SOMERSET EPISODE 14
DRtv Airdate: July 31, 2008
Written by: Steve Ungrey
SCENE ONE
FADE IN -- Exterior shot of City Hall
It is the same day in Somerset as the afternoon wears on.
Nick is at his office, having gotten back in the day before and taken the rest of the day off to recharge his batteries.
We fade in on Nick as he is sitting at his desk, staring blankly ahead at the computer screen and trying to do some work.
Not
surprisingly, his thoughts keep going back to Washington and to the
bar. As he imagines her flowing red hair and smile, he rests his head on
his hands and wonders how the heck he's going to get through the day.
Jack
comes to the doorway. Nick doesn’t see Jack standing there, and Jack
looks amused at Nick being lost in space while looking at his monitor.
JACK
They say a watched computer screen can make you go blind if you stare at it.
Nick is startled and nearly falls out of his chair.
NICK
Hey, Jack! Thanks for about scaring me half to death.
Jack shuts the door behind him, laughing all the while.
JACK
I could have said a watched computer screen could sometimes explode. Now how would THAT have been?
Nick laughs and drinks from his coffee cup.
NICK
At this stage of the game, I’d still be lost in thought.
JACK
I was just on the way back from Scott’s office and thought I'd drop in and see how the convention went.
Nick puts a hand on a big stack of papers sitting next to his desk.
NICK
All this reading material right here. Want to join in?
JACK
Oooo... (takes one step back from the desk) I’ve got my own reading to do, thanks. How did the convention go?
NICK
You really want to know, don’t you?
JACK
Oh,
come on. The last I talked to you the convention was in full swing and
you were going to a bar to unwind. What could possibly have happened?
Nick gives Jack a look with his face, shakes his head and covers his eyes.
JACK
You’re right. Maybe I DON’T want to know this.
NICK
Actually it was fine. Until the end.
Jack gets a quizzical look on his face as the picture fades to black.
The
theme begins as we see an overhead shot of downtown as the camera is
pulling away. The Somerset logo pops into position and goes toward the
center of the screen.
BILL WOLFF
This… is Somerset.
This
portion brought to you today by Crest Pro Health Rinse, the mouthwash
that provides dentist-recommended benefits as well as whiter teeth and
fresher breath.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Somerset Hospital
Zachary,
who came into the hospital with Victoria noticing him at the end of the
Wednesday episode, is in an exam room being checked out by Patrick and
by Tyler Nelson, who specializes in orthopedics.
Tyler is looking
over Zachary’s injured left ankle. It's obvious that Zachary is in some
pain, but he's making do as the doctors continue their exam.
TYLER
It
looks like you shattered part of the ankle in that fall. Before you
wonder, though, I'd say that the motorcycle accident caused part of this
damage. You said you suffered this injury in a pickup basketball game?
ZACHARY
The first injury, yes.
TYLER
You
should have had that injury checked out fully instead of assuming the
pain would go away. The fact your ankle was weaker as a result of that
injury didn’t help matters.
ZACHARY
So in other words, if I'd have zigged instead of zagged I wouldn't have fallen off the bike and busted my ankle.
PATRICK
Well,
Tyler thinks you you weakened the bone to the point where one fall of
any sort would have caused a big problem. I'd say -- and I would have to
concur with Tyler on this -- you're looking at several weeks of rehab.
Zachary grimaces at the thought.
ZACHARY
Damn. Dad's just going to be thrilled at this.
PATRICK
He'll be fine, Zachary. You're still here and that's what is important to him.
Patrick goes over to the phone and dials out to the nurses station.
PATRICK
Yes, Tori, Could I have you come in and bandage up Zachary? (Nods) Thanks. See you in a bit then.
TYLER
I think we’re all set, Patrick. Thanks for consulting on this with me.
PATRICK
Not
a problem. Zachary, you’re checked out of the Skeleton Hotel, so have a
good day and we'll see you in a week or so to check the ankle again.
ZACHARY
Thanks.
As
the doctors leave, Zachary is frustrated by the thought his ankle will
be in rehab for several weeks and he slams his hand on the table.
At that point Victoria walks in and is slightly surprised.
VICTORIA
Are you trying to injure something else?
Zachary shoots Victoria a look as if to say “very funny”.
ZACHARY
You’re just the person I’m looking for, actually.
Victoria’s eyes widen as the scene changes with accompanying music.
DISSOLVE TO -- Cleypool Mansion
George
is on the phone with a client going over a business deal as Fenwick
walks in. Fenwick waits while George completes the call.
GEORGE
I’ll
have my attorneys get in touch with you on this. It sounds pretty
promising and I think it fits in really well with our north-end
development.
We see George pause and talk again.
GEORGE
Yes,
that’s going very well. I still have a valid interest in downtown, but
I’m biding my time while I wait. I’ve got a good healthy interest in
this suburban project. Plenty of retail and homes.
George finishes up.
GEORGE
All right. I’ll be in touch, then. Thanks. (He puts down the phone) What’s going on, Fenwick?
FENWICK
Nothing, Master Cleypool. I had wondered if you’d heard anything more on Master Zachary.
GEORGE
Not really. He was sprung from the hospital but then he had to go back this morning for another checkup.
FENWICK
An emergency checkup?
GEORGE
No,
thankfully. This was planned, and I sincerely hope they get the damn
checkup right this time around. (Phone rings) I have to take this.
FENWICK
Right, sir. Keep me posted, please.
Fenwick walks out of the room and George picks up the phone.
GEORGE
Cleypool? (Pauses) Ah, good! So that will be here later today? Excellent.
George grins as he continues the conversation with the music building in the background. The picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “Night and Day” title card)
A
small town in Pennsylvania doesn’t have to have plain residents. Meet
the odd residents of Night and Day, one of the new soap operas on the
DRtv lineup. Coming soon weekdays.
(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF
In
just a moment, the second half of Somerset... presented by Ivory Snow,
the mild, fresh detergent that helps keep baby clothes baby soft.
We'll return to Somerset following station identification.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Somerset Hospital
Out in the waiting area at Somerset Hospital, Patrick is looking at a couple charts when Susannah appears in the lobby.
SUSANNAH
Well, if it isn’t Somerset's most handsome doctor at work.
Patrick looks at Susannah, but then he has fun with her a bit.
PATRICK
Where? Where is he? (Turns to look at Susannah) Did you mean me?
SUSANNAH
You don't see Dr. McDreamy around here anywhere, do you?
PATRICK
Please, Susie. I preferred Dr. Ross.
Patrick laughs, hugs Susannah and exchanges a quick kiss with her.
PATRICK
Soooo... What brings you to the hospital... and don't tell me it's another checkup.
SUSANNAH
Nonsense. I’m feeling fine, and I have been since my unscheduled visit to this place.
PATRICK
Does that mean you came to see… ME?
SUSANNAH
Well, I WAS in the neighborhood… and I wondered if you had time to catch a quick bite to eat. Or have you eaten already?
PATRICK
I see. Checking out your new office digs at Martin, I take it?
SUSANNAH
I'm
on my way over to do it as we speak. Joanne suggested I take a look
around the property now so I’m not lost when I arrive for my first day
at work.
PATRICK
Well, unfortunately I'm on duty... but let me finish rounds for a moment and then we can retire to my office.
SUSANNAH
Ooo, I’m impressed! You get an office and everything?
PATRICK
You bet. Wait here and I'll be right with you.
Susannah smiles as Patrick finishes up with his patients and the music plays lightly. The scene changes.
DISSOLVE TO -- City Hall
Jack is hearing the story of what Nick went through in Washington and he’s incredulous at what took place.
JACK
Wow. I’ve had a few flirty encounters at parties, but Nicholas… my boy, it sounds like this one took the cake.
NICK
Jack, it wasn’t cake. It was sinfully rich ice cream. A filling piece of pie… a luscious dessert treat. (Shakes his head)
JACK
Making yourself sick, Nick?
NICK
Sick? Are you kidding? I'm making myself hungry thinking about this. Rescue me, Jack.
JACK
And what do you suppose I should do? Become Rachael Ray for 30 minutes so I can make you dessert?
NICK
How about a little moral support, for crying out loud? A little strength here?
JACK
Well, I suppose I COULD do that…
NICK
God, Jack.
Nick thinks back to the woman's red hair and shapely black dress.
NICK
She was beautiful. That hair. That smile. That body. And she even called me out on that.
JACK
The fact you were staring at her body?
NICK
And she had a great sense of humor. A great mind for sarcasm. And… I didn’t even get her name.
That
alone sends Jack over the edge. Jack can’t believe Nick forgot the
basics, and he points to his heart and makes a stabbing sensation.
JACK
You
wound me right here, Nicholas. Did I not teach you the right way to
encounter a single, eligible female? When you are at a bar like that,
you should always get the woman's name. She never asked you?
NICK
Hard to believe, but no. As it is, she did get whisked out of the bar pretty quickly by her friends.
JACK
Well, if anything, this proves one thing.
NICK
Now this I’m just dying to hear.
JACK
The next time you get names. Places. Faces. Features. Anything... and it also proves you've still got it.
NICK
(Staring ahead at the computer) Yeah. Whatever "it" is.
Jack pats Nick on the shoulder in consolation as Nick continues staring at the screen. The picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
CUT TO -- Patrick’s office
Susannah and Patrick have retired to his office with food from the cafeteria. As they set the food down, Susannah takes a seat.
SUSANNAH
I thought your offices would be a bit more glamorous than this.
PATRICK
Please. Only the chief of staff gets the cushy quarters. Maybe that’ll be me in five or 10 years. For now, I don’t know.
SUSANNAH
Something tells me you’ll get the job. If your family connections are any good…
PATRICK
That’s
just it. Like you, I’m trying to get somewhere in life without the
family connections getting in the way. I want to win this job down the
line without the name Stanley Kurtz coming up.
SUSANNAH
I got a job without the name Sam Lucas coming into the conversation. I think you can do the same thing.
PATRICK
Let’s hope so. So when do you start your new gig with Jack?
SUSANNAH
I
told him I'd come aboard on Tuesday. I'm still getting some things
squared away at the house and realizing that Grant's Preserve is a nice
place to live.
PATRICK
You definitely have a nice home, what I’ve seen of it anyway.
SUSANNAH
How about you? Where are you at now?
PATRICK
This
is my home. (Laughter) All kidding aside, it feels like it. I'm
actually in a condo myself here in downtown Somerset. Seventh floor of
the Woodruff Building.
SUSANNAH
That's a rehabbed skyscraper, isn't it?
PATRICK
About 15 stories tall and built in the 1940s. Just restored a few years ago. You'll have to come over and see it.
SUSANNAH
That I will.
She’s having trouble stifling a yawn so she finally lets one out, “offending” Patrick.
PATRICK
What, now I’m boring?
SUSANNAH
Relax. You never could be boring.
PATRICK
Whoa, is your energy level down that far?
SUSANNAH
Naa, it’s just been a whirlwind few days and I just need to get more sleep, that’s all. But who’s got the time, right?
Patrick
nods in approval as Susannah hides the fact that she had an awful
nightmare the night before. The music swells to its climax, albeit a bit
ominously knowing what we do about Susannah. The scene changes after a
short interlude.
DISSOLVE TO -- Exam room
In the exam room at Somerset Hospital, Victoria is wrapping Zachary's injured ankle.
ZACHARY
Anyhow, I just wanted to apologize for the way my dad behaved toward all of you when I was last here.
VICTORIA
(Looks up)
He didn't harm me. I've been around demanding men all of my life.
ZACHARY
What, the doctors at this place? Don't tell me your father is that demanding.
VICTORIA
In
a way, he is. But it's a good way. He wants the best from his children.
So far, I'm the one that's stayed here and worked very hard, so I guess
I get all the spoils from it.
ZACHARY
Is that what they call
them? I'm not an only child, but I'm the only one that chose to stay in
Somerset and deal with Dad's wrath.
Victoria looks up from her bandage work and smiles.
VICTORIA
You're strong enough. You can take it.
ZACHARY
Thanks... (eyes name tag) Victoria. Do you have a last name to go with the tag and the face?
VICTORIA
Petterino.
ZACHARY
(Making the connection) Are you... Giovanni's daughter?
VICTORIA
One of two… why do you ask? Do you know Annabella from your travels overseas or something?
ZACHARY
No reason. I love your dad's restaurant.
VICTORIA
YOU’VE been to Giovanni’s? I would think The Finial is more your speed.
ZACHARY
Five-star restaurants can be overrated.
VICTORIA
Thanks. It may not be the country club, but it's home.
ZACHARY
Please, Victoria. That's what I like about it. It's NOT the country club.
Zachary gets up off the table and limps his way out to the lobby area with Victoria, continuing their conversation.
VICTORIA
I'm surprised you'd say that.
ZACHARY
Well, there is an awful lot you don't know about me. (Checks watch) Gotta run. Thanks again.
As
Zachary walks away, Victoria holds the clipboard tightly against her
and smiles. Light music plays as the picture fades to black.
COMMERCIAL BREAK
The Somerset theme plays and credits roll.
BILL WOLFF
This... was Somerset.
Women‘s slacks by Lafayette of New York.
Men’s suits by Ex Officio.
Join
us each weekday afternoon at this time for the continuing story of
Somerset. And stay tuned for romance, suspense and drama... on Harpers
Falls, which follows immediately over many of these same stations.
This program was pre-recorded.
Friday, December 20, 2013
Sunday, December 15, 2013
EPISODE 13 -- THE MORNING AFTER
SOMERSET EPISODE 13
Airdate: July 30, 2008
Written by: Steve Ungrey
SCENE ONE
FADE IN -- An athletic club in downtown Somerset
This episode of Somerset opens up at Ultra Body, which is a health club in downtown Somerset within striking distance of both Somerset Hospital and Martin Enterprises.
We dissolve to a locker room area where Alana and Joanne are coming in after a workout of roughly 45 minutes. Both are sweating a bit after exercise, and each of them has a bottle of water that they are drinking from before they hit the shower.
Joanne is the first to speak, once she regains her breath.
JOANNE
Wow. It’s been a long time since I’ve had that good a workout. Thanks for the suggestion last night.
ALANA
It was really good to see you. We hardly ever connect because we’re on insane schedules.
JOANNE
Yeah… I’m more of a 9 to 5 or a 10 to 6 girl and you’re…
Joanne drinks water and laughs a bit.
JOANNE
Coming and going at all hours of the night.
ALANA
Hey, it’s all right. I need the release like I had last night. I got to talk with you a bit and I got to put up with Wagner.
JOANNE
I think that man cares about you. Don’t tell me you’re stringing him along.
Alana vigorously shakes her head as if to say no way.
ALANA
Not a chance. Truth is, Joanne, I don’t know what exactly I want. I know it’s about time to hop back on the treadmill…
JOANNE
After having just come off of it?
It dawns on Joanne what Alana meant.
JOANNE
Ahh, I get it. You’re saying you think it’s high time to make yourself available again.
ALANA
Is that so bad?
JOANNE
I wouldn’t say it’s bad. (Drinks from water bottle) Then again, you’re talking to someone who dates what, maybe once or twice a year…
ALANA
Just you wait, Joanne. Your time is coming. Or is Jack working you that hard?
Joanne shakes her head as she grabs her equipment bag and gets some stuff out of it.
JOANNE
I can’t complain. I’ve been with Martin Enterprises for over 15 years, right out of college. It wasn’t until six years ago that I took over the role of Jack’s executive assistant. Jack has been with me through some good times.
ALANA
And?
JOANNE
And a lot of bad. (Drinks water) But enough about me. It’s not like I’ve been abusing drugs or drinking too hard or anything. Besides, I've had some steady company as of late.
ALANA
(Laughing)
You were putting the drinks away last night.
JOANNE
(Laughing herself)
I’ll have you know I had three whiskey sours and I was in the company of two really nice guys last night. Including your future husband.
Alana has had enough and playfully whacks Joanne with a towel as Joanne laughs.
ALANA
Go easy on me. I think all of Somerset knows by now what happened last night. (Pause) Why don’t you ask Scott out? He seems like he’s an eligible bachelor.
JOANNE
Ah, I'll keep Norman's company. Besides, Scott isn't ready yet. He’s gone through some rough times himself.
Light music plays in the background as the scene winds down.
ALANA
Look at us. We’re both wrecks when it comes to a social life.
Joanne laughs as she finishes the water bottle and heads for the shower.
JOANNE
We’re paid pretty well for what we do, though.
ALANA
You got that right.
The music builds as Alana follows Joanne, ready to shower up before she goes to the hospital for her shift. The picture fades to black.
The theme begins as we see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen.
BILL WOLFF
This… is Somerset.
This portion brought to you today by Folger’s Coffee, available in regular and decaffeinated. The best part of waking up is Folger’s in your cup!
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Somerset Hospital
A bit later in the day, we dissolve to the fourth floor nurses desk as Victoria is on duty answering phones.
VICTORIA
Yes, Mr. Hennessey, your test results just came back. Dr. Kurtz is waiting to talk to you...
Victoria cradles the phone on her shoulder as she juggles a few files.
VICTORIA
No, I can't look at the results without you coming in. Dr. Kurtz will have to take care of that.
Victoria briefly pauses as Alana walks in.
VICTORIA
OK, we'll see you in a bit. Thanks.
As Victoria puts down the phone she smiles, obviously knowing what went on last night.
ALANA
Oh geez. I suppose word has gotten out all around the hospital?
Victoria shakes her head no.
VICTORIA
Alana, no one's really wondering what happened. I just know you went to meet Mike for a beer because Mom and Dad were talking this morning.
ALANA
(Buries her head in her hands and shakes her head)
Ohhh... I'll never live this down.
Then Alana raises her head and smiles.
ALANA
Other than that, things went all right. Come, I'll tell you all about it.
Victoria’s face instantly brightens.
VICTORIA
Oooo, the inner sanctum once again? I'm glad I'm about to take my break.
ALANA
It's not juicy, but it's news at least... no pun intended.
Victoria pretends to hold her stomach in pain.
VICTORIA
Oh, that was bad. Bad.
Playful music can be heard as Victoria follows Alana to the nurses lounge. The scene changes.
DISSOLVE TO -- Somerset Police station
We directly cut away from the scene to the police station, where Lt. Garfield is at his desk looking over some police reports when Jack appears at the door.
JACK
(Raps the door)
Knock knock, lieutenant. Is this a bad time or is it always a good time in Somerset these days?
Scott looks up and smiles.
SCOTT
Hey, Jack. This will give me a chance to put the paperwork down and talk a little business with the community. Have a seat.
Jack takes Scott’s lead and sits down by Scott’s desk, putting down his briefcase in the process.
JACK
Don't mind if I do. Saw you up at the bar with Mike last night but you really didn’t talk a lot about that when you came back to talk to us.
