indicating blood.
Patrick sees the gurney being brought in and rushes over.
PATRICK
Hey guys, what do we have…
He does a double take when he sees Nick’s face.
PATRICK
Oh my God… Nick! Nick, what happened?
Nick, who is struggling to stay conscious, mumbles.
NICK
Wh… where… am I?
PATRICK
It’s Patrick, Nick. Patrick Kurtz. You’ve been wheeled into the hospital. Do you know what happened to you?
Nick musters a faint smile.
NICK
I guess I’m…
Nick’s voice starts to tail off as he loses consciousness.
NICK
Not at Bernard’s anymore.
Patrick has a puzzled look on his face at what Nick just said. The gurney is wheeled into one of the emergency rooms.
DISSOLVE TO -- Taylor’s apartment
Victoria and Taylor are stumbling into Taylor’s apartment in the darkness. Taylor flips the light switch and for the first time we see Taylor’s apartment in the flesh.
Taylor, who lives in the Whispering Gardens complex just a few miles from Grant’s Preserve, has a modest but well-furnished one-bedroom apartment with a view of the edge of downtown Somerset.
Taylor puts down her purse and shuts the door.
TAYLOR
You sure you don’t want to stay the night? You’re more than welcome.
VICTORIA
Naaa, that’s all right. I may crash for a couple hours here and then sneak home to sleep in my own bed. Thanks, though.
TAYLOR
No problem. Tonight was a lot of fun.
Victoria turns and quizzically looks at Taylor.
VICTORIA
Was it?
TAYLOR
You act as if you didn’t have any fun.
VICTORIA
I did and so did you… until Joanne walked in.
Music plays as the picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “For Now and Forever” title card)
The show you loved to watch is back. Join us for repeats of For Now and Forever, as part of our lineup. Weekdays.
(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF:
In just a moment, the second part of Somerset. Presented today by the moist, delicious desserts of Duncan Hines.
We'll return to Somerset following station identification.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Somerset Hospital
Alana is in the nurses’ lounge taking one short break before finishing her 12-hour shift, and an unidentified nurse comes in looking for her.
ALANA
Hey, am I missing anything?
NURSE
I think they just brought your ex in here.
Alana suddenly appears worried.
ALANA
My ex… Nick, what happened?
CUT TO -- ER
Patrick is looking at Nick and he instructs a nurse to call Bernard’s.
PATRICK
I want to find out if Nick was at Bernard’s tonight.
Alana rushes toward the ER and comes through the door.
ALANA
Nick? Nick, are you here?
She sees Nick and rushes right over.
PATRICK
Calm down, Alana. I’m running some tests here shortly, but I think Nick’s just been the victim of a nasty bump on the head.
The police officer accompanying the gurney nods his head and agrees.
OFFICER
We got a call from Nick’s apartment but there wasn’t a response on the other end. Our tracing system routed the call back to his apartment. When we got there we saw no signs of a struggle. It looked like one of his drawers by the nightstand was hanging out slightly.
PATRICK
(Looks a little puzzled)
Nick, what the heck was going on at your place tonight?
ALANA
Poor baby. (She kisses Nick’s forehead) Hey sweetie, you awake?
Nick opens his eyes, albeit weakly. He softly talks.
NICK
I wondered how long it would take you to come running out here.
Alana strokes Nick’s forehead as the music plays to change scenes.
DISSOLVE TO -- Petterino home
Giovanni still has the bat hanging over his head.
ANNABELLA
Dad, you’re not going to look like Barry Bonds, no matter how hard you try.
Giovanni puts down the bat and opens his arms.
GIOVANNI
Bello figlia… welcome home.
Rose, who isn’t sure what’s going on, comes down the stairs.
ROSE
What’s all the commotion down here…
Rose turns and sees Annabella.
ROSE
Oh my… (Running over to hug and kiss Annabella) Bella, honey.
ANNABELLA
I missed you all like crazy. I couldn’t wait to get home.
GIOVANNI
I thought you weren’t coming home for a couple weeks, honey.
ANNABELLA
I thought so, too. Then they canceled a photo shoot I was supposed to do, and when my agents said I didn’t have anything left on the schedule I decided to make a couple plane arrangements on the sly.
ROSE
Well, you certainly surprised us. (Goes toward the kitchen) We need to make a pot of coffee.
ANNABELLA
Mom, don’t bother. I’m fine. I got some sleep on board the flight back. Don’t ask me how, but I did it.
ROSE
Well, we need some coffee. Right, Giovanni?
GIOVANNI
Speak for yourself, mia moglie.
ANNABELLA
I was able to get an earlier flight to Chicago. Then I got my car out of storage and drove out to Somerset. I figured I’d surprise you guys… I didn’t think you’d be asleep.
GIOVANNI
Oh, we weren’t asleep…
ANNABELLA
You weren’t…
She sees Giovanni’s smile and Rose snickering, and Annabella covers her ears.
ANNABELLA
Oh guys, more information than needed…
ROSE
(Changing the subject)
How was the trip back?
ANNABELLA
Not bad. The nice thing about getting in the skies and getting back to America is no one knows who I am here. It’s only when I get to Italy that I become Annabella, the supermodel.
GIOVANNI
Hey, a few people in the States know who you are. It’s not that bad, is it?
ANNABELLA
Naa. (Hears knock on door) Who could be… oh no, did I alert the police?
ROSE
You may have, I’ll check it out.
Rose goes to the back door and sees Scott there. She opens the door.
ROSE
Lt. Garfield! Come on in…
Scott enters the kitchen area.
SCOTT
Don’t mind if I do, Rose. I thought I’d check out the scene. The security company notified us there was an alarm tripped?
ANNABELLA
I’m afraid I tripped it.
Scott turns to see Annabella’s smiling face. Light music plays as we change scenes.
DISSOLVE TO -- Taylor’s apartment
Taylor and Victoria are in the middle of a conversation and Joanne’s name has come up.
TAYLOR
Was it that obvious?
VICTORIA
Well, when Joanne left and the other nurses got there everything started to kick up once again.
TAYLOR
I’m sorry if I appeared a little rude. I don’t want to talk about Joanne, if you get my drift.
VICTORIA
Nothing we can do to help out?
TAYLOR
No, Tori. It’s going to take an awful lot to fix. (Pauses) The less said, the better.
VICTORIA
So the best thing to do is just not talk about it. (Pause) Okay.
TAYLOR
I’m going to go crash for a while, all right? Wake me before you go.
VICTORIA
You got it. This couch looks comfy.
Victoria sits down and lays her head back on the couch arm as music plays. The picture fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Somerset Hospital
Back at Somerset Hospital, Nick has awakened somewhat but is still very groggy. Patrick is looking Nick over as a light melody plays in the background.
PATRICK
I’d say we’re dealing with a concussion here, but I’m waiting for the diagnosis to come in from upstairs.
The nurse checking with Bernard’s comes into the ER.
PATRICK
Any word?
NURSE
The bartender on duty didn’t see Nick. They called Bernard and he also hadn’t seen Nick at the bar earlier tonight.
NICK
(Still groggy)
I feel like I fell from five stories.
PATRICK
Fell?
It now dawns on Patrick what really happened. He realizes Nick wasn’t attacked, nor was he even at Bernard’s.
PATRICK
(Leans down)
By any chance, you didn’t fall out of bed, did you?
Nick is slowly nodding.
NICK
I didn’t think adults could fall out of bed, but I see it’s possible.
PATRICK
What the hell were you doing to make you fall out of bed?
NICK
Just having a sweet dream.
It is now obvious to the audience that Nick’s crash out of bed was the result of a dream he was having about the mystery woman, and that she wasn’t even in Somerset.
PATRICK
(Looks incredulous)
You better have been dreaming about Jessica Alba to make you fall out of bed like that.
NICK
She wasn’t Jessica Alba. (Smiles broadly) But damn close.
Alana comes in with the test results.
ALANA
Here you are, Patrick. I think your diagnosis is correct.
PATRICK
(Looks at the test results)
Well, so it is. Mr. Barclay, slight concussion, nothing major. But it has earned you a stay tonight with us at the Skeleton Hotel. You’ll get room service, a free continental breakfast…
NICK
All the nurses fawning over me that I want?
Alana kisses Nick’s forehead and strokes his hair.
ALANA
Especially that.
NICK
How long am I going to be out of commission?
PATRICK
It shouldn’t be bad. You’ll be groggy for a day or so, then you should slowly improve. I’d say take it easy for a while, though, like say the next several days.
NICK
Oh, don’t worry about that. I don’t plan on going anywhere.
The music builds behind Nick, Patrick and Alana as the scene changes.
DISSOLVE TO -- Petterino house
Scott has seen Annabella for the first time and has given her a hug.
SCOTT
Well, I’ll be damned… Welcome home, Annabella.
Annabella gives Scott a huge hug and a kiss on the cheek.
ANNABELLA
I can see you haven’t changed much.
SCOTT
It’s only been four months since you’ve been gone, right? What’d you think I’d do, shed the suit for something different?
ANNABELLA
Don’t change. Whatever you do, don’t change. We like you just the way you are.
SCOTT
I like myself the way I am, too. By the way, Annabella, was that your sportscar speeding through downtown?
ANNABELLA
(Gulps) Oh, boy. I didn’t think anyone was paying attention.
Giovanni is worried by now.
GIOVANNI
Annabella Petterino… (wags finger) What did we say about speeding with the car?
ANNABELLA
You never said anything, Dad.
GIOVANNI
(Stops and looks at finger before putting it down) Well, so I didn’t. But you still know better.
SCOTT
I had an APB out on your vehicle because it was speeding through downtown Somerset. I canceled the APB just now.
ANNABELLA
Scott, in lieu of a fine or ticket I can make a donation to your favorite police charity. And don’t call that bribing an officer.
SCOTT
You know what that reminds me of when I see high speed.