SCOTT
Well, you looked pretty busy yourself. How is Susannah fitting in?
JACK
I talked to her this morning. (Pauses) She didn’t get a good night’s sleep last night, or so she said. It was probably the unfamiliarity of being in a strange bedroom.
SCOTT
That will probably change. She’s been in the house for what, all of a few days?
JACK
Yeah. She said living alone in a strange place will take some getting used to, but she’ll manage.
SCOTT
Well, tell her welcome to Somerset. (Pauses) Actually, I think I was keeping Mike company until his date for the night showed up.
Jack’s eyes widen a bit.
JACK
Really? The good journalist is keeping company with a woman? Alert the media.
Jack laughs when he realizes what he said.
JACK
Wait, that didn't come out quite right.
Scott chuckles a bit as he and Jack share a laugh. The picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “A Beautiful Family” title card)
Keep up with the Joneses on A Beautiful Family, part of the Daytime Royalty lineup. Weekdays on DRtv.
(We see “Somerset” title card and hear a soft version of the theme){/i}
BILL WOLFF
When we return, the second half of Somerset is presented by Gleem, the toothpaste for adults. Fights cavities and freshens adult bad breath.
We'll return to Somerset following station identification.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Somerset Hospital
Alana and Victoria are in the nurses' lounge as they sip an early afternoon coffee and Alana changes into suitable nurses' attire to begin her shift.
VICTORIA
I didn’t know you were going to go over to Giovanni's last night. It kind of surprised me.
ALANA
What, that I have a social life? I head out to the bar a couple times a week, you know that. I wasn’t going to look for Mike, if that’s what you’re wondering. As it is, I ran into Joanne and we were just at the health club having a noon workout.
VICTORIA
How’s she doing? Jack running her ragged?
ALANA
Well, it was good to talk to her. I’m on one floor of the apartment building and she’s on a higher floor, so our paths don’t cross that much.
VICTORIA
You have a workout partner, at least.
ALANA
Well, we used to work out a lot… then Joanne got busy with a few things Jack had her doing and all of the other stuff that happened. Now she says she wants to get that part of her life back. I can’t blame her one bit.
VICTORIA
And it got you out of the apartment. (Laughs)
ALANA
Well, considering I really didn't have that much to do... it was either that or read a few more chapters of Harry Potter...
VICTORIA
Deathly Hallows?
ALANA
Please. Not even finished with the second book yet. And DON'T tell me how it ends.
Alana sips from her coffee cup and sits down.
ALANA
Anyways, Mike is a nice guy. I just don't know if I'm ready to dip a toe into the dating pool once again.
VICTORIA
You can't let the actions of one relationship slow you down forever, Alana.
ALANA
Oh, I know that.
Alana pauses to sip her coffee again.
ALANA
Nick knew it too.
A bit of “stinging” piano music plays along with the light music. This is the first on-screen mention that Alana’s ex was Nick. As the music builds, The scene changes.
DISSOLVE TO -- Police station
We shift back to the police station as Jack and Scott are chatting about city matters.
JACK
I wanted to show you a photo of one building in particular that I’m interested in, and you tell me if there's anything fishy going on over there.
Scott recognizes the photo right away -- it is The Peoples Building.
SCOTT
The Peoples Building? Jack, that's one of Somerset's oldest buildings. It hasn't been used in years, you know that.
JACK
But it HAS avoided the wrecking ball. I'm afraid George will get his hands on it and tear it down. That's why I'm interested so much in the property. It's a catalyst for what I want to do.
SCOTT
Care to share, by any chance?
JACK
Due time, Scott. Due time. I'm still getting everything in order.
Scott puts his folders down and leans in, meaning to give Jack some advice.
SCOTT
Jack, need I remind you... you've got Wagner fishing around wanting to get clues, you've got Nick tied in knots over this and he just took over city management of Somerset not too long ago. You’d like everyone to know the crime rate is low in Somerset, wouldn’t you?
JACK
Scott, relax. Both Mike and Nick are aware of what's up. I haven't filled them in on the full story yet, but suffice to say they are very interested in hearing it.
SCOTT
Is there a history behind all of this?
JACK
Lieutenant… more than you'll ever know. (Smiles)
Scott takes it all in as the camera slowly focuses in on him and the picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Police station
Back at the police station, Scott and Jack are still going over city details, but the conversation is slowly turning in another direction.
JACK
Once I get everything in order, I intend to let the city know of my plans. Until then...
SCOTT
Aren't you afraid that Cleybank Corporation's acting behind the scenes?
Jack waves his hand at Scott.
JACK
I know, Scott. I’ve got resources. Well-placed friends. They're going to tell me if they spot anything fishy when it comes to his activities.
SCOTT
Well, then! I think you've got the bases covered, my friend. Keep me posted.
Jack rises up and grabs his briefcase.
JACK
I will. (He stops) Oh, by the way... I did overhear last night that your favorite model is returning to Somerset?
SCOTT
Not you too, Jack Martin. (Shakes his head)
JACK
Relax. I won't give you a hard time about it. You and Joanne looked like you were having decent conversation last night.
SCOTT
Joanne and I are friends, yes. And for the record, Annabella and I have been friends for a while now. You know that.
JACK
I know. I also know Giovanni will be very happy to have two of his kids under one roof. Has Giovanni gotten any indication yet when Annabella's coming home?
SCOTT
It’s going to be in the next couple weeks or so. She's finishing up an assignment modeling cosmetics over in Rome. Ah, the glamorous life.
JACK
Indeed. Must be nice.
The music builds as Scott and Jack shake hands and Jack turns to leave. Before he can leave, the scene changes.
DISSOLVE TO -- Somerset Hospital
Alana and Victoria are finishing up their conversation in the nurses lounge.
ALANA
Tori, Nick and I dated for two years... it didn't end well.
VICTORIA
Well, you guys are okay now.
ALANA
Yeah, now we are. But at the time, we were accusing each other of wanting to put our careers ahead of our personal lives. Nick was getting heavy into politics and I was getting into a lot of hours in nursing.
VICTORIA
Precisely. You guys let your careers get in the way.
ALANA
But only after I broke up with Nick. It wasn't easy, trust me. I think we both wanted to dip into our careers to keep us from going stir crazy.
VICTORIA
Relax. Nick adored you. He cared for you. He still does as a friend.
The two are leaving the nurses lounge and heading down the hall.
ALANA
We've been down this road before. Nick has told me it's going to take time for him to get involved again because he feels he screwed things up badly.
VICTORIA
And you?
ALANA
That’s why I'm kind of holding Wagner at arm's length. (Pauses and looks at Victoria) Not a word of this to Wagner. I DO like him, but I'm not ready to throw away a year or two only to find out things aren't going to work.
VICTORIA
Well, you should give it a try. You really should...
She sees Zachary in the waiting area.
VICTORIA
Give it a try, Alana.
Alana notices Victoria looking at Zachary and smiles to herself as if to say take your own advice. The picture fades to black and the credits roll.
COMMERCIAL BREAK
BILL WOLFF
This... was Somerset.
Men’s shirts by Perry Ellis.
Nurse wear provided by Nursemate.
Join us each weekday afternoon at this time for the continuing story of Somerset. And next over most of these same stations, be sure to watch romance, suspense and drama... on Harpers Falls.
The preceding program was recorded.
Airdate: July 30, 2008
Written by: Steve Ungrey
SCENE ONE
FADE IN -- An athletic club in downtown Somerset
This episode of Somerset opens up at Ultra Body, which is a health club in downtown Somerset within striking distance of both Somerset Hospital and Martin Enterprises.
We dissolve to a locker room area where Alana and Joanne are coming in after a workout of roughly 45 minutes. Both are sweating a bit after exercise, and each of them has a bottle of water that they are drinking from before they hit the shower.
Joanne is the first to speak, once she regains her breath.
JOANNE
Wow. It’s been a long time since I’ve had that good a workout. Thanks for the suggestion last night.
ALANA
It was really good to see you. We hardly ever connect because we’re on insane schedules.
JOANNE
Yeah… I’m more of a 9 to 5 or a 10 to 6 girl and you’re…
Joanne drinks water and laughs a bit.
JOANNE
Coming and going at all hours of the night.
ALANA
Hey, it’s all right. I need the release like I had last night. I got to talk with you a bit and I got to put up with Wagner.
JOANNE
I think that man cares about you. Don’t tell me you’re stringing him along.
Alana vigorously shakes her head as if to say no way.
ALANA
Not a chance. Truth is, Joanne, I don’t know what exactly I want. I know it’s about time to hop back on the treadmill…
JOANNE
After having just come off of it?
It dawns on Joanne what Alana meant.
JOANNE
Ahh, I get it. You’re saying you think it’s high time to make yourself available again.
ALANA
Is that so bad?
JOANNE
I wouldn’t say it’s bad. (Drinks from water bottle) Then again, you’re talking to someone who dates what, maybe once or twice a year…
ALANA
Just you wait, Joanne. Your time is coming. Or is Jack working you that hard?
Joanne shakes her head as she grabs her equipment bag and gets some stuff out of it.
JOANNE
I can’t complain. I’ve been with Martin Enterprises for over 15 years, right out of college. It wasn’t until six years ago that I took over the role of Jack’s executive assistant. Jack has been with me through some good times.
ALANA
And?
JOANNE
And a lot of bad. (Drinks water) But enough about me. It’s not like I’ve been abusing drugs or drinking too hard or anything. Besides, I've had some steady company as of late.
ALANA
(Laughing)
You were putting the drinks away last night.
JOANNE
(Laughing herself)
I’ll have you know I had three whiskey sours and I was in the company of two really nice guys last night. Including your future husband.
Alana has had enough and playfully whacks Joanne with a towel as Joanne laughs.
ALANA
Go easy on me. I think all of Somerset knows by now what happened last night. (Pause) Why don’t you ask Scott out? He seems like he’s an eligible bachelor.
JOANNE
Ah, I'll keep Norman's company. Besides, Scott isn't ready yet. He’s gone through some rough times himself.
Light music plays in the background as the scene winds down.
ALANA
Look at us. We’re both wrecks when it comes to a social life.
Joanne laughs as she finishes the water bottle and heads for the shower.
JOANNE
We’re paid pretty well for what we do, though.
ALANA
You got that right.
The music builds as Alana follows Joanne, ready to shower up before she goes to the hospital for her shift. The picture fades to black.
The theme begins as we see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen.
BILL WOLFF
This… is Somerset.
This portion brought to you today by Folger’s Coffee, available in regular and decaffeinated. The best part of waking up is Folger’s in your cup!
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Somerset Hospital
A bit later in the day, we dissolve to the fourth floor nurses desk as Victoria is on duty answering phones.
VICTORIA
Yes, Mr. Hennessey, your test results just came back. Dr. Kurtz is waiting to talk to you...
Victoria cradles the phone on her shoulder as she juggles a few files.
VICTORIA
No, I can't look at the results without you coming in. Dr. Kurtz will have to take care of that.
Victoria briefly pauses as Alana walks in.
VICTORIA
OK, we'll see you in a bit. Thanks.
As Victoria puts down the phone she smiles, obviously knowing what went on last night.
ALANA
Oh geez. I suppose word has gotten out all around the hospital?
Victoria shakes her head no.
VICTORIA
Alana, no one's really wondering what happened. I just know you went to meet Mike for a beer because Mom and Dad were talking this morning.
ALANA
(Buries her head in her hands and shakes her head)
Ohhh... I'll never live this down.
Then Alana raises her head and smiles.
ALANA
Other than that, things went all right. Come, I'll tell you all about it.
Victoria’s face instantly brightens.
VICTORIA
Oooo, the inner sanctum once again? I'm glad I'm about to take my break.
ALANA
It's not juicy, but it's news at least... no pun intended.
Victoria pretends to hold her stomach in pain.
VICTORIA
Oh, that was bad. Bad.
Playful music can be heard as Victoria follows Alana to the nurses lounge. The scene changes.
DISSOLVE TO -- Somerset Police station
We directly cut away from the scene to the police station, where Lt. Garfield is at his desk looking over some police reports when Jack appears at the door.
JACK
(Raps the door)
Knock knock, lieutenant. Is this a bad time or is it always a good time in Somerset these days?
Scott looks up and smiles.
SCOTT
Hey, Jack. This will give me a chance to put the paperwork down and talk a little business with the community. Have a seat.
Jack takes Scott’s lead and sits down by Scott’s desk, putting down his briefcase in the process.
JACK
Don't mind if I do. Saw you up at the bar with Mike last night but you really didn’t talk a lot about that when you came back to talk to us.
SCOTT
Well, you looked pretty busy yourself. How is Susannah fitting in?
JACK
I talked to her this morning. (Pauses) She didn’t get a good night’s sleep last night, or so she said. It was probably the unfamiliarity of being in a strange bedroom.
SCOTT
That will probably change. She’s been in the house for what, all of a few days?
JACK
Yeah. She said living alone in a strange place will take some getting used to, but she’ll manage.
SCOTT
Well, tell her welcome to Somerset. (Pauses) Actually, I think I was keeping Mike company until his date for the night showed up.
Jack’s eyes widen a bit.
JACK
Really? The good journalist is keeping company with a woman? Alert the media.
Jack laughs when he realizes what he said.
JACK
Wait, that didn't come out quite right.
Scott chuckles a bit as he and Jack share a laugh. The picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “A Beautiful Family” title card)
Keep up with the Joneses on A Beautiful Family, part of the Daytime Royalty lineup. Weekdays on DRtv.
(We see “Somerset” title card and hear a soft version of the theme){/i}
BILL WOLFF
When we return, the second half of Somerset is presented by Gleem, the toothpaste for adults. Fights cavities and freshens adult bad breath.
We'll return to Somerset following station identification.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Somerset Hospital
Alana and Victoria are in the nurses' lounge as they sip an early afternoon coffee and Alana changes into suitable nurses' attire to begin her shift.
VICTORIA
I didn’t know you were going to go over to Giovanni's last night. It kind of surprised me.
ALANA
What, that I have a social life? I head out to the bar a couple times a week, you know that. I wasn’t going to look for Mike, if that’s what you’re wondering. As it is, I ran into Joanne and we were just at the health club having a noon workout.
VICTORIA
How’s she doing? Jack running her ragged?
ALANA
Well, it was good to talk to her. I’m on one floor of the apartment building and she’s on a higher floor, so our paths don’t cross that much.
VICTORIA
You have a workout partner, at least.
ALANA
Well, we used to work out a lot… then Joanne got busy with a few things Jack had her doing and all of the other stuff that happened. Now she says she wants to get that part of her life back. I can’t blame her one bit.
VICTORIA
And it got you out of the apartment. (Laughs)
ALANA
Well, considering I really didn't have that much to do... it was either that or read a few more chapters of Harry Potter...
VICTORIA
Deathly Hallows?
ALANA
Please. Not even finished with the second book yet. And DON'T tell me how it ends.
Alana sips from her coffee cup and sits down.
ALANA
Anyways, Mike is a nice guy. I just don't know if I'm ready to dip a toe into the dating pool once again.
VICTORIA
You can't let the actions of one relationship slow you down forever, Alana.
ALANA
Oh, I know that.
Alana pauses to sip her coffee again.
ALANA
Nick knew it too.
A bit of “stinging” piano music plays along with the light music. This is the first on-screen mention that Alana’s ex was Nick. As the music builds, The scene changes.
DISSOLVE TO -- Police station
We shift back to the police station as Jack and Scott are chatting about city matters.
JACK
I wanted to show you a photo of one building in particular that I’m interested in, and you tell me if there's anything fishy going on over there.
Scott recognizes the photo right away -- it is The Peoples Building.
SCOTT
The Peoples Building? Jack, that's one of Somerset's oldest buildings. It hasn't been used in years, you know that.
JACK
But it HAS avoided the wrecking ball. I'm afraid George will get his hands on it and tear it down. That's why I'm interested so much in the property. It's a catalyst for what I want to do.
SCOTT
Care to share, by any chance?
JACK
Due time, Scott. Due time. I'm still getting everything in order.
Scott puts his folders down and leans in, meaning to give Jack some advice.
SCOTT
Jack, need I remind you... you've got Wagner fishing around wanting to get clues, you've got Nick tied in knots over this and he just took over city management of Somerset not too long ago. You’d like everyone to know the crime rate is low in Somerset, wouldn’t you?
JACK
Scott, relax. Both Mike and Nick are aware of what's up. I haven't filled them in on the full story yet, but suffice to say they are very interested in hearing it.
SCOTT
Is there a history behind all of this?
JACK
Lieutenant… more than you'll ever know. (Smiles)
Scott takes it all in as the camera slowly focuses in on him and the picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Police station
Back at the police station, Scott and Jack are still going over city details, but the conversation is slowly turning in another direction.
JACK
Once I get everything in order, I intend to let the city know of my plans. Until then...
SCOTT
Aren't you afraid that Cleybank Corporation's acting behind the scenes?
Jack waves his hand at Scott.
JACK
I know, Scott. I’ve got resources. Well-placed friends. They're going to tell me if they spot anything fishy when it comes to his activities.
SCOTT
Well, then! I think you've got the bases covered, my friend. Keep me posted.
Jack rises up and grabs his briefcase.
JACK
I will. (He stops) Oh, by the way... I did overhear last night that your favorite model is returning to Somerset?
SCOTT
Not you too, Jack Martin. (Shakes his head)
JACK
Relax. I won't give you a hard time about it. You and Joanne looked like you were having decent conversation last night.
SCOTT
Joanne and I are friends, yes. And for the record, Annabella and I have been friends for a while now. You know that.
JACK
I know. I also know Giovanni will be very happy to have two of his kids under one roof. Has Giovanni gotten any indication yet when Annabella's coming home?
SCOTT
It’s going to be in the next couple weeks or so. She's finishing up an assignment modeling cosmetics over in Rome. Ah, the glamorous life.
JACK
Indeed. Must be nice.
The music builds as Scott and Jack shake hands and Jack turns to leave. Before he can leave, the scene changes.
DISSOLVE TO -- Somerset Hospital
Alana and Victoria are finishing up their conversation in the nurses lounge.
ALANA
Tori, Nick and I dated for two years... it didn't end well.
VICTORIA
Well, you guys are okay now.
ALANA
Yeah, now we are. But at the time, we were accusing each other of wanting to put our careers ahead of our personal lives. Nick was getting heavy into politics and I was getting into a lot of hours in nursing.
VICTORIA
Precisely. You guys let your careers get in the way.
ALANA
But only after I broke up with Nick. It wasn't easy, trust me. I think we both wanted to dip into our careers to keep us from going stir crazy.
VICTORIA
Relax. Nick adored you. He cared for you. He still does as a friend.