ANNABELLA
I do. (Lowers head) And I’m sorry.
SCOTT
That‘s… all right. Also, let me take a good friend out for a drink when you’re up for it.
ANNABELLA
And a game of pool?
SCOTT
Pool it is. Listen, I don’t want to intrude on your welcome home, so I’ll let you celebrate in private.
ANNABELLA
I’ll hold you to that drink and a game of pool. Good to see you again.
SCOTT
You too, Bella. Bye, everyone. (He waves and goes out the door)
ROSE
Bye, Lt. Garfield.
Rose watches the door shut before turning to Annabella.
ROSE
Some things never change, right, Annabella?
ANNABELLA
Mom. We’re just friends and we always have been.
Rose smiles as Annabella defends herself, as music plays and the picture fades to black.
COMMERCIAL BREAK
The closing credits roll on Somerset as the theme music plays.
BILL WOLFF
This... was Somerset.
Women’s fashions by Lillie Rubin Salon South and Southwest.
Cosmetics by MAC.
Join us each weekday afternoon at this time for the continuing story of Somerset. And stay tuned for Harpers Falls, which follows immediately over most of these same stations.
This program was pre-recorded.
Sunday, December 22, 2013
EPISODE 15 -- INTRUDER ALERT
SOMERSET EPISODE 15
DRTV airdate: August 1, 2008
Written by: Steve Ungrey
SCENE ONE
FADE IN -- Cleypool Mansion
The imposing Cleypool mansion, which is perched on a hill overlooking Somerset, is shown from a distance as the camera pans in.
The scene dissolves to an indoor setting… we see George sitting at his study table taking a look at some financial statements when Zachary comes in wearing a walking boot on his left foot.
ZACHARY
Dad? Hey, I’m back from the hospital.
George looks up and then looks down at Zachary’s foot.
GEORGE
What the hell did they do to you… wrap your ankle in thousands of pieces of bandage? They might as well audition you for The Mummy.
ZACHARY
No, Dad, it’s called a walking boot. Dr. Kurtz and another doctor checked me out and then when I was done at the hospital Dr. Nelson stopped me and thought this might make me feel comfortable.
GEORGE
And how will this help you?
ZACHARY
It’ll help me get around. The doctors told me I wrecked my ankle worse than I thought in the motorcycle accident, and this is the best way I can get around for a while.
GEORGE
Well… at least you’re in one piece. It beats the alternative by a million miles.
ZACHARY
Well, it’s going to involve weekly therapy sessions. Do you think you can get along without me here at the house for that long?
George looks up from his paperwork with a “you know better” face.
GEORGE
You know better than to ask that question.
ZACHARY
(Smiling)
I know. I was just testing. I’ll be upstairs if you need me.
Zachary turns to slowly head up the staircase to his room.
George shakes his head, wondering how he raised such a mischievous son. He’s turned back to his paperwork when Fenwick walks in, holding a package.
FENWICK
Master Cleypool, you have a delivery.
George smiles when he sees the box. He looks inside at the package.
GEORGE
Oh, good! This is just what I was waiting for to arrive today.
FENWICK
What good would a newspaper be to you?
George looks at the package, but when he hears that from Fenwick his voice rises a bit and his face shoots up to look at Fenwick.
GEORGE
Did you look inside this box?
FENWICK
Absolutely not, sir. I don’t snoop around in what you’re doing.
Fenwick shows George the sides of the box, which are a bit transparent.
FENWICK
And besides, Master Cleypool, any old oaf can see that’s a newspaper in the package.
George realizes the paper shows through.
GEORGE
Uh… right. Okay, Fenwick. Thank you as always.
FENWICK
No problem, sir.
Fenwick turns and leaves the room as George opens the package.
We see inside there is a newspaper. It is not a copy of The Somerset Register. Instead, it is an edition of The Kansas City Star whose date we cannot see.
GEORGE
Beautiful. This is just the ammunition I need.
Sinister music plays as the picture fades to black.
The theme begins as we see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen.
BILL WOLFF
This… is Somerset.
This portion brought to you today by Sunshine Fresh Gain, the laundry detergent that helps to best clean your clothes at a lower price than other leading detergents.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Giovanni’s
Although Rose and Giovanni have gone home for the evening, the action is heating up around the bar area and at some of the tables.
Victoria and Taylor come in and grab one of the booths surrounding the bar. The two are headed for a girls night out after work.
TAYLOR
This was a great idea you had.
VICTORIA
Hey, don’t expect any special treatment other than the drink specials. Mom and Dad could really get in trouble if they comped everything.
TAYLOR
Your parents are by the book, aren’t they?
VICTORIA
(Smiles) You know, Zachary asked me that same question this afternoon. I told him that Mom and Dad wanted to see me succeed. They cared about my performance in high school… I always got good grades…
TAYLOR
And they cared that you came out on the right side of the law, right?
VICTORIA
They never once thought I’d stray. The worst thing I ever did was briefly smoke when I was in high school. I did it for a bit, and I hated it.
TAYLOR
Well then, WHY did you do it?
VICTORIA
Is this an anti-smoking commercial coming on? (Laughs) No, I’ve been pretty much the good girl all my life. If I hadn’t been, my Catholic school teachers would have killed me.
TAYLOR
Well, you’ll be fine. (Pauses) What do you have to do to get a drink around here?
VICTORIA
Signal Charlie, that’s what.
She signals Charlie at the bar, and a waitress is sent over to the table.
TAYLOR
You’re good. (Laughs)
VICTORIA
Helps to know the help. Let’s get a drink before the other nurses get here.
As the waitress comes over to take Taylor and Victoria’s order, the music plays and the scene changes.
DISSOLVE TO -- Petterino house
Rose and Giovanni are at home quietly spending some time alone after a day at the restaurant. Giovanni and Rose have a bottle of zinfandel opened up and are sharing the contents.
GIOVANNI
You know, I’m glad we have a capable night staff that can step in and manage the place if we decide to have a night at home.
Rose smiles, looking around.
ROSE
You bet. And the house is all to ourselves. Tori told me she was headed out with Taylor this evening and a couple other nurses might join them.
Rose moves in closer.
ROSE
And Tori said she might crash at Taylor’s if she’s had too much to drink.
Giovanni gets the hint and he snuggles in closer to Rose.
GIOVANNI
Did I ever tell you that you’re as delectable as the moment I laid eyes on you in college?
ROSE
All the time. But do it again.
GIOVANNI
Okay.
He leans in to kiss Rose and soon their passion has them heading up the staircase with the bottle of wine. The music rises in volume and the picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “AMC: New Beginnings” title card)
Congratulations to AMC: New Beginnings for its five DRtv awards earned last week. Check out why this show merited all that attention. AMC: New Beginnings. Weekdays.
(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF
In just a moment, we'll return with the second part of Somerset. Presented today by fresher than ever Lemon Fresh Joy. For a beautiful shine that’s a nice reflection on you.
We'll continue with Somerset following station identification.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Somerset Register
We fade in on the Register offices, where Mike is busy working on his latest masterpiece… only he doesn’t think it’s one.
His editor, Norman Vickery, is there, and Norman senses Mike’s displeasure.
NORMAN
(Checking in at Mike’s cubicle)
How’s the city commission story coming?
MIKE
Good. But it’s not going to be an award-winning story, if that’s what you’re wondering.
NORMAN
No one expects it to be.
MIKE
Good, because it’s done.
Mike pushes a button on keyboard to send the story over to editing.
MIKE
Take a look at it and see what you think.
Norman sits down, taps a few keys to enter the editing system, and looks over the copy.
NORMAN
Fair enough. (Peruses screen) This isn’t bad, Mike. Granted, it’s city commission votes…
MIKE
How the heck did reporters like Steve Slade investigate the mob in this town and I end up with the city commission?
NORMAN
You know the answer to that, Mike. Somerset isn’t the town it was 30-some years ago, and be grateful for that.
MIKE
Oh, I know. I’m just waiting for a big story to come along. Any story that I can sink my teeth into and give it a good ride. I wish Jack Martin would hurry up with details of his proposed Project X.
Norman looks a bit surprised.
NORMAN
And what makes you think Jack will be your savior?
MIKE
Well, he has the backing of a lot of people in this town… well, with the exception of one, and even he’s not as big a problem as he could be.
NORMAN
(Laughs) Just wait, Mike. Eventually you’ll get your front-page scoop and a trip to New York to work your dream job.
Norman stands up and walks away.
NORMAN
Now get outta here and go have a beer to cool off.
MIKE
Sounds like a great idea.
Mike shuts off his computer and settles back into the cubicle.
MIKE
And it can’t happen soon enough.
Light music plays as we change scenes.
DISSOLVE TO -- Bernard’s
Giovanni’s is hopping as is Bernard’s, as the Somerset restaurant district is busy. Scott is in the bar area nursing a a beer and talking with Bernard about the goings-on in Somerset.
SCOTT
Ahh, just what I need after a day behind a desk reading police reports.
BERNARD
There’s more where that came from, you know that.
SCOTT
Oh, keep the tap flowing. (Pauses) You been having any problems with the graffiti-mongers out there, Bernard?
BERNARD
I saw Mike’s story on the waterfront activity, but I think I’m too far back from the river. For the most part they leave me alone. They know that this restaurant draws a good crowd and they stay away.
SCOTT
I wish that we didn’t have this problem here. If we didn’t, then my track record as lieutenant would be spotless.
Bernard recalls the old days.
BERNARD
You know it beats the old days. I used to work at the Hayloft and Bill Greeley would tell me all sorts of stories. Hell, I saw the stuff firsthand. When you’re dealing with kids spraying paint cans on walls, then the crime rate isn’t that bad here.
SCOTT
I hear you.
He finishes his beer and gets up from the bar area.
SCOTT
Actually, I changed my mind. I’m going to head home and enjoy the rest of my night. You have a good evening, my friend. Are you out of here yet?