The two are leaving the nurses lounge and heading down the hall.
ALANA
We've been down this road before. Nick has told me it's going to take time for him to get involved again because he feels he screwed things up badly.
VICTORIA
And you?
ALANA
That’s why I'm kind of holding Wagner at arm's length. (Pauses and looks at Victoria) Not a word of this to Wagner. I DO like him, but I'm not ready to throw away a year or two only to find out things aren't going to work.
VICTORIA
Well, you should give it a try. You really should...
She sees Zachary in the waiting area.
VICTORIA
Give it a try, Alana.
Alana notices Victoria looking at Zachary and smiles to herself as if to say take your own advice. The picture fades to black and the credits roll.
COMMERCIAL BREAK
BILL WOLFF
This... was Somerset.
Men’s shirts by Perry Ellis.
Nurse wear provided by Nursemate.
Join us each weekday afternoon at this time for the continuing story of Somerset. And next over most of these same stations, be sure to watch romance, suspense and drama... on Harpers Falls.
The preceding program was recorded.
Thursday, December 12, 2013
EPISODE 12 -- THE ALLURE OF THE NIGHT
SOMERSET EPISODE 12
Airdate: July 29, 2008
Written by: Steve Ungrey
SCENE ONE
FADE IN -- Washington, D.C.
Instead of the typical piano or taped music that opens each episode, we hear the opening strains of the 1960s classic “Stranger on the Shore” by Acker Bilk.
The melancholy piece sets a perfect background for the scene.
The overhead shot of Washington D.C. appears once again, with the word "Washington" below. We see Nick walking along a city street, presumably back to his hotel room. All of a sudden he stops. He's by the Potomac River and he looks out onto the water.
In the reflection of the water, Nick sees the young woman. He remembers back to earlier that night and the encounter at the bar. We hear a few brief snippets of dialogue from Monday’s 11th episode.
((in flashback))
WOMAN
You wouldn’t be checking me out, would you?
NICK
With that figure? What do you think? Wreck your diet. Now I’ve heard everything.
The woman looks a little incredulous, but in a good way.
WOMAN
What are you implying, hot stuff? That I have a killer body?
NICK
I never said any such thing. (Smiles) Now the red hair, that's another story.
((out of flashback))
The song continues softly behind Nick as he recalls how she whispered in his ear and ran her fingernails down his arm. We also see the young woman laughing and flinging her red hair back.
NICK
Barclay, my boy. (Shakes his head) You blew it. Big time.
Almost on cue, the skies open up with a light rain, and Nick gets a bit drenched by the water. He can only help but laugh at the irony.
NICK
(Looking up)
I know, I know. All that's missing is the umbrella and Gene Kelly.
He continues walking forward.
NICK
Only I'm not singing. Or smiling.
Nick continues walking forward and the camera pulls back from the melancholy scene as the picture fades to black. Instead of hearing the Somerset theme, however, the song continues as we see the city skyline and the Somerset logo appearing.
BILL WOLFF
This… is Somerset.
This portion is presented today by Original Formula Mr. Clean. The cleaner that cleans your whole house and everything that's in it.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Susannah’s house
The rain that is falling in Washington is also falling in Somerset several hundred miles to the west, courtesy of a storm system that is sweeping through the Midwest.
Susannah is on the front step of her house, having gotten home from her dinner with Jack, and she is watching the lightning far away. We see a car coming down the street and it stops in front of Susannah's house. At first Susannah thinks it's Patrick, but then she sees it's Giovanni.
He gets out of the car and walks up the stairs to Susannah, carrying a dish with him.
GIOVANNI
Buongiorno, Miss Lucas. You selected a good location for your house. You're just several doors down from us.
The two share a warm hug.
SUSANNAH
Giovanni! How are you? Please, call me Susannah. We’re practically neighbors.
GIOVANNI
Quite right. I know you were just in the restaurant tonight with Jack, but I figured I’d stop by and welcome you to the Grant’s Preserve neighborhood.
SUSANNAH
Well come on in out of the rain.
As the two enter Susannah's house, she notices the dish Giovanni has. Susannah takes the dish and heads toward the kitchen table.
SUSANNAH
Let me guess. Mom and Dad wanted you to make a care package for me?
GIOVANNI
Well, between you and Jack Martin, you’ll be fine with people looking in after you. Are you enjoying your time here in Somerset so far?
SUSANNAH
Well, everyone’s so nice here.
GIOVANNI
Don’t worry. You’re not in Stepford. We have our bad sides. (Laughs)
SUSANNAH
Oh, I figured as such. It’s just that I don’t recall a lot about Somerset when I lived here with Mom and Dad, but I know later in life they were ever so glad to get the heck out of here and start over in Oklahoma.
GIOVANNI
You bet. I came to Somerset after the mob stuff went down at Delaney Brands. I lived in New York when we came over to the States, and my father Sergio wanted me to help out in the family business there.
SUSANNAH
Why didn’t you stay in New York? There are so many possibilities there.
GIOVANNI
Well, I wanted to go to college, so I came to Somerset and got to know Jack a lot better.
(He smiles and blows an Italian-style kiss with two fingers and a thumb)
GIOVANNI
Then I fell in love with Rose. Ah, life was good.
SUSANNAH
I bet. No, I was just so surprised when we came down, went to the scenic overlook and saw just how big Somerset had gotten.
GIOVANNI
Sam and Lahoma were very surprised, I bet. When they brought you back here and they saw how much this community had changed. Downtown's much bigger than it was, the cannery is torn down... These houses are on top of it. There’s new development everywhere.
SUSANNAH
I know. I did some research at the library today and I went over some past copies of the Register. There was a shot of downtown from about 1976 and I couldn’t believe it. Then I saw one from 1995 and it was like night and day.
GIOVANNI
Things have changed for the better, that’s for sure.
Light music plays in the background as Susannah smiles. The picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “Saturday Nights In the City” title card)
Do you think Genoa City stops on the weekends just because The Young and The Restless doesn’t air? Hardly. Saturdays in Genoa City can be just as fun. Watch Saturday Nights in the City, on the Daytime Royalty weekend lineup.
(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF
The second half of Somerset is presented by Metamucil, available in regular and orange flavor. And you could stay regular for the rest of your life.
We'll return to Somerset following station identification.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Susannah's house
Susannah is talking with Giovanni, but she can’t help but smell the aroma of the dish he brought over.
SUSANNAH
What is in that dish, by the way? It smells heavenly.
GIOVANNI
Rose's spaghetti and meatballs recipe.
SUSANNAH
On top of what I ate there tonight. I have a feeling I’m going to be spoiled rotten.
She takes the dish and puts it in the refrigerator.
SUSANNAH
I'll be sure to have it for lunch tomorrow. Wow, that is powerful stuff. Want a drink for the road?
GIOVANNI
Surprise me with whatever you've got.
SUSANNAH
Well, then… here, catch.
Susannah goes to the refrigerator like she did with Patrick, and she gets out a pop can for herself and Giovanni. She tosses a perfect underhanded strike over to Giovanni.
GIOVANNI
Ah, yes! You have a good arm. I might need you on our restaurant softball team.
Susannah can’t help but laugh.
SUSANNAH
You're the second person trying to recruit my services.
GIOVANNI
Second? The last I knew, Martin Enterprises didn’t have a softball team.
SUSANNAH
No, it wasn’t Martin. Patrick Kurtz already wants me to play.
GIOVANNI
Ah, yes! Dr. Kurtz, Stan and Teri’s son. He stops by the restaurant from time to time.
SUSANNAH
Yes, he said he doesn’t have a lot of free time, but when he does he can’t resist your pasta either.
GIOVANNI
(Smiles)
I have that effect on people.
Susannah laughs as she drinks from the pop can.
SUSANNAH
Well, he’s helped me feel right at home too, and I really like that. He was quite surprised to see us in Somerset, even though I told him I was definitely considering a move here.
GIOVANNI
Well, you did surprise him under those circumstances. Are you having second thoughts about your boss?
SUSANNAH
(Sips from her pop can)
No, not at all! In fact, I'm looking forward to my first day at Martin Enterprises.
GIOVANNI
Well, Jack is looking forward to having you on staff. He wants to bolster his legal presence in Somerset so he can go forward with the big project.
SUSANNAH
I know he wants to go forward with something very big. What do you know?
GIOVANNI
You've come to the wrong place. I don't know a thing. Yet, anyway. We keep pressuring Jack to reveal some of his plans, but he doesn't want to do it yet.
SUSANNAH
Who’s we?
GIOVANNI
Well, myself… Bernard over at Bernard’s Restaurant… the owner of The Riverboat Club… some of the little mom-and-pop shops.
SUSANNAH
Well, he’ll have to spill his guts soon.
GIOVANNI
Sooner rather than later.
Giovanni checks his watch.
GIOVANNI
I better get home before Rose wonders where I am. Enjoy the pasta and if you feel like a home-cooked meal anytime, our kitchen is always open.
SUSANNAH
I will do just that. Where are you guys located?
GIOVANNI
Harriman Court. 9277 Harriman.
Susannah realizes Harriman Court is just down the street a few houses away.
SUSANNAH
(Walks Giovanni back to the door and hugs him tightly)
Well, that's not too far away. I will have to do just that. Have a good night. Thanks for coming down in the rain.
GIOVANNI
No problem, Susannah. Ciao.
He gets in the car and drives back to the street before taking off down towards his home. The rain has gotten a little harder, so Susannah ducks inside her house.
She walks by the kitchen, where the smell of pasta still wafts through the air.
SUSANNAH
(Smells pasta dish)
No, Susannah. Have it tomorrow. It'll keep.
Susannah puts it back in the refrigerator and shuts out the downstairs light before heading upstairs. Light music is playing as Susannah goes up the steps.
DISSOLVE TO -- Giovanni’s
We are at Giovanni’s, where the action is still going despite Giovanni and Rose having gone home for the night.
Scott has left the building, and Joanne has also gone home for the night, but Mike is sharing a drink with Alana. She smiles as she drinks from her beer glass.
ALANA
Wagner, I didn't intend on staying here as long as I did, but I gotta say thanks for the evening of enjoyment.
MIKE
(Takes a swallow of his beer)
You’re welcome. My original invitation was for coffee, but I figured I might see you here.
ALANA
Well, just so you know. I'm not really in the market for a long-term person in my life. Not yet, anyway.
MIKE
No one said anything about this being long-term. I'm just glad I finally got you out of the nurses' gear and into more relaxed clothes.
ALANA
Well, I’m glad I came here tonight. Thanks.
MIKE
Can I do this again sometime soon?
ALANA
One at a time, Wagner. I put a long day in at the hospital. I'm bushed, and I'm going home to bed.
Alana manages a warm smile at Mike.
ALANA
That said, I’d be open to doing this again soon.
MIKE
Do you need an escort home? Are you OK to drive?
ALANA
Of course I am, silly. I just had two beers and I drank slowly.
MIKE
Just remembering what was in the Register recently.
Alana shrugs that off with a chuckle.
ALANA
Oh... the motorbike accident. Don't worry. That driver wasn't drunk either. But I appreciate the offer of an escort.
MIKE
(Stands up and kisses Alana’s hand softly)
Well then, have a good night.
ALANA
Flattery will get you nowhere, Wagner.
This time, her smile is a little warmer and a little more devilish.
ALANA
But it was fun. See ya at the hospital soon.
MIKE
Hopefully just checking on a story.
Alana leaves her seat, while Mike smiles and finishes his beer. Outside the bar Alana looks in, gets a small grin on her face and takes off for her car. The music builds and the picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
SCENE FOUR
FADE IN -- Petterino house, front porch
At the Petterino house, Giovanni and Rose are on the front porch, snuggled up and listening to the thunder.
GIOVANNI
I can’t believe Tori went to bed so early. She loves the sound of a good thunderstorm in the summer, or so she once told me.
ROSE
She didn't turn in until after 11. She had a hard day today. She’s probably soft asleep with the window open and the rain falling down.
GIOVANNI
She loves her job, and you know it.
ROSE
I know she does. So… how did Susannah enjoy her care package?
GIOVANNI
Well, she's going to eat it tomorrow. I'll let you know when she tells me.
ROSE
(Snuggles in next to Giovanni)
It will be good to have another familiar face in the neighborhood. Another surrogate daughter to spoil.
GIOVANNI
(Laughing)
I better fire up the oven.
ROSE
You’ll be doing a lot of cooking in the next several days, probably.
GIOVANNI
Ah, I can’t help it. Susannah reminds me a lot of Annabella. That feisty attitude...
ROSE
Definitely. (Sighs) I can't wait for Annabella to come home.
GIOVANNI
It will be soon, my love. Soon.
ROSE
Hopefully not another several weeks. She’s already been gone way too long.
GIOVANNI
Well, allow me to try and take your mind off of children that are missing from our lives.
Giovanni leans over and kisses Rose. Slowly she responds to his amorous advances, turning to face him. Giovanni and Rose share a lingering kiss over light, romantic music…
ABRUPTLY CUT TO -- Susannah’s bedroom
The light music gives way to the loud roar of “Bring Me to Life” by Evanescence.
We see Susannah in bed, trying to sleep but disturbed by something.
As the thunder and lightning continue, we see Susannah’s face illuminated. The line “I can’t wake up” in the song is choreographed along with the lightning flashes.
Susannah tosses and turns and thrashes about on the bed. It is obvious from the scene that she is having some sort of nightmare.
Finally, she bolts upright with a scream and sweat pouring down her face.
The lightning flashes, causing her to jerk her head to the right and look out the window. She looks left.
Slowly Susannah realizes she is in her own bedroom.
She is breathing fast and hard and looking around.
SUSANNAH
You're in Somerset, Susannah. Far, far away.
The camera pulls back and instead of any music, we hear the noise of rainfall and Susannah's breathing returning to normal. The picture fades to black.
COMMERCIAL BREAK
The Somerset credits roll.
BILL WOLFF
This... was Somerset.
Sleepwear by Hanes Her Way.
Summer rain jackets by London Fog.
Join us each weekday afternoon at this time for the continuing story of Somerset. And next over most of these same stations, stay tuned for romance, suspense and drama... on Harpers Falls.
This program was recorded.
Airdate: July 29, 2008
Written by: Steve Ungrey
SCENE ONE
FADE IN -- Washington, D.C.
Instead of the typical piano or taped music that opens each episode, we hear the opening strains of the 1960s classic “Stranger on the Shore” by Acker Bilk.
The melancholy piece sets a perfect background for the scene.
The overhead shot of Washington D.C. appears once again, with the word "Washington" below. We see Nick walking along a city street, presumably back to his hotel room. All of a sudden he stops. He's by the Potomac River and he looks out onto the water.
In the reflection of the water, Nick sees the young woman. He remembers back to earlier that night and the encounter at the bar. We hear a few brief snippets of dialogue from Monday’s 11th episode.
((in flashback))
WOMAN
You wouldn’t be checking me out, would you?
NICK
With that figure? What do you think? Wreck your diet. Now I’ve heard everything.
The woman looks a little incredulous, but in a good way.
WOMAN
What are you implying, hot stuff? That I have a killer body?
NICK
I never said any such thing. (Smiles) Now the red hair, that's another story.
((out of flashback))
The song continues softly behind Nick as he recalls how she whispered in his ear and ran her fingernails down his arm. We also see the young woman laughing and flinging her red hair back.
NICK
Barclay, my boy. (Shakes his head) You blew it. Big time.
Almost on cue, the skies open up with a light rain, and Nick gets a bit drenched by the water. He can only help but laugh at the irony.
NICK
(Looking up)
I know, I know. All that's missing is the umbrella and Gene Kelly.
He continues walking forward.
NICK
Only I'm not singing. Or smiling.
Nick continues walking forward and the camera pulls back from the melancholy scene as the picture fades to black. Instead of hearing the Somerset theme, however, the song continues as we see the city skyline and the Somerset logo appearing.
BILL WOLFF
This… is Somerset.
This portion is presented today by Original Formula Mr. Clean. The cleaner that cleans your whole house and everything that's in it.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Susannah’s house
The rain that is falling in Washington is also falling in Somerset several hundred miles to the west, courtesy of a storm system that is sweeping through the Midwest.
Susannah is on the front step of her house, having gotten home from her dinner with Jack, and she is watching the lightning far away. We see a car coming down the street and it stops in front of Susannah's house. At first Susannah thinks it's Patrick, but then she sees it's Giovanni.
He gets out of the car and walks up the stairs to Susannah, carrying a dish with him.
GIOVANNI
Buongiorno, Miss Lucas. You selected a good location for your house. You're just several doors down from us.
The two share a warm hug.
SUSANNAH
Giovanni! How are you? Please, call me Susannah. We’re practically neighbors.
GIOVANNI
Quite right. I know you were just in the restaurant tonight with Jack, but I figured I’d stop by and welcome you to the Grant’s Preserve neighborhood.
SUSANNAH
Well come on in out of the rain.
As the two enter Susannah's house, she notices the dish Giovanni has. Susannah takes the dish and heads toward the kitchen table.
SUSANNAH
Let me guess. Mom and Dad wanted you to make a care package for me?
GIOVANNI
Well, between you and Jack Martin, you’ll be fine with people looking in after you. Are you enjoying your time here in Somerset so far?
SUSANNAH
Well, everyone’s so nice here.
GIOVANNI
Don’t worry. You’re not in Stepford. We have our bad sides. (Laughs)
SUSANNAH
Oh, I figured as such. It’s just that I don’t recall a lot about Somerset when I lived here with Mom and Dad, but I know later in life they were ever so glad to get the heck out of here and start over in Oklahoma.
GIOVANNI
You bet. I came to Somerset after the mob stuff went down at Delaney Brands. I lived in New York when we came over to the States, and my father Sergio wanted me to help out in the family business there.
SUSANNAH
Why didn’t you stay in New York? There are so many possibilities there.
GIOVANNI
Well, I wanted to go to college, so I came to Somerset and got to know Jack a lot better.
(He smiles and blows an Italian-style kiss with two fingers and a thumb)
GIOVANNI
Then I fell in love with Rose. Ah, life was good.
SUSANNAH
I bet. No, I was just so surprised when we came down, went to the scenic overlook and saw just how big Somerset had gotten.
GIOVANNI
Sam and Lahoma were very surprised, I bet. When they brought you back here and they saw how much this community had changed. Downtown's much bigger than it was, the cannery is torn down... These houses are on top of it. There’s new development everywhere.
SUSANNAH
I know. I did some research at the library today and I went over some past copies of the Register. There was a shot of downtown from about 1976 and I couldn’t believe it. Then I saw one from 1995 and it was like night and day.
GIOVANNI
Things have changed for the better, that’s for sure.