BERNARD
Naaa, I’m here a little while longer. I’ll keep your seat warm if you choose to come back.
SCOTT
I think I’ll go home, read the Register and count my blessings. (Waves goodbye as he leaves) So long.
BERNARD
Take care, my friend.
Scott heads outside the restaurant. He is headed across the street to a parking lot when he notices a car coming awfully fast down the street.
The car is a red convertible, and it slows down as it approaches the intersection. The light turns green, so the car speeds up once again past 40 in what is easily a 20 zone.
SCOTT
What the hell?
He goes out to his dashboard to pull out the radio. Pressing down on the button, he begins to speak.
SCOTT
All units on duty, be on the lookout for a red convertible that may be speeding toward you. Couldn’t get the license plate, but the car looks like it’s going about 20 or 25 over the limit.
The music builds and the picture fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
CUT TO -- Giovanni’s
Mike comes into the restaurant and sits at the bar, ordering a beer. From their table, Victoria and Taylor notice Mike and Victoria strikes up a conversation.
VICTORIA
I thought I’d see you here with Alana, Mike.
Mike turns and smiles.
MIKE
Nope, not tonight. I’m nursing a brew myself.
Mike notices Joanne coming in.
MIKE
Then again, maybe not. (Stands up and hugs Joanne) Hey there, back for another go-round?
JOANNE
It was a long day at the office. Got time?
MIKE
I’m all ears.
Victoria has fun watching Mike and Joanne talking… but then she turns to look at Taylor, whose demeanor has suddenly turned a bit sullen.
VICTORIA
Oh oh. Why do I not want to light a match in this room?
TAYLOR
Relax, Tori. Once the other nurses get here, we’ll dissolve into our own conversation.
Taylor looks over at the bar.
TAYLOR
And she’ll be far, far away from here.
Taylor takes a drink from her martini glass as Victoria takes in the situation. The music becomes a bit lighter as we change scenes.
DISSOLVE TO -- Petterino house
In the Petterino house, Giovanni and Rose are upstairs basking in the afterglow after a round of lovemaking. The two are in bed, snuggled against each other.
ROSE
I always can tell when you love not having the kids around. You turn into the lothario you always were when we were younger.
GIOVANNI
Hey… is it my fault I have the libido like a bodybuilder? It’s us passionate Italians, you know. Viagra’s not needed around this house.
ROSE
And I am so glad we came home early tonight. It’s a great feeling to…
We hear a rattling noise downstairs. The music instantly turns from light romantic to a sinister piano.
ROSE
(Sitting up bolt upright in bed)
What the hell?
GIOVANNI
Hey, don’t worry about it. The security alarm didn’t go off, so everything’s probably all right. It‘s so quiet in here sometimes we can hear rattling.
The security alarm suddenly sounds, and now Giovanni is a little concerned.
GIOVANNI
Forget everything I just said. I’ll go check it out.
ROSE
Hurry back. (Scared tone of voice) And be careful.
Giovanni puts a pair of pants on and takes a baseball bat downstairs with him, a bat that he uses in just such an emergency.
He heads downstairs, where he sees a shadowy figure trying to mess with the security system. It’s hard to make out the figure and whether that person is there to rob the house.
GIOVANNI
Hands up, you… (He raises the bat over his head)
The lights instantly come on, and Giovanni’s face drops.
GIOVANNI
Oh my…
ABRUPT CUT TO -- Bernard’s
Bernard is serving a customer when Nick walks in.
BERNARD
Hey, Nick. Welcome in tonight. What will you have?
Nick looks a little lost, but he knows his drink.
NICK
Make a mean Manhattan. I sure could use one.
BERNARD
Coming right up.
We see the camera from Nick’s point of view, staring ahead at the wall.
The camera switches back to a shot of Nick at the bar.
NICK
Kinda slow around here tonight.
BERNARD
It’s picked up in the last couple hours.
Nick takes his Manhattan, but as he’s about to drink he hears a familiar voice.
WOMAN
Hey, hot stuff… you wanna share a vodka with me?
The camera, once again from Nick’s point of view, whirls around. In back of Nick is the mystery woman sitting at a table, wearing a glittery silver cocktail dress.
NICK
Oh my God…
It is the same mystery woman he met in Washington. But how did she find him? Could it really be her?
The woman crosses her legs and sips seductively from her glass.
WOMAN
Why don’t you come back and share your Manhattan with me?
NICK
There’s no better time than the present, right? I can’t believe you found me, we didn’t even…
Nick jumps off his stool and runs toward the camera with his glass. Before he can get to the woman’s table, however, he hits what appears to be an imaginary wall with a thudding sound.
The picture temporarily blacks out.
CUT TO -- Nick’s bedroom
Nick is in his bed, and he has fallen with a crash to the floor. Before he can get up, the nightstand and the lamp topple over onto his head.
Emerging from under the pile, Nick takes his hand and feels the top of his head before pulling his hand away. On his hand he notices blood.