Light music plays in the background as Susannah smiles. The picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “Saturday Nights In the City” title card)
Do you think Genoa City stops on the weekends just because The Young and The Restless doesn’t air? Hardly. Saturdays in Genoa City can be just as fun. Watch Saturday Nights in the City, on the Daytime Royalty weekend lineup.
(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF
The second half of Somerset is presented by Metamucil, available in regular and orange flavor. And you could stay regular for the rest of your life.
We'll return to Somerset following station identification.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Susannah's house
Susannah is talking with Giovanni, but she can’t help but smell the aroma of the dish he brought over.
SUSANNAH
What is in that dish, by the way? It smells heavenly.
GIOVANNI
Rose's spaghetti and meatballs recipe.
SUSANNAH
On top of what I ate there tonight. I have a feeling I’m going to be spoiled rotten.
She takes the dish and puts it in the refrigerator.
SUSANNAH
I'll be sure to have it for lunch tomorrow. Wow, that is powerful stuff. Want a drink for the road?
GIOVANNI
Surprise me with whatever you've got.
SUSANNAH
Well, then… here, catch.
Susannah goes to the refrigerator like she did with Patrick, and she gets out a pop can for herself and Giovanni. She tosses a perfect underhanded strike over to Giovanni.
GIOVANNI
Ah, yes! You have a good arm. I might need you on our restaurant softball team.
Susannah can’t help but laugh.
SUSANNAH
You're the second person trying to recruit my services.
GIOVANNI
Second? The last I knew, Martin Enterprises didn’t have a softball team.
SUSANNAH
No, it wasn’t Martin. Patrick Kurtz already wants me to play.
GIOVANNI
Ah, yes! Dr. Kurtz, Stan and Teri’s son. He stops by the restaurant from time to time.
SUSANNAH
Yes, he said he doesn’t have a lot of free time, but when he does he can’t resist your pasta either.
GIOVANNI
(Smiles)
I have that effect on people.
Susannah laughs as she drinks from the pop can.
SUSANNAH
Well, he’s helped me feel right at home too, and I really like that. He was quite surprised to see us in Somerset, even though I told him I was definitely considering a move here.
GIOVANNI
Well, you did surprise him under those circumstances. Are you having second thoughts about your boss?
SUSANNAH
(Sips from her pop can)
No, not at all! In fact, I'm looking forward to my first day at Martin Enterprises.
GIOVANNI
Well, Jack is looking forward to having you on staff. He wants to bolster his legal presence in Somerset so he can go forward with the big project.
SUSANNAH
I know he wants to go forward with something very big. What do you know?
GIOVANNI
You've come to the wrong place. I don't know a thing. Yet, anyway. We keep pressuring Jack to reveal some of his plans, but he doesn't want to do it yet.
SUSANNAH
Who’s we?
GIOVANNI
Well, myself… Bernard over at Bernard’s Restaurant… the owner of The Riverboat Club… some of the little mom-and-pop shops.
SUSANNAH
Well, he’ll have to spill his guts soon.
GIOVANNI
Sooner rather than later.
Giovanni checks his watch.
GIOVANNI
I better get home before Rose wonders where I am. Enjoy the pasta and if you feel like a home-cooked meal anytime, our kitchen is always open.
SUSANNAH
I will do just that. Where are you guys located?
GIOVANNI
Harriman Court. 9277 Harriman.
Susannah realizes Harriman Court is just down the street a few houses away.
SUSANNAH
(Walks Giovanni back to the door and hugs him tightly)
Well, that's not too far away. I will have to do just that. Have a good night. Thanks for coming down in the rain.
GIOVANNI
No problem, Susannah. Ciao.
He gets in the car and drives back to the street before taking off down towards his home. The rain has gotten a little harder, so Susannah ducks inside her house.
She walks by the kitchen, where the smell of pasta still wafts through the air.
SUSANNAH
(Smells pasta dish)
No, Susannah. Have it tomorrow. It'll keep.
Susannah puts it back in the refrigerator and shuts out the downstairs light before heading upstairs. Light music is playing as Susannah goes up the steps.
DISSOLVE TO -- Giovanni’s
We are at Giovanni’s, where the action is still going despite Giovanni and Rose having gone home for the night.
Scott has left the building, and Joanne has also gone home for the night, but Mike is sharing a drink with Alana. She smiles as she drinks from her beer glass.
ALANA
Wagner, I didn't intend on staying here as long as I did, but I gotta say thanks for the evening of enjoyment.
MIKE
(Takes a swallow of his beer)
You’re welcome. My original invitation was for coffee, but I figured I might see you here.
ALANA
Well, just so you know. I'm not really in the market for a long-term person in my life. Not yet, anyway.
MIKE
No one said anything about this being long-term. I'm just glad I finally got you out of the nurses' gear and into more relaxed clothes.
ALANA
Well, I’m glad I came here tonight. Thanks.
MIKE
Can I do this again sometime soon?
ALANA
One at a time, Wagner. I put a long day in at the hospital. I'm bushed, and I'm going home to bed.
Alana manages a warm smile at Mike.
ALANA
That said, I’d be open to doing this again soon.
MIKE
Do you need an escort home? Are you OK to drive?
ALANA
Of course I am, silly. I just had two beers and I drank slowly.
MIKE
Just remembering what was in the Register recently.
Alana shrugs that off with a chuckle.
ALANA
Oh... the motorbike accident. Don't worry. That driver wasn't drunk either. But I appreciate the offer of an escort.
MIKE
(Stands up and kisses Alana’s hand softly)
Well then, have a good night.
ALANA
Flattery will get you nowhere, Wagner.
This time, her smile is a little warmer and a little more devilish.
ALANA
But it was fun. See ya at the hospital soon.
MIKE
Hopefully just checking on a story.
Alana leaves her seat, while Mike smiles and finishes his beer. Outside the bar Alana looks in, gets a small grin on her face and takes off for her car. The music builds and the picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
SCENE FOUR
FADE IN -- Petterino house, front porch
At the Petterino house, Giovanni and Rose are on the front porch, snuggled up and listening to the thunder.
GIOVANNI
I can’t believe Tori went to bed so early. She loves the sound of a good thunderstorm in the summer, or so she once told me.
ROSE
She didn't turn in until after 11. She had a hard day today. She’s probably soft asleep with the window open and the rain falling down.
GIOVANNI
She loves her job, and you know it.
ROSE
I know she does. So… how did Susannah enjoy her care package?
GIOVANNI
Well, she's going to eat it tomorrow. I'll let you know when she tells me.
ROSE
(Snuggles in next to Giovanni)
It will be good to have another familiar face in the neighborhood. Another surrogate daughter to spoil.
GIOVANNI
(Laughing)
I better fire up the oven.
ROSE
You’ll be doing a lot of cooking in the next several days, probably.
GIOVANNI
Ah, I can’t help it. Susannah reminds me a lot of Annabella. That feisty attitude...
ROSE
Definitely. (Sighs) I can't wait for Annabella to come home.
GIOVANNI
It will be soon, my love. Soon.
ROSE
Hopefully not another several weeks. She’s already been gone way too long.
GIOVANNI
Well, allow me to try and take your mind off of children that are missing from our lives.
Giovanni leans over and kisses Rose. Slowly she responds to his amorous advances, turning to face him. Giovanni and Rose share a lingering kiss over light, romantic music…
ABRUPTLY CUT TO -- Susannah’s bedroom
The light music gives way to the loud roar of “Bring Me to Life” by Evanescence.
We see Susannah in bed, trying to sleep but disturbed by something.
As the thunder and lightning continue, we see Susannah’s face illuminated. The line “I can’t wake up” in the song is choreographed along with the lightning flashes.
Susannah tosses and turns and thrashes about on the bed. It is obvious from the scene that she is having some sort of nightmare.
Finally, she bolts upright with a scream and sweat pouring down her face.
The lightning flashes, causing her to jerk her head to the right and look out the window. She looks left.
Slowly Susannah realizes she is in her own bedroom.
She is breathing fast and hard and looking around.
SUSANNAH
You're in Somerset, Susannah. Far, far away.
The camera pulls back and instead of any music, we hear the noise of rainfall and Susannah's breathing returning to normal. The picture fades to black.
COMMERCIAL BREAK
The Somerset credits roll.
BILL WOLFF
This... was Somerset.
Sleepwear by Hanes Her Way.
Summer rain jackets by London Fog.
Join us each weekday afternoon at this time for the continuing story of Somerset. And next over most of these same stations, stay tuned for romance, suspense and drama... on Harpers Falls.
This program was recorded.
Tuesday, November 19, 2013
EPISODE 11 -- A DATE TO REMEMBER
SOMERSET EPISODE 11
Written by: Steve Ungrey
Airdate: July 28, 2008
SCENE ONE
FADE IN -- Petterino house
Light music plays as the episode opens with Rose in the kitchen reading the day’s Somerset Register. Victoria comes in through the back door, having just arrived home from the hospital.
Rose looks up and removes her glasses, looking at the wall clock.
ROSE
Well, that was a long day at work.
Victoria shuts the door, puts her purse down on the counter and immediately goes to the refrigerator to see if there’s any milk.
VICTORIA
(Opens refrigerator door while talking)
No later than usual, Mom. Did you lose track of time? I was supposed to work until 9.
ROSE
And you left the house at... Did you work a 12-hour day?
VICTORIA
Mom, relax.
She pours herself a milk glass and comes over to the table to sit down.
VICTORIA
I don't work every day... I'm on the schedule just four days a week, and I have three days off.
ROSE
Whatever happened to the 9-to-5 type jobs that were out there?
VICTORIA
(Kisses Rose on the cheek as she takes a seat)
They disappeared. Just like you and Dad at the restaurant. No, that’s how the schedule is done. We get 40 hours a week, more if we want it, but Alana and the senior nurses always make sure we have at least two to three days off to recharge the batteries.
ROSE
Well, that’s good.
VICTORIA
I know a nurse in cardiology who only works three days a week. Now granted, she’s at the hospital from sunrise to sunset.
ROSE
Well, as long as you have some time to recharge. Hey, by the way… we got some good news from overseas. I got an e-mail from Annabella this morning. She’s coming home for a visit.
VICTORIA
(Looks up from her glass and smiles)
All right! I get to pick on my older sister!
ROSE
Somehow I knew you'd say that. (Laughs) She’s not sure when it’s going to be, but she’s talking about sticking around a while.
VICTORIA
Well, how long was she gone for… three months?
ROSE
All that. She said she booked a ton of work while she was over there and was paid very well for it, but she needs a break.
VICTORIA
I’d like to make a million bucks nursing, that’s for sure. (Laughs)
Rose laughs as the music builds and transitions us out of the scene. The picture fades to black.
The theme begins as we see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen.
BILL WOLFF
This… is Somerset.
This portion brought to you today by Scope, the minty fresh mouthwash that leaves your breath with a clean feeling, not the mediciney feeling other leading mouthwashes provide. Available in several different flavors.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Washington D.C.
We see the obligatory cityscape, the title card below that reads “Washington” and then we dissolve the action back to the bar where Nick is.
DISSOLVE TO -- J. Sullivan’s
The action picks up from where it left off on Friday, with a young woman having come to the bar and sat by Nick. She has long, ruby red hair and is wearing a short black dress, and it was clear from the get-go on Friday that Nick was a goner.
Nick is still engaged in conversation with the young woman as she flashes a big smile at him.
WOMAN
So, handsome… what’s a guy like you doing alone at a bar like this?
NICK
Nursing a drink, waiting to eat and watching a ballgame. (Smiles) I could ask you the same thing. Do you always come up and sit next to guys watching baseball?
WOMAN
I loooooove the sport, are you kidding me? I think I got it from my dad.
NICK
Well, your company is welcome. Are you part of the action upstairs?
The woman sips from what by now is her second vodka tonic at the bar.
WOMAN
Yes, but I had to come downstairs. These barristers' parties can be fun, but it's worth it to escape the stuffed shirts. Besides, I had to come find out how my Marlins were doing.
NICK
I might have to give you ground cover out of this bar, you know.
WOMAN
(Smiles)
Why?
NICK
You realize where you are, right? Washington? The city that has a baseball team already? Now you won’t get booed by me, of course, but…
WOMAN
(Makes a face as if to say “oh, please” and laughs hysterically)
Oh, handsome, please. Not with the way the Nationals are doing this year. The Marlins are close to first.
NICK
I’m going to take a stab that you’re from Florida?
WOMAN
I lived down there for a while. Graduated from Florida, in fact.
The woman pauses and stands in front of Nick. She puts her hands in the air and sings.
WOMAN
Gimme a G! Gimme a A! Gimme a T…
Nick laughs as the woman, who still appears to have her wits about her despite drinking vodka tonics like water, sits back down and exhales.
NICK
You weren’t a cheerleader, were you?
WOMAN
I couldn’t do the splits like that, honey. But I still get excited about Florida.
NICK
So I’m guessing you must be on cloud nine about the basketball team.
WOMAN
Damn straight. That deserves another drink (motions to the bartender, who is once again played by Eddie Steeples from “My Name is Earl”). Last year was rough, but the two years before that were sweet.
NICK
You obviously love vodka, right?
The woman turns and raises her eyes at him.
WOMAN
You got a problem with that, sugar? (Laughs) I’m just teasing. It’ll be my third drink down here, but who cares…
The woman’s cell phone rings.
WOMAN
Doggone it, hold on. (Picks up) Hey, what’s up?
She looks up, as if she’s looking at the party going on.
WOMAN
You couldn't come downstairs to tell me that? All right, I'll be right up. (Puts phone away) Hey there, I have to split. My presence is required back upstairs. (Motions to bartender) Can I settle my tab?
BARTENDER
I would if I could, Miss, but I'm afraid you have no tab.
WOMAN
No tab? What did I do, get these drinks for free…
It suddenly dawns on her. She leans in and kisses Nick on the cheek.
WOMAN
Well there, hot stuff, you didn’t have to do that for me. (Smiles devilishly at Nick) Thank you for the vodkas. I promise I’ll come back down for a nightcap, OK?
NICK
I’ll hold you to it.
The woman leaves the bar and heads back up the staircase. All the while Nick is staring, first at the shape and then at the legs as they disappear upstairs. Nick turns back to the bartender.
BARTENDER
I’m going to have to remember this one. I’ll put it on my list.
NICK
Of what?
BARTENDER
Memorable things I’ve seen. (Smiles) I’ve got a friend who has an even bigger list…
NICK
Wow. Now that’s a ball of supercharged energy.
BARTENDER
You aren‘t kidding. Another drink, sir?
NICK
Can I just have the seltzer button to spray myself off? (Laughs) Yes, I'll take a Manhattan.
As the bartender laughs, he begins preparing another drink and the picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “Staring Down The Sun” title card)
The life of Rayanne Graff was boring until Something More walked into her life. What is that something more? Find out on Staring Down The Sun. Part of the Daytime Royalty lineup, weekdays.
(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF
And now, following station identification, we’ll return with the second half of Somerset. This portion is presented by Cheer, for the way you wash now in cold water, warm and hot. All-Tempa Cheer.COMMERCIAL BREAK
SCENE THREE
FADE IN -- Petterino kitchen
Rose is finishing the paper while Victoria finishes her milk glass as light music plays behind the two.
VICTORIA
Mom, have you or Dad ever had any run-ins with George Cleypool?
Rose nearly goes white as a sheet when Victoria asks that question, but she answers it truthfully.
ROSE
(Puts down the paper)
Why do you ask, honey?
VICTORIA
His son, Zachary, was in a motorcycle accident last night. I hear he lit into the driver who supposedly caused the accident... then this morning his son banged his ankle and foot on the hospital bed and suffered a more serious injury. You'd think we committed malpractice or something.
ROSE
George Cleypool is not a nice man. The sooner you know that, the better.
Victoria is a bit surprised by Rose’s comments.
VICTORIA
Well, did he ever do anything to you or Dad?
ROSE
Numerous threats. I’m going to tear down the block your restaurant is on and reshape it my own way. I’ve got my own grand scheme for Somerset and it’s better than Jack Martin’s. You know, those kinds of things.
VICTORIA
I see.
ROSE
George and I go way back, along with Giovanni. I’ve known what he’s capable of for a long time. And I don't like his tone when it comes to improvements for Somerset. Giovanni is solidly on Jack Martin's side when it comes to the new Somerset vision.
VICTORIA
The way it looks, Mr. Cleypool doesn't have an ally in town.
ROSE
Oh, he has some allies. But I think Jack has more of a leg to stand on.
Victoria finishes the last of the milk in her glass.
VICTORIA
Well, his son seems nicer. He's almost embarrassed at how his father acts from time to time.
ROSE
I would be too.
Music builds as Victoria rises to put the milk glass in the area for dishwashing, and Rose reads the paper. Victoria can’t see Rose’s face, but Rose is thinking about something. The scene changes.
DISSOLVE TO -- Giovanni’s
Mike has finished dinner and Scott is sitting at the bar with him, and the two are keeping Joanne company as she finishes another drink. Mike sees Alana walking in.
SCOTT
Uh oh. Is this my cue to scram?
MIKE
No, stay. You can stay here and vouch for me.
Mike motions Alana, who smiles and comes over.
ALANA
I see this is where the crime reporters hang out? (Shakes Scott’s hand) Hello, Lt. Garfield, is he bothering you?
SCOTT
No, not at all, Alana. Have a seat and relax.
ALANA
Thank you. Don’t mind if I do. (Sees Joanne) Hey there! (She reaches over and hugs Joanne) Is Martin keeping you busy?
JOANNE
Yeah, but I’m used to it.
ALANA
You up for a noon workout tomorrow?
JOANNE
Yeah. We haven’t done anything together in a long time. Our hours have been just so crazy. We’re in the same building, different floors, never see each other…
ALANA
Well, stick and stay and maybe we can have a mini girls night out once I’m done with this… this guy. (She points at Mike and laughs)
SCOTT
I’m going to go over and say hi to Jack for a bit. I’ll be back. (Smiles at Alana and Mike) Have fun, you two.
Scott smiles at Mike and walks over to Jack and Susannah’s table -- we can’t see them since they’re not in today’s script, but it’s a way to get Scott away from the bar action. Mike turns to Alana.
MIKE
Now why do you suppose he went and did that?
ALANA
Wagner, cut the act. (Laughs) How much did you pay him?
MIKE
Alana Singleton, don’t you know bribing an officer of the law could get me thrown in jail? Well, you must have gotten my note by now. When do I get a drink thrown in my face?
ALANA
Wagner, I never said I'd throw the drink in your face. (Smiles) Now, maybe I’ll pour it over your head to cool you off...
MIKE
All I said in my note was asking you to meet me for a drink, nothing more.
ALANA
And I'm here, aren't I? (Smiles) You are a hard guy to understand. Did you think I was going to chew your head off?
MIKE
Well... (gulps) the thought did cross my mind.
ALANA
I may have told you... and others... that I'm not ready for a relationship with anyone, but it doesn't mean I can't have a good time.
MIKE
(Looks relieved)
I'll take your word on that.
Joanne smiles and winks at Mike as if to say “go for it” while Alana can’t see Joanne behind her egging Mike on. Bar music plays as we transition scenes.
DISSOLVE TO -- J. Sullivan’s
Nick has finished dinner and is looking at the final innings of the ballgame, all the while scouring the staircase for the mystery woman to come down.
NICK
I wonder if she was pulling my leg about coming down here?
BARTENDER
Naaa, I don’t think so. I've got a good view of that staircase and I haven't seen her come down.
NICK
The game's almost over, I guess that's why I was wondering.
BARTENDER
I’m sure she’ll… wait, I see her now.
As Nick turns, he sees the young woman on mid-staircase, draped around the arms of another guy.
NICK
Ah, I figured it was too good to be true.
Nick nurses his drink as the picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- J. Sullivan’s
The scene is directly picked up from before the break, as Nick turns back to his drink. What he doesn't see is the young woman hugging the guy, and he walks out -- without the woman on his arm.
BARTENDER
Stand by, I think you’ve got company coming your way.
The woman bounds down the stairs and back into the bar area.
WOMAN
Hey stranger. Miss me?
Nick is a bit surprised to see her. She is wearing an orchid on her wrist, a corsage that someone got her from upstairs.
NICK
Hey there! I thought you’d left the bar.
WOMAN
What, with that guy? (Laughs) Oh heck no, I was just saying goodbye to him. He’s got a wife and two kids in Bethesda. Bartender, another vodka tonic.
BARTENDER
Are you both sober enough? Just gotta check.
NICK
I’m fine, thanks. Dinner helped.
WOMAN
There was plenty of food upstairs. It'll wreck my diet, but...
At that Nick turns and looks the woman up and down.
WOMAN
Hey there, sexy. You wouldn’t be checking me out, would you?
NICK
With that figure? What do you think? Wreck your diet. Now I’ve heard everything.
The woman looks a little incredulous, but in a good way.
WOMAN
What are you implying, hot stuff? That I have a killer body?
NICK
I never said any such thing. (Smiles) Now the red hair, that's another story.
WOMAN
You keep it up with those comments and I just might have to believe it. (Drinks her vodka tonic) I just wanted to come down and have another drink before I took off.
NICK
So soon? And what’s with the flower?
WOMAN
Yeah, the party’s finally breaking up upstairs. (Looks down) My favorite flowers are orchids. (Looks up) How are the Marlins doing?
NICK
Still trailing, 4-3.
WOMAN
Damn. That'll teach me to follow a team like Florida. I should give you something…
As the woman is in her purse, there is a commotion behind them. A whole bunch of people are coming down the stairs, about 30 in all.
NICK
What’s going on?
WOMAN
(Turning to see the group)
Now?
NICK
Do you have to go?
WOMAN
I’m afraid so. (Leans in and whispers in Nick’s ear) I had a really good time. It was great talking to you.
Nick gets a whiff of the perfume the woman is wearing.
NICK
Well, you smell great, that’s for sure.
WOMAN
Enchantress. I’m sure you’ll always remember it. (She runs her fingernails down Nick's right arm)
NICK
Wait...
Nick locks his hand with the woman's right hand. The camera gets a close shot of the two hands locked close, holding on tightly.
UNIDENTIFIED MAN
Come on, the party's just starting.
UNIDENTIFIED WOMAN
You coming or not?
The woman breaks the grip and blows a kiss to Nick as she backs up.
WOMAN
Go Marlins.
Nick realizes the grand opportunity is slipping away.
NICK
Go Gators.
The woman joins her friends as they rush out of the bar, older and younger crowd alike. As the crowd goes down the street, she looks inside through the glass.
Nick, nursing his drink, realizes what just happened and he curses himself. He opens his fist, on the same hand he had held the woman’s hand with, and -- nothing.
NICK
Damn. No phone number. No business card. No name. Strike three, you’re out.
The bartender comes over and pats Nick on the hand.
BARTENDER
Oh man, that’s tough. That’s the saddest ending I’ve seen since Love Story. Need a refill?
NICK
No. (Motions to the seltzer trigger) Hit me.
BARTENDER
Lean in. I don’t want to get the bar dirty.
As Nick leans in, the bartender sprays Nick in the face with water. Disappointing music plays over the final part of the scene as the picture fades to black.
COMMERCIAL BREAK
The Somerset credits roll.
BILL WOLFF
This... was Somerset.
Men’s shirts by Nautica. Women’s wear by Junior Gallery of New York.
Stay tuned for Harpers Falls, which follows immediately over many of these same stations.
Join us each weekday afternoon at this time for the continuing story of Somerset.
The preceding program was pre-recorded.
Written by: Steve Ungrey
Airdate: July 28, 2008
SCENE ONE
FADE IN -- Petterino house
Light music plays as the episode opens with Rose in the kitchen reading the day’s Somerset Register. Victoria comes in through the back door, having just arrived home from the hospital.
Rose looks up and removes her glasses, looking at the wall clock.
ROSE
Well, that was a long day at work.
Victoria shuts the door, puts her purse down on the counter and immediately goes to the refrigerator to see if there’s any milk.
VICTORIA
(Opens refrigerator door while talking)
No later than usual, Mom. Did you lose track of time? I was supposed to work until 9.
ROSE
And you left the house at... Did you work a 12-hour day?
VICTORIA
Mom, relax.
She pours herself a milk glass and comes over to the table to sit down.
VICTORIA
I don't work every day... I'm on the schedule just four days a week, and I have three days off.
ROSE
Whatever happened to the 9-to-5 type jobs that were out there?
VICTORIA
(Kisses Rose on the cheek as she takes a seat)
They disappeared. Just like you and Dad at the restaurant. No, that’s how the schedule is done. We get 40 hours a week, more if we want it, but Alana and the senior nurses always make sure we have at least two to three days off to recharge the batteries.
ROSE
Well, that’s good.
VICTORIA
I know a nurse in cardiology who only works three days a week. Now granted, she’s at the hospital from sunrise to sunset.
ROSE
Well, as long as you have some time to recharge. Hey, by the way… we got some good news from overseas. I got an e-mail from Annabella this morning. She’s coming home for a visit.
VICTORIA
(Looks up from her glass and smiles)
All right! I get to pick on my older sister!
ROSE
Somehow I knew you'd say that. (Laughs) She’s not sure when it’s going to be, but she’s talking about sticking around a while.
VICTORIA
Well, how long was she gone for… three months?
ROSE
All that. She said she booked a ton of work while she was over there and was paid very well for it, but she needs a break.
VICTORIA
I’d like to make a million bucks nursing, that’s for sure. (Laughs)
Rose laughs as the music builds and transitions us out of the scene. The picture fades to black.
The theme begins as we see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen.
BILL WOLFF
This… is Somerset.
This portion brought to you today by Scope, the minty fresh mouthwash that leaves your breath with a clean feeling, not the mediciney feeling other leading mouthwashes provide. Available in several different flavors.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Washington D.C.
We see the obligatory cityscape, the title card below that reads “Washington” and then we dissolve the action back to the bar where Nick is.
DISSOLVE TO -- J. Sullivan’s
The action picks up from where it left off on Friday, with a young woman having come to the bar and sat by Nick. She has long, ruby red hair and is wearing a short black dress, and it was clear from the get-go on Friday that Nick was a goner.
Nick is still engaged in conversation with the young woman as she flashes a big smile at him.
WOMAN
So, handsome… what’s a guy like you doing alone at a bar like this?
NICK
Nursing a drink, waiting to eat and watching a ballgame. (Smiles) I could ask you the same thing. Do you always come up and sit next to guys watching baseball?
WOMAN
I loooooove the sport, are you kidding me? I think I got it from my dad.
NICK
Well, your company is welcome. Are you part of the action upstairs?
The woman sips from what by now is her second vodka tonic at the bar.
WOMAN
Yes, but I had to come downstairs. These barristers' parties can be fun, but it's worth it to escape the stuffed shirts. Besides, I had to come find out how my Marlins were doing.
NICK
I might have to give you ground cover out of this bar, you know.
WOMAN
(Smiles)
Why?
NICK
You realize where you are, right? Washington? The city that has a baseball team already? Now you won’t get booed by me, of course, but…
WOMAN
(Makes a face as if to say “oh, please” and laughs hysterically)
Oh, handsome, please. Not with the way the Nationals are doing this year. The Marlins are close to first.
NICK
I’m going to take a stab that you’re from Florida?
WOMAN
I lived down there for a while. Graduated from Florida, in fact.
The woman pauses and stands in front of Nick. She puts her hands in the air and sings.
WOMAN
Gimme a G! Gimme a A! Gimme a T…
Nick laughs as the woman, who still appears to have her wits about her despite drinking vodka tonics like water, sits back down and exhales.
NICK
You weren’t a cheerleader, were you?
WOMAN
I couldn’t do the splits like that, honey. But I still get excited about Florida.
NICK
So I’m guessing you must be on cloud nine about the basketball team.
WOMAN
Damn straight. That deserves another drink (motions to the bartender, who is once again played by Eddie Steeples from “My Name is Earl”). Last year was rough, but the two years before that were sweet.
NICK
You obviously love vodka, right?
The woman turns and raises her eyes at him.
WOMAN
You got a problem with that, sugar? (Laughs) I’m just teasing. It’ll be my third drink down here, but who cares…
The woman’s cell phone rings.
WOMAN
Doggone it, hold on. (Picks up) Hey, what’s up?
She looks up, as if she’s looking at the party going on.
WOMAN
You couldn't come downstairs to tell me that? All right, I'll be right up. (Puts phone away) Hey there, I have to split. My presence is required back upstairs. (Motions to bartender) Can I settle my tab?
BARTENDER
I would if I could, Miss, but I'm afraid you have no tab.
WOMAN
No tab? What did I do, get these drinks for free…
It suddenly dawns on her. She leans in and kisses Nick on the cheek.
WOMAN
Well there, hot stuff, you didn’t have to do that for me. (Smiles devilishly at Nick) Thank you for the vodkas. I promise I’ll come back down for a nightcap, OK?
NICK
I’ll hold you to it.
The woman leaves the bar and heads back up the staircase. All the while Nick is staring, first at the shape and then at the legs as they disappear upstairs. Nick turns back to the bartender.
BARTENDER
I’m going to have to remember this one. I’ll put it on my list.
NICK
Of what?
BARTENDER
Memorable things I’ve seen. (Smiles) I’ve got a friend who has an even bigger list…
NICK
Wow. Now that’s a ball of supercharged energy.
BARTENDER
You aren‘t kidding. Another drink, sir?
NICK
Can I just have the seltzer button to spray myself off? (Laughs) Yes, I'll take a Manhattan.
As the bartender laughs, he begins preparing another drink and the picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “Staring Down The Sun” title card)
The life of Rayanne Graff was boring until Something More walked into her life. What is that something more? Find out on Staring Down The Sun. Part of the Daytime Royalty lineup, weekdays.
(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF
And now, following station identification, we’ll return with the second half of Somerset. This portion is presented by Cheer, for the way you wash now in cold water, warm and hot. All-Tempa Cheer.COMMERCIAL BREAK
SCENE THREE
FADE IN -- Petterino kitchen
Rose is finishing the paper while Victoria finishes her milk glass as light music plays behind the two.
VICTORIA
Mom, have you or Dad ever had any run-ins with George Cleypool?
Rose nearly goes white as a sheet when Victoria asks that question, but she answers it truthfully.
ROSE
(Puts down the paper)
Why do you ask, honey?
VICTORIA
His son, Zachary, was in a motorcycle accident last night. I hear he lit into the driver who supposedly caused the accident... then this morning his son banged his ankle and foot on the hospital bed and suffered a more serious injury. You'd think we committed malpractice or something.
ROSE
George Cleypool is not a nice man. The sooner you know that, the better.
Victoria is a bit surprised by Rose’s comments.
VICTORIA
Well, did he ever do anything to you or Dad?
ROSE
Numerous threats. I’m going to tear down the block your restaurant is on and reshape it my own way. I’ve got my own grand scheme for Somerset and it’s better than Jack Martin’s. You know, those kinds of things.
VICTORIA
I see.
ROSE
George and I go way back, along with Giovanni. I’ve known what he’s capable of for a long time. And I don't like his tone when it comes to improvements for Somerset. Giovanni is solidly on Jack Martin's side when it comes to the new Somerset vision.
VICTORIA
The way it looks, Mr. Cleypool doesn't have an ally in town.
ROSE
Oh, he has some allies. But I think Jack has more of a leg to stand on.
Victoria finishes the last of the milk in her glass.
VICTORIA
Well, his son seems nicer. He's almost embarrassed at how his father acts from time to time.
ROSE
I would be too.
Music builds as Victoria rises to put the milk glass in the area for dishwashing, and Rose reads the paper. Victoria can’t see Rose’s face, but Rose is thinking about something. The scene changes.
DISSOLVE TO -- Giovanni’s
Mike has finished dinner and Scott is sitting at the bar with him, and the two are keeping Joanne company as she finishes another drink. Mike sees Alana walking in.
SCOTT
Uh oh. Is this my cue to scram?
MIKE
No, stay. You can stay here and vouch for me.
Mike motions Alana, who smiles and comes over.
ALANA
I see this is where the crime reporters hang out? (Shakes Scott’s hand) Hello, Lt. Garfield, is he bothering you?
SCOTT
No, not at all, Alana. Have a seat and relax.
ALANA
Thank you. Don’t mind if I do. (Sees Joanne) Hey there! (She reaches over and hugs Joanne) Is Martin keeping you busy?
JOANNE
Yeah, but I’m used to it.
ALANA
You up for a noon workout tomorrow?
JOANNE
Yeah. We haven’t done anything together in a long time. Our hours have been just so crazy. We’re in the same building, different floors, never see each other…
ALANA
Well, stick and stay and maybe we can have a mini girls night out once I’m done with this… this guy. (She points at Mike and laughs)
SCOTT
I’m going to go over and say hi to Jack for a bit. I’ll be back. (Smiles at Alana and Mike) Have fun, you two.
Scott smiles at Mike and walks over to Jack and Susannah’s table -- we can’t see them since they’re not in today’s script, but it’s a way to get Scott away from the bar action. Mike turns to Alana.
MIKE
Now why do you suppose he went and did that?
ALANA
Wagner, cut the act. (Laughs) How much did you pay him?
MIKE
Alana Singleton, don’t you know bribing an officer of the law could get me thrown in jail? Well, you must have gotten my note by now. When do I get a drink thrown in my face?
ALANA
Wagner, I never said I'd throw the drink in your face. (Smiles) Now, maybe I’ll pour it over your head to cool you off...
MIKE
All I said in my note was asking you to meet me for a drink, nothing more.
ALANA
And I'm here, aren't I? (Smiles) You are a hard guy to understand. Did you think I was going to chew your head off?
MIKE
Well... (gulps) the thought did cross my mind.
ALANA
I may have told you... and others... that I'm not ready for a relationship with anyone, but it doesn't mean I can't have a good time.
MIKE
(Looks relieved)
I'll take your word on that.
Joanne smiles and winks at Mike as if to say “go for it” while Alana can’t see Joanne behind her egging Mike on. Bar music plays as we transition scenes.
DISSOLVE TO -- J. Sullivan’s
Nick has finished dinner and is looking at the final innings of the ballgame, all the while scouring the staircase for the mystery woman to come down.
NICK
I wonder if she was pulling my leg about coming down here?
BARTENDER
Naaa, I don’t think so. I've got a good view of that staircase and I haven't seen her come down.
NICK
The game's almost over, I guess that's why I was wondering.
BARTENDER
I’m sure she’ll… wait, I see her now.
As Nick turns, he sees the young woman on mid-staircase, draped around the arms of another guy.
NICK
Ah, I figured it was too good to be true.
Nick nurses his drink as the picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- J. Sullivan’s
The scene is directly picked up from before the break, as Nick turns back to his drink. What he doesn't see is the young woman hugging the guy, and he walks out -- without the woman on his arm.
BARTENDER
Stand by, I think you’ve got company coming your way.
The woman bounds down the stairs and back into the bar area.
WOMAN
Hey stranger. Miss me?
Nick is a bit surprised to see her. She is wearing an orchid on her wrist, a corsage that someone got her from upstairs.
NICK
Hey there! I thought you’d left the bar.
WOMAN
What, with that guy? (Laughs) Oh heck no, I was just saying goodbye to him. He’s got a wife and two kids in Bethesda. Bartender, another vodka tonic.
BARTENDER
Are you both sober enough? Just gotta check.
NICK
I’m fine, thanks. Dinner helped.
WOMAN
There was plenty of food upstairs. It'll wreck my diet, but...
At that Nick turns and looks the woman up and down.
WOMAN
Hey there, sexy. You wouldn’t be checking me out, would you?
NICK
With that figure? What do you think? Wreck your diet. Now I’ve heard everything.
The woman looks a little incredulous, but in a good way.
WOMAN
What are you implying, hot stuff? That I have a killer body?
NICK
I never said any such thing. (Smiles) Now the red hair, that's another story.
WOMAN
You keep it up with those comments and I just might have to believe it. (Drinks her vodka tonic) I just wanted to come down and have another drink before I took off.
NICK
So soon? And what’s with the flower?
WOMAN
Yeah, the party’s finally breaking up upstairs. (Looks down) My favorite flowers are orchids. (Looks up) How are the Marlins doing?
NICK
Still trailing, 4-3.
WOMAN
Damn. That'll teach me to follow a team like Florida. I should give you something…
As the woman is in her purse, there is a commotion behind them. A whole bunch of people are coming down the stairs, about 30 in all.
NICK
What’s going on?
WOMAN
(Turning to see the group)
Now?
NICK
Do you have to go?
WOMAN
I’m afraid so. (Leans in and whispers in Nick’s ear) I had a really good time. It was great talking to you.
Nick gets a whiff of the perfume the woman is wearing.
NICK
Well, you smell great, that’s for sure.
WOMAN
Enchantress. I’m sure you’ll always remember it. (She runs her fingernails down Nick's right arm)
NICK
Wait...
Nick locks his hand with the woman's right hand. The camera gets a close shot of the two hands locked close, holding on tightly.
UNIDENTIFIED MAN
Come on, the party's just starting.
UNIDENTIFIED WOMAN
You coming or not?
The woman breaks the grip and blows a kiss to Nick as she backs up.
WOMAN
Go Marlins.
Nick realizes the grand opportunity is slipping away.