As the music builds in intensity, Nick quickly fumbles for his cell phone and tries to get up, all the while calling 911. He is halfway up when he feels very dizzy and collapses onto the floor.
Music reaches a crescendo as the picture immediately blacks out.
COMMERCIAL BREAK
The Somerset theme plays and credits roll.
BILL WOLFF
This... was Somerset.
Jewelry by Stephen Dweck.
Men’s shirts from Arrow.
Join us each weekday afternoon at this time for the continuing story of Somerset. And stay tuned for romance, suspense and drama on Harpers Falls, which follows immediately over many of these same stations.
This program was pre-recorded.
DRTV airdate: August 1, 2008
Written by: Steve Ungrey
SCENE ONE
FADE IN -- Cleypool Mansion
The imposing Cleypool mansion, which is perched on a hill overlooking Somerset, is shown from a distance as the camera pans in.
The scene dissolves to an indoor setting… we see George sitting at his study table taking a look at some financial statements when Zachary comes in wearing a walking boot on his left foot.
ZACHARY
Dad? Hey, I’m back from the hospital.
George looks up and then looks down at Zachary’s foot.
GEORGE
What the hell did they do to you… wrap your ankle in thousands of pieces of bandage? They might as well audition you for The Mummy.
ZACHARY
No, Dad, it’s called a walking boot. Dr. Kurtz and another doctor checked me out and then when I was done at the hospital Dr. Nelson stopped me and thought this might make me feel comfortable.
GEORGE
And how will this help you?
ZACHARY
It’ll help me get around. The doctors told me I wrecked my ankle worse than I thought in the motorcycle accident, and this is the best way I can get around for a while.
GEORGE
Well… at least you’re in one piece. It beats the alternative by a million miles.
ZACHARY
Well, it’s going to involve weekly therapy sessions. Do you think you can get along without me here at the house for that long?
George looks up from his paperwork with a “you know better” face.
GEORGE
You know better than to ask that question.
ZACHARY
(Smiling)
I know. I was just testing. I’ll be upstairs if you need me.
Zachary turns to slowly head up the staircase to his room.
George shakes his head, wondering how he raised such a mischievous son. He’s turned back to his paperwork when Fenwick walks in, holding a package.
FENWICK
Master Cleypool, you have a delivery.
George smiles when he sees the box. He looks inside at the package.
GEORGE
Oh, good! This is just what I was waiting for to arrive today.
FENWICK
What good would a newspaper be to you?
George looks at the package, but when he hears that from Fenwick his voice rises a bit and his face shoots up to look at Fenwick.
GEORGE
Did you look inside this box?
FENWICK
Absolutely not, sir. I don’t snoop around in what you’re doing.
Fenwick shows George the sides of the box, which are a bit transparent.
FENWICK
And besides, Master Cleypool, any old oaf can see that’s a newspaper in the package.
George realizes the paper shows through.
GEORGE
Uh… right. Okay, Fenwick. Thank you as always.
FENWICK
No problem, sir.
Fenwick turns and leaves the room as George opens the package.
We see inside there is a newspaper. It is not a copy of The Somerset Register. Instead, it is an edition of The Kansas City Star whose date we cannot see.
GEORGE
Beautiful. This is just the ammunition I need.
Sinister music plays as the picture fades to black.
The theme begins as we see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen.
BILL WOLFF
This… is Somerset.
This portion brought to you today by Sunshine Fresh Gain, the laundry detergent that helps to best clean your clothes at a lower price than other leading detergents.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Giovanni’s
Although Rose and Giovanni have gone home for the evening, the action is heating up around the bar area and at some of the tables.
Victoria and Taylor come in and grab one of the booths surrounding the bar. The two are headed for a girls night out after work.
TAYLOR
This was a great idea you had.
VICTORIA
Hey, don’t expect any special treatment other than the drink specials. Mom and Dad could really get in trouble if they comped everything.
TAYLOR
Your parents are by the book, aren’t they?
VICTORIA
(Smiles) You know, Zachary asked me that same question this afternoon. I told him that Mom and Dad wanted to see me succeed. They cared about my performance in high school… I always got good grades…
TAYLOR
And they cared that you came out on the right side of the law, right?
VICTORIA
They never once thought I’d stray. The worst thing I ever did was briefly smoke when I was in high school. I did it for a bit, and I hated it.
TAYLOR
Well then, WHY did you do it?
VICTORIA
Is this an anti-smoking commercial coming on? (Laughs) No, I’ve been pretty much the good girl all my life. If I hadn’t been, my Catholic school teachers would have killed me.
TAYLOR
Well, you’ll be fine. (Pauses) What do you have to do to get a drink around here?
VICTORIA
Signal Charlie, that’s what.
She signals Charlie at the bar, and a waitress is sent over to the table.
TAYLOR
You’re good. (Laughs)
VICTORIA
Helps to know the help. Let’s get a drink before the other nurses get here.
As the waitress comes over to take Taylor and Victoria’s order, the music plays and the scene changes.