NICK
Go Gators.
The woman joins her friends as they rush out of the bar, older and younger crowd alike. As the crowd goes down the street, she looks inside through the glass.
Nick, nursing his drink, realizes what just happened and he curses himself. He opens his fist, on the same hand he had held the woman’s hand with, and -- nothing.
NICK
Damn. No phone number. No business card. No name. Strike three, you’re out.
The bartender comes over and pats Nick on the hand.
BARTENDER
Oh man, that’s tough. That’s the saddest ending I’ve seen since Love Story. Need a refill?
NICK
No. (Motions to the seltzer trigger) Hit me.
BARTENDER
Lean in. I don’t want to get the bar dirty.
As Nick leans in, the bartender sprays Nick in the face with water. Disappointing music plays over the final part of the scene as the picture fades to black.
COMMERCIAL BREAK
The Somerset credits roll.
BILL WOLFF
This... was Somerset.
Men’s shirts by Nautica. Women’s wear by Junior Gallery of New York.
Stay tuned for Harpers Falls, which follows immediately over many of these same stations.
Join us each weekday afternoon at this time for the continuing story of Somerset.
The preceding program was pre-recorded.
Monday, October 14, 2013
EPISODE 10 -- DATE WITH A STRANGER
SOMERSET EPISODE 10
Written by: Steve Ungrey
Airdate: July 25, 2008
SCENE ONE
FADE IN -- Martin Enterprises
We see the camera pan up in the sky towards the top floors of Martin Enterprises, as the episode opens by picking up where Thursday’s left off. In the last minutes of Thursday’s program, Susannah asked Jack point-blank if her father put pressure on Jack to hire her aboard Martin Enterprises.
SUSANNAH
Jack, you can be honest with me. Did Dad do this or not?
Jack appears a bit puzzled.
JACK
You act as if you’re upset.
SUSANNAH
(Vigorously shakes her head)
No, Jack, I’m not upset. I just want to do all this on my own, that’s all. No help from Dad. The name Sam Lucas carries a lot of weight in Oklahoma City these days.
JACK
I don’t get it, Susannah. You seemed so gung-ho about the job when we talked over dinner and NOW you have questions?
Jack takes a seat at his desk as Susannah sits down.
SUSANNAH
I don't mean to come across as harsh, Jack. I've told Dad I have to make it on my own, like I did as a corporate lawyer, and I don't want him calling in any favors.
JACK
I’ve seen what you’ve done over the years. The law firm you worked at when you were living away from Oklahoma City is quite a reputable place.
SUSANNAH
Well, I’m going to be 40 in a few years. I have to start fighting my own battles. Don’t you think?
JACK
You’re talking to someone who’s waaaaay past 40, Susannah. (Chuckles) Come on, Susannah. We all know 40 is the new 30. Think young.
SUSANNAH
Ha ha. If only it were that easy.
The door opens and Joanne comes in with two cups of coffee.
JOANNE
Here you go, Susannah. (Hands off a cup) Jack, as you like it. (Another cup gets passed)
SUSANNAH
Thanks, Joanne.
She sips from the cup and her eyes widen.
SUSANNAH
Hmm, strong coffee. That’s a plus about working here.
Jack grabs a notepad and pretends to jot notes down on the paper.
JACK
Likes strong coffee… is a bit bullheaded…
SUSANNAH
Oh, so I’m bullheaded, huh?
Joanne rolls her eyes and laughs.
JOANNE
I’m going to get out of here before I get rolled up in what’s going on.
JACK
(Checking wall clock)
Actually, Joanne, it’s late enough that if you want to knock off for the day you can go right ahead.
JOANNE
Are you sure? You’re expecting no late faxes or anything?
JACK
As far as I know, no. In fact, we’re going to probably continue this conversation over dinner.
JOANNE
Well, depending on where you guys dine, I may see you there. I’ll finish up a file and then I plan on having a drink or two after work myself.
JACK
Good. Get out of here and go knock em dead.
Joanne exits the office as the light music begins playing in the background. Jack and Susannah sip from their coffee cups as the picture changes.
DISSOLVE TO -- Washington, D.C.
After the obligatory overhead shot of the city with the “Washington” title card over it, the action shifts inside.
DISSOLVE TO -- A restaurant and bar somewhere in Washington
We see a bartender, played in a guest appearance by Eddie Steeples from “My Name is Earl”, cleaning glasses and stacking them behind the bar.
Nick comes in and spots the open seats at the bar and heads on over.
BARTENDER
Hey there. Welcome to J. Sullivan’s.
NICK
Hey. Have the Nationals started yet?
BARTENDER
That’s what I was going to check. Let me look. They’re down in Florida tonight and I don’t think it’s raining.
NICK
Good to hear, I hope not. (Nick hears a lot of commotion coming from the upstairs area) Wow, it’s not even 8 and it’s already hopping up there.
BARTENDER
Get used to it. There’s some sort of going-away party for someone going on upstairs. I got a feeling you’re safe down here. The drinks will be flowing. What’ll you have?
NICK
Manhattan, please. And a menu.
BARTENDER
Coming right up.
The bartender takes a glass and begins fixing up the Manhattan as music plays out of the scene. The picture fades to black.
The theme begins as we see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen.
BILL WOLFF
This… is Somerset.
This portion brought to you today by dark, sparkling Folger’s coffee. Folger’s. The coffee that tastes as rich as it looks.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Giovanni’s
Susannah and Jack have taken their conversation to the restaurant, where the two have ordered a bottle of wine and are celebrating her new job.
JACK
To my newest employee, may you like working for Martin Enterprises and may I be a boss that doesn’t run you into the ground.
Susannah lifts her wine glass.
SUSANNAH
Hear hear. I’ll drink to that.
The two clink wine glasses and Susannah enjoys a sip of wine.
SUSANNAH
Mmm. The taste of zinfandel is so good right about now. (Pauses) Was it true when you said I was bullheaded in the office?
JACK
Just like your mother used to be. I remember Lahoma and Sam at times having a field day over you and also Lahoma having trouble with Sam’s long hours at the plant.
SUSANNAH
I don’t recall much about that. I was in a crib a lot of the time.
JACK
She could be a handful, but Lahoma always loved Sam in the end until that time when the two of you split Somerset and then Sam left shortly after. I felt a bit adrift without him, but he’d mentored me so well that I was ready to grab the reins and go on.
SUSANNAH
Sounds like you had a good education, then.
JACK
It was good. (Sips from his wine glass) All kidding aside, Susannah, Sam did wonder how my staffing levels were, but I told him I was asking you to come work for me anyway.
SUSANNAH
So Dad tried to throw around his weight and make sure I’d have a job to support the house payments with on a regular basis. I saved a lot of my money when I was in Oklahoma City.
JACK
Well, his words fell on deaf ears with me because I told him I was already going to use your services.
SUSANNAH
So you had plans to hire me. I’m not surprised now that I hear that.
JACK
Susannah, I need a lot of legal help with Martin Enterprises. I'm marshaling my forces to combat a possible fight with the Cleybank Corporation over the future of this city.
SUSANNAH
Involving George. Oh boy, he’ll looooooove dealing with me. Is the future of the city that bad?
JACK
Oh, the city will survive. Don’t get me wrong. It survived me almost killing it with my boneheaded move of selling Delaney Brands to NutraSource. It was a very dark day when the cannery plant came down.
SUSANNAH
Let me guess. That’s what got George riled up at you.
JACK
I admit I really messed up. Robert said to me don’t worry, you were damned if you do or don’t with that transaction, but I wish I had done things differently. I think that’s why I stepped in several years later, bought the land -- when all those homes sprouted up and Grant's Preserve was born, I kind of felt vindicated.
SUSANNAH
Well, I’m glad to have a home there. So is Giovanni, I hear.
JACK
Yes. And there’s more where that came from, I’m sure.
SUSANNAH
And I've got the skills you need?
JACK
I can put you on retainer and have you do legal work for me when you're not out getting clients. What do you say?
SUSANNAH
Well... if Dad had nothing to do directly with setting this up... (smiles and outstretches her hand) You've got yourself a new lawyer.
JACK
That's the spirit! Welcome to Martin Enterprises.
Jack shakes Susannah’s hand and the two smile, as the picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “The Guiding Light” title card)
Now is the time to come in from the dark. Quick! Turn on the light! The Guiding Light, the way you imagine it could be. Part of the Daytime Royalty lineup. Weekdays.
(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF
And now, following station identification, we’ll return with the second half of Somerset.
The second half of Somerset is brought to you today by Butter Flavor Crisco, for foods that have rich butter flavor without all the cholesterol.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Giovanni’s
At the restaurant, Mike is at the bar nursing a cold brew when Joanne happens to walk in.
MIKE
Well, evening to you, Joanne! I was beginning to think you sat behind a computer screen all the time.
JOANNE
I figured I’d go back to my place, stretch out a bit, get a workout in and then have a couple drinks at Giovanni’s. Is your favorite nurse here?
MIKE
Not too loud, okay? I don’t want word to spread.
Mike sees Scott Garfield walk in and motions him over.
MIKE
You don’t mind a little company, do you?
JOANNE
Not at all. (Stands from her seat) Lt. Garfield, good evening.
SCOTT
Joanne, you look lovely as always.
JOANNE
Why, thank you. Sit with us. We were just talking about a few things.
MIKE
Well, if crime is so low in Somerset, I guess a police chief isn’t needed. Right, Scott?
SCOTT
Watch it. See if I let you have exclusives ever again.
MIKE
Relax, I’ll behave.
Mike laughs and drinks from his beer glass.
MIKE
Hey, by the way. We had a call come into our office about some activity down by the riverfront. What do you know about that?
SCOTT
It’s true, unfortunately.
JOANNE
What happened?
SCOTT
We've had trouble keeping people away from the dilapidated buildings. Old Somerset has had some casualties in terms of office and retail space. There’s all that explosive development behind the waterfront area but no one’s thought about the river.
JOANNE
Well… (smiles as she orders a whiskey sour) Someone has.
SCOTT
And I know who that someone is.
MIKE
Well, this is what I don’t understand. If there's such a problem down by the riverfront, has there been any thought given to urban renewal? Tearing down and starting over?
SCOTT
Careful. (Motions toward Jack) You don't want Jack to hear you saying that.
MIKE
Are you saying... his Project X or whatever the hell you call it involves restoration?
SCOTT
Well, he’s very private about his plans. You know that. He's trying to marshal together enough forces to push the renovation plans through. He wants -- hell, we all want -- all of downtown to be as vital as possible.
JOANNE
And Lord knows I’ve heard him talk about it enough. (Waves at Jack) I don’t mind it, though. I like seeing someone so passionate about saving the city. It’s either his way or The Cleybank Corporation takes over.
MIKE
Ugh. We don’t want that.
The back doors open and Giovanni comes out with a bowl of fettucine alfredo for Mike.
GIOVANNI
Mangia, Mike. Eat up. Menus for the both of you? Joanne, good to see you by the way.
JOANNE
You too, Giovanni. I ate dinner at home, no thanks.
GIOVANNI
(Feigns being offended)
I guess my cooking is not good enough for you. (Smiles) OK, maybe next time. By the way, Scott, guess who we heard from today.
Scott’s face brightens immediately.
SCOTT
Let me guess. I'm going to say it's Somerset's favorite model?
GIOVANNI
You bet. Rose got a lengthy e-mail from Annabella... she's likely coming home for a little while before she goes back to Italy for some more work.
SCOTT
Well, good for you! Now if you could only get your three children under one roof at one time you‘d be all set.
MIKE
Say, Giovanni, that’s good news. I always thought Annabella was drop-dead…
Giovanni turns to give the Petterino evil eye.
MIKE
Uhhh… (downs a shot of bourbon) Smart?
GIOVANNI
That’s better.
Giovanni laughs, along with Joanne and Scott.
CUT TO -- Jack’s table
Susannah is sipping from her wine while Jack is salting his dinner.
JACK
Thank you, by the way, for letting me take my newest employee out to dinner for a celebration. Have you given any thought about when you'd like to start?
SUSANNAH
Well, I was hoping to get a few things squared away at home first before I introduced work into my life here, but I can start whenever you'd like me.
JACK
How about the middle of next week? Your official title would be acquisitions manager. You'd be overseeing some of my properties and acting as a liaison between me and what I own. If you need more time...
Jack’s cell phone rings and he sees it’s Nick on the other end.
JACK
Hold that thought. (Presses button) Hello, Nicholas!
CUT TO -- J. Sullivan’s
Nick is drinking a Manhattan and watching the Marlins game.
NICK
And a good evening to you too. You actually were right, Jack. There were some interesting things to learn at this convention. I've got some stuff to bring back to Somerset.
JACK
See, I told you… I've been to those seminars and conventions in Washington.
NICK
Well, actually, I'm at this bar now and I'm just going to unwind for a bit and have a couple beers or Manhattans with dinner. There's a big party going on in an upstairs room here and the more I avoid the crowds the better off I'll be.
JACK
Good to hear. Have a good night, my friend.
NICK
Hopefully I will.
As Nick says his last words to Jack, the bartender is cleaning some glasses when his attention is diverted to the staircase. He can’t see a face, but the camera focuses in on a woman from the waist down, slender in figure with shapely legs and wearing what appears to be a short black dress, descending the stairs.
Mysterious music plays behind the bar soundtrack as the picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
SCENE FOUR
FADE IN -- Giovanni’s
Jack has a glass of champagne for the end of the meal, and he is toasting Susannah.
JACK
To the newest employee of Martin Enterprises. May you have a long and prosperous career with my company.
He clinks Susannah's glass.
SUSANNAH
Hear hear. (Sips champagne) Mmm. The good stuff.
JACK
Actually it’s Giovanni’s good stuff. I'm not quite a Cristal man... nor am I Dom Perignon. I built my fortune by being a bit more frugal.
SUSANNAH
This works. I better quit before I have a repeat of what happened at dinner before.
JACK
This time… (he laughs) we’ll make sure you get home in one piece.
Susannah laughs as we quickly change scenes without music accompaniment.
CUT TO -- J. Sullivan’s
At the bar in Washington, Nick is watching TV as the Nationals are playing baseball.
NICK
Another Manhattan, bartender.
BARTENDER
Hey, coming right up.
We see the young woman has come off the staircase and she sees the TV on the ballgame. She quickly runs over and grabs the seat next to Nick.
For the first time, we see the woman in full view, with long, flaming ruby red hair, and she smiles as she turns and talks to Nick.
WOMAN
So who’s winning… Nats or Marlins?
Nick turns and smiles, suitably impressed.
NICK
I’m impressed. A woman who knows her baseball.
The woman looks down at what Nick is drinking and licks her lips.
WOMAN
And I’m impressed. A man who’s not afraid to drink the hard stuff. You up for a little company, handsome?
The woman smiles, full red lips and all, and Nick is a goner.
NICK
There is no way in hell I can turn down a smile like that.
BARTENDER
Miss, what are you drinking?
WOMAN
Vodka tonic, please.
The woman reaches for her purse. Nick thinks she’s going to grab money, so he signals the bartender and points at his napkin to say “on me”. He’s intent on buying her at least one drink.
Instead of money, the woman pulls out lip gloss and dabs her lips with it.
Nick looks a little transfixed as the music builds. The picture instantly cuts to black.
The Somerset credits roll.
BILL WOLFF
Women’s dresses by Jones of New York. Men’s wear by Barney’s.
Join us each weekday at this time for the continuing story of Somerset. And stay tuned for Harpers Falls, which follows immediately over most of these same stations.
The preceding program was pre-recorded.
Written by: Steve Ungrey
Airdate: July 25, 2008
SCENE ONE
FADE IN -- Martin Enterprises
We see the camera pan up in the sky towards the top floors of Martin Enterprises, as the episode opens by picking up where Thursday’s left off. In the last minutes of Thursday’s program, Susannah asked Jack point-blank if her father put pressure on Jack to hire her aboard Martin Enterprises.
SUSANNAH
Jack, you can be honest with me. Did Dad do this or not?
Jack appears a bit puzzled.
JACK
You act as if you’re upset.
SUSANNAH
(Vigorously shakes her head)
No, Jack, I’m not upset. I just want to do all this on my own, that’s all. No help from Dad. The name Sam Lucas carries a lot of weight in Oklahoma City these days.
JACK
I don’t get it, Susannah. You seemed so gung-ho about the job when we talked over dinner and NOW you have questions?
Jack takes a seat at his desk as Susannah sits down.
SUSANNAH
I don't mean to come across as harsh, Jack. I've told Dad I have to make it on my own, like I did as a corporate lawyer, and I don't want him calling in any favors.
JACK
I’ve seen what you’ve done over the years. The law firm you worked at when you were living away from Oklahoma City is quite a reputable place.
SUSANNAH
Well, I’m going to be 40 in a few years. I have to start fighting my own battles. Don’t you think?
JACK
You’re talking to someone who’s waaaaay past 40, Susannah. (Chuckles) Come on, Susannah. We all know 40 is the new 30. Think young.
SUSANNAH
Ha ha. If only it were that easy.
The door opens and Joanne comes in with two cups of coffee.
JOANNE
Here you go, Susannah. (Hands off a cup) Jack, as you like it. (Another cup gets passed)
SUSANNAH
Thanks, Joanne.
She sips from the cup and her eyes widen.
SUSANNAH
Hmm, strong coffee. That’s a plus about working here.
Jack grabs a notepad and pretends to jot notes down on the paper.
JACK
Likes strong coffee… is a bit bullheaded…
SUSANNAH
Oh, so I’m bullheaded, huh?
Joanne rolls her eyes and laughs.
JOANNE
I’m going to get out of here before I get rolled up in what’s going on.
JACK
(Checking wall clock)
Actually, Joanne, it’s late enough that if you want to knock off for the day you can go right ahead.
JOANNE
Are you sure? You’re expecting no late faxes or anything?
JACK
As far as I know, no. In fact, we’re going to probably continue this conversation over dinner.
JOANNE
Well, depending on where you guys dine, I may see you there. I’ll finish up a file and then I plan on having a drink or two after work myself.
JACK
Good. Get out of here and go knock em dead.
Joanne exits the office as the light music begins playing in the background. Jack and Susannah sip from their coffee cups as the picture changes.
DISSOLVE TO -- Washington, D.C.
After the obligatory overhead shot of the city with the “Washington” title card over it, the action shifts inside.
DISSOLVE TO -- A restaurant and bar somewhere in Washington
We see a bartender, played in a guest appearance by Eddie Steeples from “My Name is Earl”, cleaning glasses and stacking them behind the bar.
Nick comes in and spots the open seats at the bar and heads on over.
BARTENDER
Hey there. Welcome to J. Sullivan’s.
NICK
Hey. Have the Nationals started yet?