DISSOLVE TO -- Petterino house
Rose and Giovanni are at home quietly spending some time alone after a day at the restaurant. Giovanni and Rose have a bottle of zinfandel opened up and are sharing the contents.
GIOVANNI
You know, I’m glad we have a capable night staff that can step in and manage the place if we decide to have a night at home.
Rose smiles, looking around.
ROSE
You bet. And the house is all to ourselves. Tori told me she was headed out with Taylor this evening and a couple other nurses might join them.
Rose moves in closer.
ROSE
And Tori said she might crash at Taylor’s if she’s had too much to drink.
Giovanni gets the hint and he snuggles in closer to Rose.
GIOVANNI
Did I ever tell you that you’re as delectable as the moment I laid eyes on you in college?
ROSE
All the time. But do it again.
GIOVANNI
Okay.
He leans in to kiss Rose and soon their passion has them heading up the staircase with the bottle of wine. The music rises in volume and the picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “AMC: New Beginnings” title card)
Congratulations to AMC: New Beginnings for its five DRtv awards earned last week. Check out why this show merited all that attention. AMC: New Beginnings. Weekdays.
(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF
In just a moment, we'll return with the second part of Somerset. Presented today by fresher than ever Lemon Fresh Joy. For a beautiful shine that’s a nice reflection on you.
We'll continue with Somerset following station identification.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Somerset Register
We fade in on the Register offices, where Mike is busy working on his latest masterpiece… only he doesn’t think it’s one.
His editor, Norman Vickery, is there, and Norman senses Mike’s displeasure.
NORMAN
(Checking in at Mike’s cubicle)
How’s the city commission story coming?
MIKE
Good. But it’s not going to be an award-winning story, if that’s what you’re wondering.
NORMAN
No one expects it to be.
MIKE
Good, because it’s done.
Mike pushes a button on keyboard to send the story over to editing.
MIKE
Take a look at it and see what you think.
Norman sits down, taps a few keys to enter the editing system, and looks over the copy.
NORMAN
Fair enough. (Peruses screen) This isn’t bad, Mike. Granted, it’s city commission votes…
MIKE
How the heck did reporters like Steve Slade investigate the mob in this town and I end up with the city commission?
NORMAN
You know the answer to that, Mike. Somerset isn’t the town it was 30-some years ago, and be grateful for that.
MIKE
Oh, I know. I’m just waiting for a big story to come along. Any story that I can sink my teeth into and give it a good ride. I wish Jack Martin would hurry up with details of his proposed Project X.
Norman looks a bit surprised.
NORMAN
And what makes you think Jack will be your savior?
MIKE
Well, he has the backing of a lot of people in this town… well, with the exception of one, and even he’s not as big a problem as he could be.
NORMAN
(Laughs) Just wait, Mike. Eventually you’ll get your front-page scoop and a trip to New York to work your dream job.
Norman stands up and walks away.
NORMAN
Now get outta here and go have a beer to cool off.
MIKE
Sounds like a great idea.
Mike shuts off his computer and settles back into the cubicle.
MIKE
And it can’t happen soon enough.
Light music plays as we change scenes.
DISSOLVE TO -- Bernard’s
Giovanni’s is hopping as is Bernard’s, as the Somerset restaurant district is busy. Scott is in the bar area nursing a a beer and talking with Bernard about the goings-on in Somerset.
SCOTT
Ahh, just what I need after a day behind a desk reading police reports.
BERNARD
There’s more where that came from, you know that.
SCOTT
Oh, keep the tap flowing. (Pauses) You been having any problems with the graffiti-mongers out there, Bernard?
BERNARD
I saw Mike’s story on the waterfront activity, but I think I’m too far back from the river. For the most part they leave me alone. They know that this restaurant draws a good crowd and they stay away.
SCOTT
I wish that we didn’t have this problem here. If we didn’t, then my track record as lieutenant would be spotless.
Bernard recalls the old days.
BERNARD
You know it beats the old days. I used to work at the Hayloft and Bill Greeley would tell me all sorts of stories. Hell, I saw the stuff firsthand. When you’re dealing with kids spraying paint cans on walls, then the crime rate isn’t that bad here.
SCOTT
I hear you.
He finishes his beer and gets up from the bar area.
SCOTT
Actually, I changed my mind. I’m going to head home and enjoy the rest of my night. You have a good evening, my friend. Are you out of here yet?
BERNARD
Naaa, I’m here a little while longer. I’ll keep your seat warm if you choose to come back.
SCOTT
I think I’ll go home, read the Register and count my blessings. (Waves goodbye as he leaves) So long.
BERNARD
Take care, my friend.
Scott heads outside the restaurant. He is headed across the street to a parking lot when he notices a car coming awfully fast down the street.
The car is a red convertible, and it slows down as it approaches the intersection. The light turns green, so the car speeds up once again past 40 in what is easily a 20 zone.
SCOTT
What the hell?
He goes out to his dashboard to pull out the radio. Pressing down on the button, he begins to speak.