BARTENDER
That’s what I was going to check. Let me look. They’re down in Florida tonight and I don’t think it’s raining.
NICK
Good to hear, I hope not. (Nick hears a lot of commotion coming from the upstairs area) Wow, it’s not even 8 and it’s already hopping up there.
BARTENDER
Get used to it. There’s some sort of going-away party for someone going on upstairs. I got a feeling you’re safe down here. The drinks will be flowing. What’ll you have?
NICK
Manhattan, please. And a menu.
BARTENDER
Coming right up.
The bartender takes a glass and begins fixing up the Manhattan as music plays out of the scene. The picture fades to black.
The theme begins as we see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen.
BILL WOLFF
This… is Somerset.
This portion brought to you today by dark, sparkling Folger’s coffee. Folger’s. The coffee that tastes as rich as it looks.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Giovanni’s
Susannah and Jack have taken their conversation to the restaurant, where the two have ordered a bottle of wine and are celebrating her new job.
JACK
To my newest employee, may you like working for Martin Enterprises and may I be a boss that doesn’t run you into the ground.
Susannah lifts her wine glass.
SUSANNAH
Hear hear. I’ll drink to that.
The two clink wine glasses and Susannah enjoys a sip of wine.
SUSANNAH
Mmm. The taste of zinfandel is so good right about now. (Pauses) Was it true when you said I was bullheaded in the office?
JACK
Just like your mother used to be. I remember Lahoma and Sam at times having a field day over you and also Lahoma having trouble with Sam’s long hours at the plant.
SUSANNAH
I don’t recall much about that. I was in a crib a lot of the time.
JACK
She could be a handful, but Lahoma always loved Sam in the end until that time when the two of you split Somerset and then Sam left shortly after. I felt a bit adrift without him, but he’d mentored me so well that I was ready to grab the reins and go on.
SUSANNAH
Sounds like you had a good education, then.
JACK
It was good. (Sips from his wine glass) All kidding aside, Susannah, Sam did wonder how my staffing levels were, but I told him I was asking you to come work for me anyway.
SUSANNAH
So Dad tried to throw around his weight and make sure I’d have a job to support the house payments with on a regular basis. I saved a lot of my money when I was in Oklahoma City.
JACK
Well, his words fell on deaf ears with me because I told him I was already going to use your services.
SUSANNAH
So you had plans to hire me. I’m not surprised now that I hear that.
JACK
Susannah, I need a lot of legal help with Martin Enterprises. I'm marshaling my forces to combat a possible fight with the Cleybank Corporation over the future of this city.
SUSANNAH
Involving George. Oh boy, he’ll looooooove dealing with me. Is the future of the city that bad?
JACK
Oh, the city will survive. Don’t get me wrong. It survived me almost killing it with my boneheaded move of selling Delaney Brands to NutraSource. It was a very dark day when the cannery plant came down.
SUSANNAH
Let me guess. That’s what got George riled up at you.
JACK
I admit I really messed up. Robert said to me don’t worry, you were damned if you do or don’t with that transaction, but I wish I had done things differently. I think that’s why I stepped in several years later, bought the land -- when all those homes sprouted up and Grant's Preserve was born, I kind of felt vindicated.
SUSANNAH
Well, I’m glad to have a home there. So is Giovanni, I hear.
JACK
Yes. And there’s more where that came from, I’m sure.
SUSANNAH
And I've got the skills you need?
JACK
I can put you on retainer and have you do legal work for me when you're not out getting clients. What do you say?
SUSANNAH
Well... if Dad had nothing to do directly with setting this up... (smiles and outstretches her hand) You've got yourself a new lawyer.
JACK
That's the spirit! Welcome to Martin Enterprises.
Jack shakes Susannah’s hand and the two smile, as the picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “The Guiding Light” title card)
Now is the time to come in from the dark. Quick! Turn on the light! The Guiding Light, the way you imagine it could be. Part of the Daytime Royalty lineup. Weekdays.
(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF
And now, following station identification, we’ll return with the second half of Somerset.
The second half of Somerset is brought to you today by Butter Flavor Crisco, for foods that have rich butter flavor without all the cholesterol.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Giovanni’s
At the restaurant, Mike is at the bar nursing a cold brew when Joanne happens to walk in.
MIKE
Well, evening to you, Joanne! I was beginning to think you sat behind a computer screen all the time.
JOANNE
I figured I’d go back to my place, stretch out a bit, get a workout in and then have a couple drinks at Giovanni’s. Is your favorite nurse here?
MIKE
Not too loud, okay? I don’t want word to spread.
Mike sees Scott Garfield walk in and motions him over.
MIKE
You don’t mind a little company, do you?
JOANNE
Not at all. (Stands from her seat) Lt. Garfield, good evening.
SCOTT
Joanne, you look lovely as always.
JOANNE
Why, thank you. Sit with us. We were just talking about a few things.
MIKE
Well, if crime is so low in Somerset, I guess a police chief isn’t needed. Right, Scott?
SCOTT
Watch it. See if I let you have exclusives ever again.
MIKE
Relax, I’ll behave.
Mike laughs and drinks from his beer glass.
MIKE
Hey, by the way. We had a call come into our office about some activity down by the riverfront. What do you know about that?
SCOTT
It’s true, unfortunately.
JOANNE
What happened?
SCOTT
We've had trouble keeping people away from the dilapidated buildings. Old Somerset has had some casualties in terms of office and retail space. There’s all that explosive development behind the waterfront area but no one’s thought about the river.
JOANNE
Well… (smiles as she orders a whiskey sour) Someone has.
SCOTT
And I know who that someone is.
MIKE
Well, this is what I don’t understand. If there's such a problem down by the riverfront, has there been any thought given to urban renewal? Tearing down and starting over?
SCOTT
Careful. (Motions toward Jack) You don't want Jack to hear you saying that.
MIKE
Are you saying... his Project X or whatever the hell you call it involves restoration?
SCOTT
Well, he’s very private about his plans. You know that. He's trying to marshal together enough forces to push the renovation plans through. He wants -- hell, we all want -- all of downtown to be as vital as possible.
JOANNE
And Lord knows I’ve heard him talk about it enough. (Waves at Jack) I don’t mind it, though. I like seeing someone so passionate about saving the city. It’s either his way or The Cleybank Corporation takes over.
MIKE
Ugh. We don’t want that.
The back doors open and Giovanni comes out with a bowl of fettucine alfredo for Mike.
GIOVANNI
Mangia, Mike. Eat up. Menus for the both of you? Joanne, good to see you by the way.
JOANNE
You too, Giovanni. I ate dinner at home, no thanks.
GIOVANNI
(Feigns being offended)
I guess my cooking is not good enough for you. (Smiles) OK, maybe next time. By the way, Scott, guess who we heard from today.
Scott’s face brightens immediately.
SCOTT
Let me guess. I'm going to say it's Somerset's favorite model?
GIOVANNI
You bet. Rose got a lengthy e-mail from Annabella... she's likely coming home for a little while before she goes back to Italy for some more work.
SCOTT
Well, good for you! Now if you could only get your three children under one roof at one time you‘d be all set.
MIKE
Say, Giovanni, that’s good news. I always thought Annabella was drop-dead…
Giovanni turns to give the Petterino evil eye.
MIKE
Uhhh… (downs a shot of bourbon) Smart?
GIOVANNI
That’s better.
Giovanni laughs, along with Joanne and Scott.
CUT TO -- Jack’s table
Susannah is sipping from her wine while Jack is salting his dinner.
JACK
Thank you, by the way, for letting me take my newest employee out to dinner for a celebration. Have you given any thought about when you'd like to start?
SUSANNAH
Well, I was hoping to get a few things squared away at home first before I introduced work into my life here, but I can start whenever you'd like me.
JACK
How about the middle of next week? Your official title would be acquisitions manager. You'd be overseeing some of my properties and acting as a liaison between me and what I own. If you need more time...
Jack’s cell phone rings and he sees it’s Nick on the other end.
JACK
Hold that thought. (Presses button) Hello, Nicholas!
CUT TO -- J. Sullivan’s
Nick is drinking a Manhattan and watching the Marlins game.
NICK
And a good evening to you too. You actually were right, Jack. There were some interesting things to learn at this convention. I've got some stuff to bring back to Somerset.
JACK
See, I told you… I've been to those seminars and conventions in Washington.
NICK
Well, actually, I'm at this bar now and I'm just going to unwind for a bit and have a couple beers or Manhattans with dinner. There's a big party going on in an upstairs room here and the more I avoid the crowds the better off I'll be.
JACK
Good to hear. Have a good night, my friend.
NICK
Hopefully I will.
As Nick says his last words to Jack, the bartender is cleaning some glasses when his attention is diverted to the staircase. He can’t see a face, but the camera focuses in on a woman from the waist down, slender in figure with shapely legs and wearing what appears to be a short black dress, descending the stairs.
Mysterious music plays behind the bar soundtrack as the picture fades to black.
BILL WOLFF
We'll return to Somerset in just a moment.
SCENE FOUR
FADE IN -- Giovanni’s
Jack has a glass of champagne for the end of the meal, and he is toasting Susannah.
JACK
To the newest employee of Martin Enterprises. May you have a long and prosperous career with my company.
He clinks Susannah's glass.
SUSANNAH
Hear hear. (Sips champagne) Mmm. The good stuff.
JACK
Actually it’s Giovanni’s good stuff. I'm not quite a Cristal man... nor am I Dom Perignon. I built my fortune by being a bit more frugal.
SUSANNAH
This works. I better quit before I have a repeat of what happened at dinner before.
JACK
This time… (he laughs) we’ll make sure you get home in one piece.
Susannah laughs as we quickly change scenes without music accompaniment.
CUT TO -- J. Sullivan’s
At the bar in Washington, Nick is watching TV as the Nationals are playing baseball.
NICK
Another Manhattan, bartender.
BARTENDER
Hey, coming right up.
We see the young woman has come off the staircase and she sees the TV on the ballgame. She quickly runs over and grabs the seat next to Nick.
For the first time, we see the woman in full view, with long, flaming ruby red hair, and she smiles as she turns and talks to Nick.
WOMAN
So who’s winning… Nats or Marlins?
Nick turns and smiles, suitably impressed.
NICK
I’m impressed. A woman who knows her baseball.
The woman looks down at what Nick is drinking and licks her lips.
WOMAN
And I’m impressed. A man who’s not afraid to drink the hard stuff. You up for a little company, handsome?
The woman smiles, full red lips and all, and Nick is a goner.
NICK
There is no way in hell I can turn down a smile like that.
BARTENDER
Miss, what are you drinking?
WOMAN
Vodka tonic, please.
The woman reaches for her purse. Nick thinks she’s going to grab money, so he signals the bartender and points at his napkin to say “on me”. He’s intent on buying her at least one drink.
Instead of money, the woman pulls out lip gloss and dabs her lips with it.
Nick looks a little transfixed as the music builds. The picture instantly cuts to black.
The Somerset credits roll.
BILL WOLFF
Women’s dresses by Jones of New York. Men’s wear by Barney’s.
Join us each weekday at this time for the continuing story of Somerset. And stay tuned for Harpers Falls, which follows immediately over most of these same stations.
The preceding program was pre-recorded.
Sunday, August 18, 2013
EPISODE 9 -- A LION PROTECTS HIS CUB
SOMERSET EPISODE 9
Written by Steve Ungrey
Original Airdate Thursday July 24, 2008
SCENE ONE
FADE IN -- Washington, D.C.
We see stock footage of the Washington D.C. area, with the accompanying title below that says the city’s name, as the Capitol can be seen in the background and Pennsylvania Avenue in the foreground.
DISSOLVE TO -- A Washington hotel room
Nick is just checking in with people back in Somerset. He flew over early in the morning to check into his hotel and start interacting with people, and he is already finding some possible connections. Still, he can’t shake the fact he finds conventions boring.
After checking his messages at City Hall, Nick dials Jack at Martin Enterprises. Joanne answers on the other end.
JOANNE
Martin Enterprises, this is Joanne?
NICK
Hey Jo, Nick Barclay here.
JOANNE
(Smiles as she turns toward her computer screen)
Well, good afternoon, Mr. Barclay. How’s the capital treating you?
NICK
Don’t ask. It’s just like I thought it might be. Do you ever get tired of saying Martin Enterprises in your sleep?
JOANNE
It’s just like Pam on The Office. You get used to it.
NICK
I bet. Is Jack around?
JOANNE
You’re lucky. He’s been in Johnson City all morning and he just got back an hour or so ago.
NICK
Good deal.
JOANNE
I’ll put you through. Hold on a second.
CUT TO -- Jack’s office
We see Jack studying some folders when the phone rings. Picking it up, Jack springs into action.
JACK
Yes, Joanne? (Pauses) Ah, the prodigal city manager reports. Put him through.
The line clicks twice before Nick says hello.
JACK
And how are you? How’s the Rensslaer Hotel’s accommodations? I trust your suite is pretty good?
NICK
Well, you didn’t pay for it. This is strictly out of the City Hall account. I’m allotted an amount of money for seminars and training.
JACK
And I can’t add anything to it, I know. I know. How are things?
NICK
Well, I just wanted to let you know I'm among the living down here... if the seminars aren't putting me to sleep, that is.
JACK
Oh come on. You haven’t been to too many of them, have you?
NICK
A couple this afternoon, one in the early evening, and then a few more tomorrow. In the meantime, I’m going to go enjoy myself thoroughly in the interim.
JACK
(Sits at his desk with coffee, scanning some sheets)
Well, you left so early today to get down there and I didn't have a chance to say goodbye before you did.
NICK
I had to get out of here quickly, so I called a couple chits in with a friend at the airport and he got me a seat on this morning’s puddle jumper to Chicago. I flew to Washington from there.
JACK
And got in just in time, I take it?
NICK
Yes. And don’t worry about not getting to say goodbye. You’ve had your hands full with your dinner guests and then the stuff in Johnson City this morning. Is everything OK there?
JACK
Oh yes, everything is just fine. Sam and Lahoma left earlier today and I still haven't heard if anything went wrong. I did hear Zachary Cleypool is in the hospital, though.
NICK
Dear Lord, as a result of the car accident no doubt. George isn’t going to let Susannah and the Lucases forget that.
JACK
Well, don’t worry about that. You leave Susannah and George and company to me.
Jack smiles as a little fun, sinister music plays to take us into the opening credits.
The theme begins as we see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen.
BILL WOLFF
This… is Somerset.
This portion brought to you today by Ivory soap, the soap without a lot of extra ingredients. For a pure and natural kind of clean, lather up with Ivory.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Jack’s office
We continue the conversation between Jack and Nick about the convention.
JACK
You just bring back some knowledge on how to further your political career and we‘ll get along just fine.
NICK
Jack, that’s what I don’t understand. We don’t have a mayor here in Somerset. I’m essentially the head honcho. How can the youngest city manager ever in Somerset go even further? It would involve leaving the area.
JACK
Nicholas, you could run for anything! Mayor, yes, if they'd decide to create a mayor's position. You could run for state office. You could be a United States Senator.
NICK
I can dream about the latter, right?
JACK
Illinois has to turn red someday, doesn't it? (Pauses) Now how long do the seminars go today and tomorrow?
NICK
There's some stuff tonight and tomorrow. In all seriousness, it's all right, if you call seminars for city managers your cup of tea.
JACK
Well, by all means, have fun in Washington and make sure you sample some of the nightlife tonight.
NICK
I may sneak out to a bar and grab a drink or dinner. The Nationals are playing Florida tonight, so I might head out and watch the game.
JACK
That’s the spirit, my boy. Let me know how things go, OK?
NICK
You bet. Take care.
Nick puts down the phone on his end and then rests his head on his hands.
NICK
If I don’t die of boredom first.
Light music plays as Nick laughs to himself as he sips coffee.
DISSOLVE TO -- Somerset Hospital
The outside of Somerset Hospital appears, as we fade in on Zachary's room. Patrick, who just got to the hospital to make patient rounds, is examining Zachary's ankle.
PATRICK
Zachary, I didn’t know you wanted to stay here so much. Here you were all set to leave our care, and...
ZACHARY
And like an idiot, I stumbled. I think I may have twisted my ankle in the accident…
PATRICK
The tests we ran last night indicated no problems with your ankle. Did you have any other injuries in the last year?
Zachary thinks about it and then it dawns on him.
ZACHARY
Dammit… I suffered a foot injury last year when I was playing a pickup game of basketball with some friends and my doctor at the time told me that if I didn’t take it easy with the foot then something could happen.
PATRICK
Well, in your defense, I think you banged your foot against the bed at just the right point. Something inside shattered and now we have to find out just what happened.
Off-camera, a voice can be heard yelling “Where is my son?”
ZACHARY
Oh God, the cavalry’s here. Get ready.
Zachary covers his face with his hands, shakes his head and waits as George bursts into Zachary’s room.
GEORGE
What the hell did you do to my son? (He yells at Patrick) You call yourself a DOCTOR?
PATRICK
Mr. Cleypool, need I remind you this is a hospital and there are patients trying to rest?
GEORGE
This is a HOSPITAL? I thought it was the Somerset Country Club, tee time was at 9 and roast quail was being served for dinner. (Sheds the sarcasm) Of course I know this is a hospital, you insufferable…
PATRICK
Do you care to know how your son is or are you more interested in talking about the finer points of how we don’t treat patients well here?
George looks at Zachary’s new injury and back at Patrick, wondering how they could have let this happen.
GEORGE
Well, the last I knew he was supposed to be discharged this morning following the accident.
ZACHARY
And I still will be, Dad. Just a bit later on today. They're running a few tests.
Victoria has her nurses’ clipboard as she comes in the room, but she goes to a corner for a second while the drama plays out by Zachary’s bedside. Light music plays as Victoria looks at Zachary and George going at it.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “On The Road Again” title card)
A rolling stone collects no moss, but what if it travels in a circle and comes to rest where it started? Coming home is never easy after being On The Road Again. Coming weekdays this fall to the Daytime Royalty lineup.
(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF: And now, following station identification, we’ll return with the second half of Somerset. This portion is presented by Tide Total Care, the detergent that takes care of your laundry in seven different ways.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Somerset Hospital
The dramatic conversation continues between Zachary and George
GEORGE
(Looking at Patrick and Victoria)
And then he can go, right? Away from any further poking and prodding...
ZACHARY
Dad. I did this on my own. Remember last year when I busted up my foot playing basketball? Remember the doctor said it didn’t quite heal properly? Well, I banged my foot against the bed and it caused the injury to recur.
GEORGE
I should take that motorcycle away from you…
That last line gets Zachary, who has finally had enough.
ZACHARY
And what, Dad? Give me back my tricycle? My building blocks? Put me back in kindergarten?? Dad, I’m not two years old again. I’m over 21.