SCOTT
All units on duty, be on the lookout for a red convertible that may be speeding toward you. Couldn’t get the license plate, but the car looks like it’s going about 20 or 25 over the limit.
The music builds and the picture fades to black.
BILL WOLFF
We’ll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
CUT TO -- Giovanni’s
Mike comes into the restaurant and sits at the bar, ordering a beer. From their table, Victoria and Taylor notice Mike and Victoria strikes up a conversation.
VICTORIA
I thought I’d see you here with Alana, Mike.
Mike turns and smiles.
MIKE
Nope, not tonight. I’m nursing a brew myself.
Mike notices Joanne coming in.
MIKE
Then again, maybe not. (Stands up and hugs Joanne) Hey there, back for another go-round?
JOANNE
It was a long day at the office. Got time?
MIKE
I’m all ears.
Victoria has fun watching Mike and Joanne talking… but then she turns to look at Taylor, whose demeanor has suddenly turned a bit sullen.
VICTORIA
Oh oh. Why do I not want to light a match in this room?
TAYLOR
Relax, Tori. Once the other nurses get here, we’ll dissolve into our own conversation.
Taylor looks over at the bar.
TAYLOR
And she’ll be far, far away from here.
Taylor takes a drink from her martini glass as Victoria takes in the situation. The music becomes a bit lighter as we change scenes.
DISSOLVE TO -- Petterino house
In the Petterino house, Giovanni and Rose are upstairs basking in the afterglow after a round of lovemaking. The two are in bed, snuggled against each other.
ROSE
I always can tell when you love not having the kids around. You turn into the lothario you always were when we were younger.
GIOVANNI
Hey… is it my fault I have the libido like a bodybuilder? It’s us passionate Italians, you know. Viagra’s not needed around this house.
ROSE
And I am so glad we came home early tonight. It’s a great feeling to…
We hear a rattling noise downstairs. The music instantly turns from light romantic to a sinister piano.
ROSE
(Sitting up bolt upright in bed)
What the hell?
GIOVANNI
Hey, don’t worry about it. The security alarm didn’t go off, so everything’s probably all right. It‘s so quiet in here sometimes we can hear rattling.
The security alarm suddenly sounds, and now Giovanni is a little concerned.
GIOVANNI
Forget everything I just said. I’ll go check it out.
ROSE
Hurry back. (Scared tone of voice) And be careful.
Giovanni puts a pair of pants on and takes a baseball bat downstairs with him, a bat that he uses in just such an emergency.
He heads downstairs, where he sees a shadowy figure trying to mess with the security system. It’s hard to make out the figure and whether that person is there to rob the house.
GIOVANNI
Hands up, you… (He raises the bat over his head)
The lights instantly come on, and Giovanni’s face drops.
GIOVANNI
Oh my…
ABRUPT CUT TO -- Bernard’s
Bernard is serving a customer when Nick walks in.
BERNARD
Hey, Nick. Welcome in tonight. What will you have?
Nick looks a little lost, but he knows his drink.
NICK
Make a mean Manhattan. I sure could use one.
BERNARD
Coming right up.
We see the camera from Nick’s point of view, staring ahead at the wall.
The camera switches back to a shot of Nick at the bar.
NICK
Kinda slow around here tonight.
BERNARD
It’s picked up in the last couple hours.
Nick takes his Manhattan, but as he’s about to drink he hears a familiar voice.
WOMAN
Hey, hot stuff… you wanna share a vodka with me?
The camera, once again from Nick’s point of view, whirls around. In back of Nick is the mystery woman sitting at a table, wearing a glittery silver cocktail dress.
NICK
Oh my God…
It is the same mystery woman he met in Washington. But how did she find him? Could it really be her?
The woman crosses her legs and sips seductively from her glass.
WOMAN
Why don’t you come back and share your Manhattan with me?
NICK
There’s no better time than the present, right? I can’t believe you found me, we didn’t even…
Nick jumps off his stool and runs toward the camera with his glass. Before he can get to the woman’s table, however, he hits what appears to be an imaginary wall with a thudding sound.
The picture temporarily blacks out.
CUT TO -- Nick’s bedroom
Nick is in his bed, and he has fallen with a crash to the floor. Before he can get up, the nightstand and the lamp topple over onto his head.
Emerging from under the pile, Nick takes his hand and feels the top of his head before pulling his hand away. On his hand he notices blood.
As the music builds in intensity, Nick quickly fumbles for his cell phone and tries to get up, all the while calling 911. He is halfway up when he feels very dizzy and collapses onto the floor.
Music reaches a crescendo as the picture immediately blacks out.
COMMERCIAL BREAK
The Somerset theme plays and credits roll.
BILL WOLFF
This... was Somerset.
Jewelry by Stephen Dweck.
Men’s shirts from Arrow.
Join us each weekday afternoon at this time for the continuing story of Somerset. And stay tuned for romance, suspense and drama on Harpers Falls, which follows immediately over many of these same stations.
This program was pre-recorded.
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