GEORGE
You think I don’t know that? I can't do anything because you're free and over 21 years old.
ZACHARY
You keep thinking I'm a child, in other words.
George sees he’s going to get nowhere arguing, so he gives up the ghost.
GEORGE
Well, get the hell out of that bed as soon as you can. I'm just headed upstairs for a board meeting. I’ll be upstairs for a few hours.
PATRICK
Mr. Cleypool, by the time your meeting is over, your son should be ready to go.
GEORGE
Good.
George turns and walks out of the room, and Victoria takes a couple steps forward. She’s gulping and swallowing a bit after seeing George in action.
VICTORIA
Is your dad always like that?
ZACHARY
I'm sorry you had to see that. You actually helped me out this morning when I fell. When you came back in you were actually pretty gentle in getting me back up on my feet.
VICTORIA
Hey, it’s all in a day's work. I'll be back in shortly.
Victoria leaves Zachary’s room and heads out to the nurses station. The phone rings just as Victoria reaches the counter.
VICTORIA
Timed just perfectly, whoever you are. (Picks up phone) Fourth floor, Nurse Petterino?
As Victoria is on the phone with a caller and writing something down on paper, Alana enters the station and checks her cubicle for messages. Alana sees Mike’s note when she opens it up and laughs to herself.
Victoria finishes up the call.
VICTORIA
OK, I'll make sure Dr. Kettering gets this note immediately. Thank you.
Victoria puts down the phone, looks up and smiles as she puts the paper in Dr. Kettering’s cubicle.
VICTORIA
Reading your latest love note?
ALANA
(Shakes her head)
Don't tell me you read this. If you did...
VICTORIA
I most certainly did not. If he’s he's whispering sweet nothings to you... (giggles)
Alana whacks Victoria over the head with her cardboard folder.
ALANA
See if I ever invite you over for mint chocolate chip ice cream again! For your information, Tori, he just wondered if I'd be free for coffee some night this week. And if not, he'd be happy to come to the hospital for coffee in the cafeteria.
VICTORIA
Well, isn’t that nice. Sounds like all he wants is to have a little coffee with his favorite nurse.
ALANA
Personally, if you ask me, I think the man is lovesick.
VICTORIA
Well, after some of what you told me last night… I think you might be too.
A bit of surprise music plays as Alana gets an incredulous look on her face. The picture fades to black.
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Somerset Hospital
The conversation between Victoria and Alana continues.
VICTORIA
Alana, did I strike a nerve?
Alana quickly regains her senses and shakes her head.
ALANA
No, no, you didn't. Is it that obvious? Tori, I can get along just fine without someone in my life. You're doing just fine without one.
VICTORIA
Career comes first for me, for now at least. And besides, I didn’t say you had to marry the guy now, did I?
ALANA
No, you didn't. It just seems like ever since Mike got roughed up a bit when there was that protest demonstration downtown and I checked him out, he's been smitten.
VICTORIA
I don’t think he’s smitten, Alana. He just wants to share a cup of joe with his favorite nurse.
ALANA
I should see if Taylor’s looking for a date. Might you be even interested? (Laughs)
VICTORIA
The last I knew, Taylor was working through some stuff… and me, I’m content pouring through books to study. My exam’s coming up in another several weeks, after all.
ALANA
That it is. All right, I’ll be down the hall checking on some patients.
As Alana takes her clipboards and disappears, Victoria shakes her head and laughs, thinking Alana is obviously missing out on something. Playful music is heard as the scene changes.
DISSOLVE TO -- Martin Enterprises
Joanne is at the desk sorting through some folders to give to Jack. As she stands up at her desk, ready to go inside, the elevator doors open and Susannah steps off.
JOANNE
Susannah! Good to see you again!
SUSANNAH
Good to see you too, Joanne. I might be seeing more of you if Jack and I have a good enough conversation.
Joanne’s face brightens.
JOANNE
Are you thinking of taking Jack up on his offer?
SUSANNAH
I just want to talk to him first. Is he available?
JOANNE
One second.
Joanne sits on the edge of the desk, picks up the phone and punches one button.
JOANNE
Jack, Susannah Lucas is here to see you. (Smiles) Thought so. OK.
She puts down the phone and motions with her hand.
JOANNE
Go right on in. He’s happy you’re here. Would you like anything before you settle in to talk to Jack?
SUSANNAH
Cup of coffee, maybe?
JOANNE
I was just about to get one myself, so I’ll bring two more with a tray.
SUSANNAH
Thanks. Wish me luck.
Susannah goes toward the door and opens it to find Jack at his desk, deep in paperwork.
JACK
Ah, Susannah! Thanks for rescuing me from this mountain of work. Did Lahoma and Sam get off safely this morning? I was over in Johnson City.
SUSANNAH
Safely off back to Oklahoma City. I got a text message from Dad an hour ago.
JACK
Adjusting fine already?
SUSANNAH
Well, I thought I’d begin my life as a single gal by coming over and safely asking you this one question.
JACK
Fire away.
SUSANNAH
Okay. (Pauses) Did Dad ask you to hire me?
The question catches Jack by surprise as the picture fades to black with accompanying closing music.
COMMERCIAL BREAK
The Somerset credits roll.
BILL WOLFF
This... was Somerset.
Mens suits by Brooks Brothers.
Jewelry by Monet.
Please stay tuned for Harpers Falls, which follows immediately over many of these same stations.
And join us each weekday afternoon at this time for the continuing story of Somerset. The preceding program was recorded.
Written by Steve Ungrey
Original Airdate Thursday July 24, 2008
SCENE ONE
FADE IN -- Washington, D.C.
We see stock footage of the Washington D.C. area, with the accompanying title below that says the city’s name, as the Capitol can be seen in the background and Pennsylvania Avenue in the foreground.
DISSOLVE TO -- A Washington hotel room
Nick is just checking in with people back in Somerset. He flew over early in the morning to check into his hotel and start interacting with people, and he is already finding some possible connections. Still, he can’t shake the fact he finds conventions boring.
After checking his messages at City Hall, Nick dials Jack at Martin Enterprises. Joanne answers on the other end.
JOANNE
Martin Enterprises, this is Joanne?
NICK
Hey Jo, Nick Barclay here.
JOANNE
(Smiles as she turns toward her computer screen)
Well, good afternoon, Mr. Barclay. How’s the capital treating you?
NICK
Don’t ask. It’s just like I thought it might be. Do you ever get tired of saying Martin Enterprises in your sleep?
JOANNE
It’s just like Pam on The Office. You get used to it.
NICK
I bet. Is Jack around?
JOANNE
You’re lucky. He’s been in Johnson City all morning and he just got back an hour or so ago.
NICK
Good deal.
JOANNE
I’ll put you through. Hold on a second.
CUT TO -- Jack’s office
We see Jack studying some folders when the phone rings. Picking it up, Jack springs into action.
JACK
Yes, Joanne? (Pauses) Ah, the prodigal city manager reports. Put him through.
The line clicks twice before Nick says hello.
JACK
And how are you? How’s the Rensslaer Hotel’s accommodations? I trust your suite is pretty good?
NICK
Well, you didn’t pay for it. This is strictly out of the City Hall account. I’m allotted an amount of money for seminars and training.
JACK
And I can’t add anything to it, I know. I know. How are things?
NICK
Well, I just wanted to let you know I'm among the living down here... if the seminars aren't putting me to sleep, that is.
JACK
Oh come on. You haven’t been to too many of them, have you?
NICK
A couple this afternoon, one in the early evening, and then a few more tomorrow. In the meantime, I’m going to go enjoy myself thoroughly in the interim.
JACK
(Sits at his desk with coffee, scanning some sheets)
Well, you left so early today to get down there and I didn't have a chance to say goodbye before you did.
NICK
I had to get out of here quickly, so I called a couple chits in with a friend at the airport and he got me a seat on this morning’s puddle jumper to Chicago. I flew to Washington from there.
JACK
And got in just in time, I take it?
NICK
Yes. And don’t worry about not getting to say goodbye. You’ve had your hands full with your dinner guests and then the stuff in Johnson City this morning. Is everything OK there?
JACK
Oh yes, everything is just fine. Sam and Lahoma left earlier today and I still haven't heard if anything went wrong. I did hear Zachary Cleypool is in the hospital, though.
NICK
Dear Lord, as a result of the car accident no doubt. George isn’t going to let Susannah and the Lucases forget that.
JACK
Well, don’t worry about that. You leave Susannah and George and company to me.
Jack smiles as a little fun, sinister music plays to take us into the opening credits.
The theme begins as we see an overhead shot of downtown as the camera is pulling away. The Somerset logo pops into position and goes toward the center of the screen.
BILL WOLFF
This… is Somerset.
This portion brought to you today by Ivory soap, the soap without a lot of extra ingredients. For a pure and natural kind of clean, lather up with Ivory.
COMMERCIAL BREAK
SCENE TWO
FADE IN -- Jack’s office
We continue the conversation between Jack and Nick about the convention.
JACK
You just bring back some knowledge on how to further your political career and we‘ll get along just fine.
NICK
Jack, that’s what I don’t understand. We don’t have a mayor here in Somerset. I’m essentially the head honcho. How can the youngest city manager ever in Somerset go even further? It would involve leaving the area.
JACK
Nicholas, you could run for anything! Mayor, yes, if they'd decide to create a mayor's position. You could run for state office. You could be a United States Senator.
NICK
I can dream about the latter, right?
JACK
Illinois has to turn red someday, doesn't it? (Pauses) Now how long do the seminars go today and tomorrow?
NICK
There's some stuff tonight and tomorrow. In all seriousness, it's all right, if you call seminars for city managers your cup of tea.
JACK
Well, by all means, have fun in Washington and make sure you sample some of the nightlife tonight.
NICK
I may sneak out to a bar and grab a drink or dinner. The Nationals are playing Florida tonight, so I might head out and watch the game.
JACK
That’s the spirit, my boy. Let me know how things go, OK?
NICK
You bet. Take care.
Nick puts down the phone on his end and then rests his head on his hands.
NICK
If I don’t die of boredom first.
Light music plays as Nick laughs to himself as he sips coffee.
DISSOLVE TO -- Somerset Hospital
The outside of Somerset Hospital appears, as we fade in on Zachary's room. Patrick, who just got to the hospital to make patient rounds, is examining Zachary's ankle.
PATRICK
Zachary, I didn’t know you wanted to stay here so much. Here you were all set to leave our care, and...
ZACHARY
And like an idiot, I stumbled. I think I may have twisted my ankle in the accident…
PATRICK
The tests we ran last night indicated no problems with your ankle. Did you have any other injuries in the last year?
Zachary thinks about it and then it dawns on him.
ZACHARY
Dammit… I suffered a foot injury last year when I was playing a pickup game of basketball with some friends and my doctor at the time told me that if I didn’t take it easy with the foot then something could happen.
PATRICK
Well, in your defense, I think you banged your foot against the bed at just the right point. Something inside shattered and now we have to find out just what happened.
Off-camera, a voice can be heard yelling “Where is my son?”
ZACHARY
Oh God, the cavalry’s here. Get ready.
Zachary covers his face with his hands, shakes his head and waits as George bursts into Zachary’s room.
GEORGE
What the hell did you do to my son? (He yells at Patrick) You call yourself a DOCTOR?
PATRICK
Mr. Cleypool, need I remind you this is a hospital and there are patients trying to rest?
GEORGE
This is a HOSPITAL? I thought it was the Somerset Country Club, tee time was at 9 and roast quail was being served for dinner. (Sheds the sarcasm) Of course I know this is a hospital, you insufferable…
PATRICK
Do you care to know how your son is or are you more interested in talking about the finer points of how we don’t treat patients well here?
George looks at Zachary’s new injury and back at Patrick, wondering how they could have let this happen.
GEORGE
Well, the last I knew he was supposed to be discharged this morning following the accident.
ZACHARY
And I still will be, Dad. Just a bit later on today. They're running a few tests.
Victoria has her nurses’ clipboard as she comes in the room, but she goes to a corner for a second while the drama plays out by Zachary’s bedside. Light music plays as Victoria looks at Zachary and George going at it.
BILL WOLFF
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
(We see “On The Road Again” title card)
A rolling stone collects no moss, but what if it travels in a circle and comes to rest where it started? Coming home is never easy after being On The Road Again. Coming weekdays this fall to the Daytime Royalty lineup.
(We see “Somerset” title card and hear a soft version of the theme)
BILL WOLFF: And now, following station identification, we’ll return with the second half of Somerset. This portion is presented by Tide Total Care, the detergent that takes care of your laundry in seven different ways.
COMMERCIAL BREAK
SCENE THREE
FADE IN -- Somerset Hospital
The dramatic conversation continues between Zachary and George
GEORGE
(Looking at Patrick and Victoria)
And then he can go, right? Away from any further poking and prodding...
ZACHARY
Dad. I did this on my own. Remember last year when I busted up my foot playing basketball? Remember the doctor said it didn’t quite heal properly? Well, I banged my foot against the bed and it caused the injury to recur.
GEORGE
I should take that motorcycle away from you…
That last line gets Zachary, who has finally had enough.
ZACHARY
And what, Dad? Give me back my tricycle? My building blocks? Put me back in kindergarten?? Dad, I’m not two years old again. I’m over 21.
GEORGE
You think I don’t know that? I can't do anything because you're free and over 21 years old.
ZACHARY
You keep thinking I'm a child, in other words.
George sees he’s going to get nowhere arguing, so he gives up the ghost.
GEORGE
Well, get the hell out of that bed as soon as you can. I'm just headed upstairs for a board meeting. I’ll be upstairs for a few hours.
PATRICK
Mr. Cleypool, by the time your meeting is over, your son should be ready to go.
GEORGE
Good.
George turns and walks out of the room, and Victoria takes a couple steps forward. She’s gulping and swallowing a bit after seeing George in action.
VICTORIA
Is your dad always like that?
ZACHARY
I'm sorry you had to see that. You actually helped me out this morning when I fell. When you came back in you were actually pretty gentle in getting me back up on my feet.
VICTORIA
Hey, it’s all in a day's work. I'll be back in shortly.
Victoria leaves Zachary’s room and heads out to the nurses station. The phone rings just as Victoria reaches the counter.
VICTORIA
Timed just perfectly, whoever you are. (Picks up phone) Fourth floor, Nurse Petterino?
As Victoria is on the phone with a caller and writing something down on paper, Alana enters the station and checks her cubicle for messages. Alana sees Mike’s note when she opens it up and laughs to herself.
Victoria finishes up the call.
VICTORIA
OK, I'll make sure Dr. Kettering gets this note immediately. Thank you.
Victoria puts down the phone, looks up and smiles as she puts the paper in Dr. Kettering’s cubicle.
VICTORIA
Reading your latest love note?
ALANA
(Shakes her head)
Don't tell me you read this. If you did...
VICTORIA
I most certainly did not. If he’s he's whispering sweet nothings to you... (giggles)
Alana whacks Victoria over the head with her cardboard folder.
ALANA
See if I ever invite you over for mint chocolate chip ice cream again! For your information, Tori, he just wondered if I'd be free for coffee some night this week. And if not, he'd be happy to come to the hospital for coffee in the cafeteria.
VICTORIA
Well, isn’t that nice. Sounds like all he wants is to have a little coffee with his favorite nurse.
ALANA
Personally, if you ask me, I think the man is lovesick.
VICTORIA
Well, after some of what you told me last night… I think you might be too.
A bit of surprise music plays as Alana gets an incredulous look on her face. The picture fades to black.
We'll return to Somerset in just a moment.
COMMERCIAL BREAK
SCENE FOUR
FADE IN -- Somerset Hospital
The conversation between Victoria and Alana continues.
VICTORIA
Alana, did I strike a nerve?
Alana quickly regains her senses and shakes her head.
ALANA
No, no, you didn't. Is it that obvious? Tori, I can get along just fine without someone in my life. You're doing just fine without one.
VICTORIA
Career comes first for me, for now at least. And besides, I didn’t say you had to marry the guy now, did I?
ALANA
No, you didn't. It just seems like ever since Mike got roughed up a bit when there was that protest demonstration downtown and I checked him out, he's been smitten.
VICTORIA
I don’t think he’s smitten, Alana. He just wants to share a cup of joe with his favorite nurse.
ALANA
I should see if Taylor’s looking for a date. Might you be even interested? (Laughs)
VICTORIA
The last I knew, Taylor was working through some stuff… and me, I’m content pouring through books to study. My exam’s coming up in another several weeks, after all.
ALANA
That it is. All right, I’ll be down the hall checking on some patients.
As Alana takes her clipboards and disappears, Victoria shakes her head and laughs, thinking Alana is obviously missing out on something. Playful music is heard as the scene changes.
DISSOLVE TO -- Martin Enterprises
Joanne is at the desk sorting through some folders to give to Jack. As she stands up at her desk, ready to go inside, the elevator doors open and Susannah steps off.
JOANNE
Susannah! Good to see you again!
SUSANNAH
Good to see you too, Joanne. I might be seeing more of you if Jack and I have a good enough conversation.
Joanne’s face brightens.
JOANNE
Are you thinking of taking Jack up on his offer?
SUSANNAH
I just want to talk to him first. Is he available?
JOANNE
One second.
Joanne sits on the edge of the desk, picks up the phone and punches one button.
JOANNE
Jack, Susannah Lucas is here to see you. (Smiles) Thought so. OK.
She puts down the phone and motions with her hand.
JOANNE
Go right on in. He’s happy you’re here. Would you like anything before you settle in to talk to Jack?
SUSANNAH
Cup of coffee, maybe?
JOANNE
I was just about to get one myself, so I’ll bring two more with a tray.
SUSANNAH
Thanks. Wish me luck.
Susannah goes toward the door and opens it to find Jack at his desk, deep in paperwork.
JACK
Ah, Susannah! Thanks for rescuing me from this mountain of work. Did Lahoma and Sam get off safely this morning? I was over in Johnson City.
SUSANNAH
Safely off back to Oklahoma City. I got a text message from Dad an hour ago.
JACK
Adjusting fine already?
SUSANNAH
Well, I thought I’d begin my life as a single gal by coming over and safely asking you this one question.
JACK
Fire away.
SUSANNAH
Okay. (Pauses) Did Dad ask you to hire me?
The question catches Jack by surprise as the picture fades to black with accompanying closing music.
COMMERCIAL BREAK
The Somerset credits roll.
BILL WOLFF
This... was Somerset.
Mens suits by Brooks Brothers.
Jewelry by Monet.
Please stay tuned for Harpers Falls, which follows immediately over many of these same stations.
And join us each weekday afternoon at this time for the continuing story of Somerset. The preceding program was recorded.
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